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  • £74.95

    La Traviata (Prelude) (Concert Band - Score and Parts) - Verdi, Giuseppe - Brand, Geoffrey

    La Traviata has become one of Verdi's most performed and best loved works. The Prelude, with which the opera opens, offers a fine example of Verdi's delicacy of scoring and genuine imagination in his writing for the theatre. Brand, Geoffrey has completed a masterful arrangement of this work for concert band.

    Estimated dispatch 7-14 working days
  • £14.95

    La Traviata (Prelude) (Concert Band - Score Only) - Verdi, Giuseppe - Brand, Geoffrey

    La Traviata has become one of Verdi's most performed and best loved works. The Prelude, with which the opera opens, offers a fine example of Verdi's delicacy of scoring and genuine imagination in his writing for the theatre. Brand, Geoffrey has completed a masterful arrangement of this work for concert band.

    Estimated dispatch 7-14 working days
  • £79.50

    Italian in Algiers (Overture) (Concert Band - Score and Parts) - Rossini, Gioachino - Cailliet, Lucien

    This overture to Rosinni's successful 1913 opera, "Italian in Algiers," captures his charismatic sparkling melodies in this traditional Lucian Calliet arrangement. In addition to serving as a compelling choice for concerts year round, this setting is a demonstrated exceptional fit for programming on summer or community band concerts. Duration: 8.15

    Estimated dispatch 7-14 working days

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  • £57.50

    Andrew Lloyd Webber in Concert (Concert Band - Score and Parts) - Lloyd Webber, Andrew - Sweeney, Michael

    No one creates memorable songs for the stage like Andrew Lloyd Webber, and Michael's skilful touch brings this marvellous music to younger players. Includes The Phantom of the Opera, Memory and Go Go Go Joseph.

    Estimated dispatch 7-14 working days
  • £60.99

    Carmen, Music from (Concert Band - Score and Parts) - Bizet, Georges - Saucedo, Richard L.

    Georges Bizet's famous opera features some of the best-known themes in all of classical music. This adaptation includes the stately Habenera, brief solos for flute and trumpet on the beautiful Flower Song, and an exciting closing on Toreador Song. Young bands are sure to enjoy the Spanish flare of this excellent arrangement.

    Estimated dispatch 7-14 working days
  • £89.99

    Preludio All' Atto II (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco

    For the first draft of the libretto of Un ballo in maschera (1859), Giuseppe Verdi drew his inspiration from the grand-opra Gustave III by Auber, an opera performed for the first time in Paris in 1833 that depicted the assassination of the King of Sweden. However, censorship, first in Naples and then in Rome, intervened and imposed heavy modifications. Perhaps because it was too demanding, Verdi showed no intransigence with the requests coming from Naples and refused to alter the libretto. On the other hand, he yielded to the requests of the Roman authorities and agreed to change the site of the action and the identity of the protagonists. Consequently, the scene moved from Stockholm to Boston and King Gustav became the Count of Warwick, Governor of Massachusetts.The prelude to the second act is very short and introduces the scene at the place where the scaffold stands. In only a few measures, Verdi skilfully succeeds in condensing the interior restlessness of the protagonists, alongside a prayer of hope.Duration: 2:15

    Estimated dispatch 7-14 working days

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  • £89.99

    Coro dei Gitani (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco

    Often, individual parts of operas become very successful, independent instrumental pieces. An outstanding example is the Anvil Chorus from Giuseppe Verdi's opera Il Trovatore. Thanks to its symphonic characteristics, it is especially suitable for concert band transcription without losing its original character.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £89.99

    Preludio All' Atto I (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco

    Ernani (1844), Giuseppe Verdi's fifth opera, is based on the homonymous tragedy by Victor Hugo. Verdi's success with Ernani, as well as Nabucco and I lombardi alla prima crociata, can be ascribed to two distinct ideas: the melodic idea and the patriotic idea. The melodic idea is very important to move and touch the audience, while the patriotic idea is the source of enthusiasm and emotions. Approximately ten years elapse between two similar stories: the one of the outlaw Ernani and the one of Manrico, the troubadour. In the prelude to Act I, in only three minutes, Verdi has succeeded in skilfully concentrating the main elements of the entire drama. One can clearly observe the themes of love, oath, and death.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £89.99

    Ave Maria (Trumpet Solo with Concert Band - Score and Parts) - Caccini, Giulio - Van der Beek, Wil

    Giulio Caccini (ca. 1550 - 1618), also known as Giulio Romano, was an Italian composer, singer, and lute player and is regarded as the founder of opera. Today, Caccini's music is receiving attention again being performed by world stars such as Andrea Bocelli and Inessa Galante. In this arrangement Ave Maria the solo part can be taken by several instruments or even a vocal soloist. The percussion, of course, is ad libitum.Duration: 4:00

    Estimated dispatch 7-14 working days
  • £139.99

    Aroldo (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco

    Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from "the genius of Busseto." Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, which told a story of adultery and which was censored for its "indecent" content. Verdi found the censorship of Stiffelio unacceptable, and with a performance in Verona approaching at the start of 1851, he wrote to his editor, Ricordi: "If my libretto is censored, it will not be possible to obtain the effect I desire, so I would rather wait until I can rewrite the last scene." But the modifications to Stiffelio did not stop there. The setting, the historical period and the finale were also completely changed. In the process of converting Stiffelio to Aroldo, Verdi no doubt succeeded in strengthening certain moments. However, the fame of the three operas he had written in the meantime - Rigoletto, Il Trovatore and La Traviata - did not allow Aroldo to receive the recognition it deserved. The opera's symphony is indeed a superb work and contains moments of outstanding lyricism. The trumpet solo in the introduction is the longest written by Verdi for this instrument.Duration: 8:45

    Estimated dispatch 7-14 working days

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