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£60.99After the Cakewalk - Robert Nathaniel Dett
Despite his having moved to the United States with his family when he was 11 years old, Robert Nathaniel Dett (1882-1943) was born in Canada where glimpses of his talent had already begun to manifest themselves at an early age. Among Dett's earliest titles was his Characteristic March Two-Step, After the Cakewalk. Perhaps written when Dett was just a teenager, this current edition is wholly based upon its original 1901 band publication that was arranged by Lee Orean Smith. Smith was also responsible for preparing Dett's piano solo version for publication, as well as its form for theatre orchestra and mandolin club. Owing to the fact that Smith's highly idiomatic scoring was prepared for a band of that period, this edition adapts, edits and extends Smith's instrumentation in order to make it possible for Dett's music to become available to a new generation of musicians and listeners alike. (Grade 4)
Estimated dispatch 7-14 working days
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£89.99Czardas - Vittorio Monti
This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse "Spotlight" series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!
Estimated dispatch 7-14 working days
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£79.99Nexus - James Curnow
The word nexus is defined as a tie or link between people and events. Nexus for solo trumpet and band includes several links between composer James Curnow and educator Alfred Watkins, to whom the work is dedicated. A well-knowntheme (particularly to Mr. Watkins' students) is drawn upon as the piece utilizes two primary musical settings - an energetic and agile scherzo that appears in the beginning and again at the end, contrasted with an expressiveballad theme. The soloist at the premiere (and on the recording) is Christopher Watkins, Alfred's son. This is a well-crafted and rewarding work for soloist and band alike. Dur: 6:00 (Recorded by the University of Alabama atBirmingham Wind Symphony - Dr. Sue Samuels, conductor. Christopher Watkins, trumpet soloist.) Also available for trumpet with piano reduction - HL00231702.
Estimated dispatch 7-14 working days
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£119.00
The Music Lesson - Robert W. Smith
Inspired by the command and structure of two Henri Matisse paintings under the name "The Music Lesson", this powerful work for alto saxophone and band will become a staple of the repertoire. From the strict structure of the opening piano statement to the classically influenced melodic interplay with the saxophone, the piece moves through a flowing musical environment highlighted by a virtuosic cadenza. The recapitulation of the initial melodic line completes our music lesson and provides a strong conclusion to "Three Conversations With Matisse", a suite for alto saxophone and band.
Estimated dispatch 7-14 working days
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£45.95
Walden - Chris Sharp
Inspired by the literature of Thoreau, this beautiful work for piano and concert band is perfect for changing the pace of your concert and to bring out a soloist, either from the band or a guest artist. Very reminiscent of the style of Dave Grusin, this work has a haunting harmonic progression and melody.
Estimated dispatch 7-14 working days
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£154.60Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£76.80Marche Militaire 3 - Franz Schubert
Schubert's military marches are originally written for fourhanded piano, the first being famous in its symphonic and band versions. This one is less known, but quite suited for a wind band adaptation.
Estimated dispatch 7-14 working days
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£76.80Cheers - Henry Mancini
Henry Mancini studied composition, piano and conducting at the famous Julliard School of Music. He started his musical career as a pianist and arranger with the Tex Beneke Band before working as arranger for the Universal movie pictures company. In the meantime he studied with Mario Castelnuevo-Tedesco and Ernst Krenek. He soon turned out to be a great sound-track composer and finally became famous with his 'Pink Panther Theme'. Mancini has always been a fine composer and arranger of swinging bigband music as well, which can be heard in Cheers skilfully arranged for symphonic band by Dick Ravenal.
Estimated dispatch 7-14 working days
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£61.00Marche de Concert - Serge Lancen
This concert march was originally written for the piano in 1960. In the meantime, his friend Dsir Dondeyne whom Serge Lancen had met as fellow-pupil at the Paris Conservatoire National Suprieur de Musique had drawn Serge's attention to the symphonic band. Dondeyne had been appointed conductort of the Paris Metropolitan Police Band in 1954. The Marche de Concert was orchestrated by Dsir Dondeyne in March 1961 and it was the very first time that both great musicians collaborated. The march was premiered by the Musique des Gardiens de la Paix on the bandstand of the famous and beautiful Paris public garden 'Jardin du Luxembourg' on 8 July 1961.
Estimated dispatch 7-14 working days
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£131.30Hymns And Dances II - J. Slothouwer
In 1990 Jochem Slothouwer composed Hymns and Cances II. This work for symphonic band and harp (ad libitum) is based on Hymns and Dances I for piano, mixed choir and percussion. The compostition is based on the contrast between hymnlike melodies and dance music episodes. The work, in five connected parts, seems to look for a reconciliation of both melodic and rythmical elements. The initial theme with the horns and the answer of the band form the base of the first part.The second part, charcterized by a vitorous dance rhythm, is dominated by the percussionn and syncopated motifs with the brass. A melody with the euphoniums almost imperceptibly slips into the ensemble and gradually gets to the foreground. The dance and the hymn reach a real climax interrupted by a short and dark intermezzo (part three). The clear sonority of part four, a fiery tarantella with many small byt virtuoso solos, is a new contras. The final adagio reuses the previously developed ideas of part one and ends in sheer ecstasy.
Estimated dispatch 7-14 working days
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