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  • £64.95

    Slaughter on 10th Avenue (Concert Band - Score and Parts) - Rodgers, Richard - Duthoit, W. J.

    Recorded on:QPRM125D FESTIVAL OF MUSIC 1996, Massed Bands of the Royal Air ForceQPRM126D FESTIVAL OF MUSIC 1997, Massed Band of the Royal Air ForceQPRM128D THE ROYAL AIR FORCE 80TH ANNIVERSARY CONCERT, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £164.95

    The Kings Go Forth (Concert Band - Score and Parts) - Gregson, Edward

    This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax.- Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £224.99

    Lux Futura - Kevin Houben

    Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.

    Estimated dispatch 7-14 working days

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  • £224.99

    Lux Futura (Concert Band - Score and Parts) - Houben, Kevin

    Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by B?la Bart?k. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the cor anglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. Duration: 17.00

    Estimated dispatch 7-14 working days

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  • £74.95

    Admirals Regiment (March) (Concert Band - Score and Parts) - Dunn, Vivian

    The ancestry of the Royal Marines dates back to the raising in 1664 of the Duke of York and Albanys Regiment, better known as the Admirals Regiment. Sir Vivian wrote this march to celebrate the Tercentenary o the Royal Marines, and it was included in the programme of music performed at the celebratory Royal Review of the Corps held in the grounds of Buckingham Palace in 1964.

    Estimated dispatch 7-14 working days
  • £14.95

    Admirals Regiment (March) (Concert Band - Score Only) - Dunn, Vivian

    The ancestry of the Royal Marines dates back to the raising in 1664 of the Duke of York and Albanys Regiment, better known as the Admirals Regiment. Sir Vivian wrote this march to celebrate the Tercentenary o the Royal Marines, and it was included in the programme of music performed at the celebratory Royal Review of the Corps held in the grounds of Buckingham Palace in 1964.

    Estimated dispatch 7-14 working days
  • £44.95

    SAR Force March (Concert Band - Score and Parts) - Wiffin, Rob

    This traditional march is dedicated to the audacious courage of the Search and Rescue Services of both the Royal Navy and the Royal Air Force. It was commissioned by the SAR Force with the mandate of writing something that was descriptive of its working life and incorporates the J B Dykes hymn tune Melita which is associated with the words ?€Eternal Father, Strong to Save (For those in peril on the sea)?€. It is recorded on High Flight The Band of the Royal Air Force College RAFMS/CD05006. Duration: 2.5

    Estimated dispatch 7-14 working days

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  • £137.95

    Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip

    Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £27.95

    Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip

    Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £59.95

    Tall Ships (Concert Band - Score and Parts) - Goodwin, Ron

    The Royal Tournament series now adds the illustrious talent of Ron Goodwin to its luminaries with all the historic dignity and grandeur of masted Tall Ships captured in the musical form of a fugue (shades of the Baroque era). The 1996 Royal Tournament , held annually in London, opened to the music of Tall Ships, played by the Massed Bands of the Royal Marines. This is powerful music from a master of the big screen, and the big occasion.

    Estimated dispatch 7-14 working days