Results
-
£84.99On the Movieset - John Emerson Blackstone
Glitter and glamour, good-looking people, a lot of Bling Bling and fast cars images like these will cross our minds when we think of the movie world. However, reality proves to be different : as a rule, a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making, and he incorporated them into 'On the Movie Set' . In the first part, 'The Clapboard', a 'director's assistant' is supposed to shout "Quieton the set'" and "Action!", as is done before a real scene is shot. Subsequently, in order to create the right atmosphere, the clacking of a 'Clapboard' should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background, so romantic music is of course heard in the next part, 'Love Scene'. At the end of a long working day 'It's a wrap' is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of 'On the Movie Set'. A red carpet and a glamorous reception should give your audience the feeling they are attending a real 'opening night'!
Estimated dispatch 7-14 working days
-
£174.10Norge i rdt, hvitt og bltt - Lars-Erik Larsson
Norge i rdt, hvitt og bltt ("Norway in Red, White and Blue") was commissioned by the Oslo Fagott Choir (yes, that is indeed a gay men's choir) for a concert with The Staff Band of the Armed Forces in 2015. I was given artistic licence to write a more modern and somewhat 'eclectic' arrangement for this originally Swedish melody written by Lars-Erik Larsson, which became something of a national liberation anthem when Nazi occupation ended in May 1945 - then with new lyrics by Finn B, Bias Bernhoft and Arild Feldborg.After the premiere in Oslo, and a music video with Oslo Fagott Choir and The Staff Band, broadcasted by Norwegian Broadcasting Corporation (NRK) on Constitution Day during coronavirus lockdown in 2020, I was approached by many to write an instrumental version of the arrangement for concert band. This version is now available through Norsk Noteservice.- Petter S. Kragstad -
Estimated dispatch 7-14 working days
-
£141.60Story Book - Daniele Carnevali
The piece, commissioned in 2001 by the Banda Civica di Soncino, is one of several works that have been specifically written for this prestigious wind orchestra by a number of well-known North European composers. "Story Book" is inspired by a group of tales that are a mixture of history and legend- the former based on historical facts, the latter on traditional beliefs- all connected with life in Soncino (a farming and industrial community in the Cremona plain). The tales are all involves events in the castle (which is still in very good condition) and life at court during the late Middle Ages and early Renaissance period. As the piece develops, it recounts the legend of strange presences in the castle tower (Phantom of the red tower), the bloody battle against invaders (The battle), the foggy landscape and strange female figures seen floating over marshland where there was once a lake (Enchanted lake), and finally the ceremony in the castle's Piazza d'Armi to celebrate victory over the invaders.
Estimated dispatch 7-14 working days
-
£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
-
£78.95Perseus Returns - Blake Buehler
Join the Greek hero Perseus as he completes his impossible quest to behead a monstress and save his mother in this march for grade 3 concert band. Perseus, the son of Zeus and Danae, was raised as a hero to protect his mother from King Polydectes. To be rid of Perseus, Polydectes sent him on an impossible quest to bring back the head of Medusa, the mortal Gorgon who could turn people to stone with her gaze. Taking pity on him, the gods gifted Perseus winged sandals to fly, a helmet of invisibility, and a bronze shield. He found Medusa in her cave and, using the shield as a mirror to avoid her deadly gaze, cut off her head. Perseus then escaped Medusa's vengeful sisters, donning the helmet of invisibility and winged sandals. As Perseus flew home, drops of Medusa's blood fell to the earth creating the coral in the red sea and the many-colored snakes in Libya. When Perseus returned, he used Medusa's head to turn Polydectes to stone and free his mother from her imprisonment. He then presented the head to his divine protector Athena, who placed it in the center of her shield.
Estimated dispatch 7-14 working days
-
£71.50Southwest Chronicles - Nancy H. Seward
Opening with the traditional Red River Valley, this selection offers experiences in legato phrasing with dynamic nuances. The Mexican Clapping Song follows, reinforcing the understanding of 6/8 meter. Every wind instrument has the melody at some time.
Estimated dispatch 7-14 working days
-
£82.50Cimarron Sketches - Roland Barrett
Written for and dedicated to the Red Carpet Country Band Directors Associaton in Oklahoma.
Estimated dispatch 7-14 working days
-
£71.50Wild Wyatt - Gary P. Gilroy
Wild Wyatt! was written as the second composition of a two-part series. The first in the series, Sand Castles,was originally titled Sand Castles for Noah, and was written by Dr. Gilroy for his godson, Noah Price. He then decided that it also might be fun to compose a fun tune for Noahs little brother, Wyatt, who is as wild as they come! With his long, wild and blazing red hair, Wyatt is one of the most intense and energetic youngsters the composer has ever known. The result is a concert band work with great passion, intense energy, and wild interruptions, well-suited to be called Wild Wyatt!
Estimated dispatch 7-14 working days
-
£179.99Outback - Thomas Doss
This work was commissioned by the "-sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans markedtheir decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with theworld around them. Maintaining the delicate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era calledDreamtime - the Aborigines' creation myth - play an important role in not only their beliefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this veryday.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also knownas Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although itdid not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, theywere unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions ofyears. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire.
Estimated dispatch 7-14 working days
-
£79.50Chasing Crimson - Dakota Pederson
Crimson, the deep and rich shade of red, is captured and eloquently displayed in this relentless composition.Chasing Crimson, an aggressive composition by Dakota Pederson, uses a traditional form and melody while incorporating creative harmonies with some dissonance. From measure one, audiences will be captivated by the memorable melody that showcases the power of a strong trombone section.
Estimated dispatch 7-14 working days
View Music