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  • £140.80

    Vespri Siciliani - Giuseppe Verdi

    In 1885 Verdi wrote I Vespri Siciliani, an opera which would provide him with an international reputation. The overture is based on motifs and themes from the opera, used in a rhapsodic way. A mysterious introduction and several energetic themes alternate with some passionate melodies, the secret of which only Verdi had. The French composer and conductor Paul Desprey made this arrangement for symphonic band.

    Estimated dispatch 7-14 working days

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  • £116.40

    Norma Ouverture - Vincenzo Bellini

    The composer of some famous operas such as 'La Sonnambula' and 'The Puritans', Vincenzo Bellini (1801-1835) was largely self-taught. Although he wrote eleven operas, only 'Norma' remained popular, not in the least because of its splendid lyrical arias such as Casta Diva (Chaste Goddess) and Mira, O Norma (Hear me, Norma) familiar to all music lovers. The opera 'Norma' is written to a libretto by Felice Romani, based on a French melodrama by Alexandre Soumet and Louis Belmontet dealing with a story of Druids during the Roman rule. The story is neither accurate historically nor convincing dramatically, but the score is full of brilliant melodies of a type calculated to exhibit a singer's virtuosity to the utmost. The Gods order the priestess and fortune-teller Norma to give the signal of revolt against the Romans in Gaul, but she postpones this because of her relationship with the Roman proconsul Pollione with whom she secretly had two children. In the meantime, Pollione has fallen in love with the young priestess Adalgisa and Norma wants to take revenge. Finally both Norma and Pollione die on the pyre. This tragical opera in two acts was first performed at the Scala of Milan on 26 December 1831.

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  • £61.00

    Duet Uit De Parelvissers - Georges Bizet

    The French composer Georges Bizet (Paris, 1838 - 1875) is not only famous because of his opera 'Carmen' and his stage music for 'L'Arlsienne'. His opera in three acts, 'Les Pcheurs de Perles' (The Pearl Fishers) based on a libretto by Cormon and Carr was premiered without real success in Paris in 1863. Yet, this exotic musical drama, set in Ceylon (the actual Sri Lanka), boasts some very beautiful tunes, such as this duet, here in an arrangement by Willy Hautvast for two trombones and wind band.

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  • £86.70

    The Silken Ladder - Gioachino Rossini

    The opera or 'farsa comica' in one act 'La Scala di Seta' (The Silken Ladder) by Gioacchino Rossini (1792-1868) was first performed at the 'San Mois' theatre in Venice on 9 May 1812. It is the story of the beautiful Giulia whose guardian wants her to marry a rich young man. However, Giulia is already married to a young man who climbs every night into her room by means of a silken ladder. In the splendid overture of this opera Rossini gave an important part to the wind ensemble. This classic of the early 19th century repertoire has been most skilfully and enthusiastically arranged for wind band by Lorenzo della Fonte.

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  • £93.60

    La Cambiale Di Matremonio - Gioachino Rossini

    Gioacchino Rossini is famous as composer of a fabulous series op splendid operas of which the overtures are often most popular and appreciated. The opera 'La Cambiale di Matrimonio' (the change of the wedding) was the first professional opera composed by young Rossini. He completed it in 1820 in only a few days and was only aged eighteen. As it did not cope with the level of his later operas, the work fell somewhat in oblivion, though the overture remains a favourite of the orchestral repertoire and is still often performed.

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  • £83.30

    Elsa's Procession - Richard Wagner

    Wagner composed his opera Lohengrin about 1849. This splendid piece is extracted from that opera. It describes a huge procession of nicely dressed guests headed by Elsa walking through the cathedral gate. The guests take their seats while Elsa proceeds to the altar to marry Lohengrin, the 'Swan Knight'. A brilliant theme starts in a subtle way and swells in some minutes into one of the absolute highlights of the late romantic period.

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  • £207.00

    Das Liebesverbot - Richard Wagner

    This young, comic opera, composed in 1835 on one of Wagner's own libretti, based on a play by Shakespeare, was unsuccessful at the Magdeburg theatre in 1836 and even the composer considered it a "sin of youth". After attempting in vain to have his first opera, "Le Fate", performed in Germany, Richard Wagner decided that his lack of success was due to the overwhelming competition of Italo-French music. He listened to Bellini, and became aware of the objective reasons for the great success of this music, comparing the warmth of life of Italian music to the frozen and meticulous German style. Hence he composed " Das Liebesverbot " with the sole aim of giving intense pleasure tothe public, without worrying about succumbing to the clichs of French and Italian music. That is why, when we listen to this music without knowing the name of the composer, we find ourselves in an embarrassing situation. We could easily attribute the work to some French composer, Meyerbeer, or Auber, for instance, but then the melodic ease and constructive linearity would bring Rossini to mind. By paying closer attention, however, we notice a boldness, an aggressiveness and a wealth of ideas that, together with clever orchestration, reveal the touch of the great German musician. " Das Liebesverbot " deserves to be performed more often, and we feel sure that the transcription for band will be an excellent vehicle of diffusion for this symphony.

    Estimated dispatch 7-14 working days
  • £149.40

    O Helga natt - Adolphe Charles Adam

    O Holy Night is a very well-known Christmas carol. The origin of the carol is French beginning with the words: "Minuit! Chrtiens, c'est l'heure solennelle". It is about the birth of Jesus and was written in 1843 by a wine merchant and poet by the name of Placide Cappeau (1808 77). He turned to the composer Adolphe Adam (1803 56) and asked him to write a suitable melody. The result was brilliant and the carol was premiered in Cappeau's home town Roquemaure in 1847 by the opera singer Emily Laurey. Based on Cappeau's French text, the English version was written in 1855 by an American Unitarian (Calvinist) minister by the name of John Sullivan Dwight (1813 93). Adolphe Adamwas the son of the pianist and composer Louis Adam (1758 1848), who did not want his son to follow in his foot-steps as a musician. However, Adolphe wanted otherwise, and already at the age of 17 he was accepted to study at the music conservatoire in Paris. He was a student under Franois Adrien Bo eldieu and composed several comical operas that became successful. After the July-revolution 1830 Adam moved to London. He worked for a couple of years before returning to Paris, where he founded a new opera house in 1847, the Th tre national. After the revolution in 1848 it had to close and Adam was ruined, why he had to go back to composing. In 1856 he concluded the ballet Le Corsaire, which together with the ballet Giselle are his most performed works today.

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  • £137.99

    Three Onegin Dances - Pyotr Ilyich Tchaikovsky

    Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

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  • £60.99

    Der Zaubermarsch - Rob Ares

    On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.

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