Results
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£126.50
Beating Beats (Concert Band - Score and Parts) - Van der Roost, Jan
Beating Beats rhythmically is a rather special piece: more conventional metres are manipulated in such a way that the listener (without score) may be confused and even misled at various points! The 'regular four beat accents in a 4/4 measure for example are often not adhered to, giving the impression of a different metre altogether. However, at the same time it may be that some instruments do follow this "normal" 4/4 metre, thus confusing everyone - performers and listeners alike! On one hand, it is a "simple" piece with very playable and melodic themes, but their mysterious rhythmic makes it not only sound more complicated, but also makes for a greater challenge for both players and the conductor! As is mostly the case with Jan Van der Roost's works, the orchestration is both colourful and contrasting, with every section of the modern wind orchestra used equally. All in all, it's a work full of surprises with some unexpected harmonies and special melodic lines but above all, with metrical and rhythmical sure to catch you unawares! Duration: 7.00
Estimated dispatch 7-14 working days
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£139.99
Heartbeat of a City (Concert Band - Score and Parts) - Schwarz, Otto M.
A city is founded, it has a heart that beats. But visible achievements such as buildings and infrastructure merely bear witness to what its true heart is made of, the people who have lived, and still live, in the city. The pulse of the city, brought to life by its heartbeat, changes over time. Who hasn't seen those time-lapse images showing twinkling lines of car lights as people make their way to work, while others stand at traffic lights, only moving as if at the push of a button? These are like life flowing in the veins, driven by a strong heart. Leonardo da Vinci had already imagined the rivers as the blood vessels of the Earth. In any city, though, it's not the rivers but the movement and activities of the people who live there. The heart doesn't always beat steadily, however, but its rhythm can be influenced by joy, fear, and many other things. Every city has its own pulse. This is also true of the university city of Marburg, where people from over 100 nations now live together in a cosmopolitan and tolerant community. This work describes the city from its founding in 1222, and the charity of Saint Elizabeth, all the way to the present day.Duration: 9.15
Estimated dispatch 7-14 working days
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£78.50
Dragon Fight (Concert Band - Score and Parts) - Schwarz, Otto M.
At the best viewpoint over the Alps of Liechtenstein, the village of Guflina is situated. Underneath the overhanging ledge, there is said to have been a cave in the mountain. In it lived a terrible dragon that was on the rampage on the surrounding meadows, spreading fear and terror among the population. At the same time there lived a giant man up in Guflina, who had the strength of twelve normal men. The farmers implored him to help them in their distress. The giant ventured to fight the dragon and was lying in wait above the cave. When the dragon refused to appear, the giant threw stones into the entrance of the cave. They got into a fight, which the giant only just won with difficulty. Since that day, people have lived in peace and prosperity.Duration: 7.15
Estimated dispatch 7-14 working days
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£78.50
Mont Blanc (Concert Band - Score and Parts) - Schwarz, Otto M.
With its height of 4,808 meters, Mont-Blanc is called the roof of Europe. The highest mountains on our planet have been insurmountable for a long time. Only in the past 250 years have those giants been mounted. Crystal-hunter Jacques Balmat and Michel-Gabriel Paccard, a doctor, were the first to climb Mont-Blanc, in 1786. Many paths lead to Mont-Blanc's peak: the regular ascent goes through the magnificent voie royale of Saint-Gervais-les- Bains, which was opened in August 1855 by the Englishmen Hudson, Kennedy, and Smythe. Today's most common route to climb up, starting from Saint-Gervais via Aiguille du Gouter (3,863m), Dome du Gouter (4,304m), and Arete des Bosses (4,547m), was first used in 1861. Otto M. Schwarz composed this work inspired by the roof of Europe with its luminous and huge glaciers. Early in the morning, mountain-climbers set off to the peak; they witness the sunrise, and experience the hazards that the journey up to the summit brings along. A snowstorm and falling rocks at Arete des Bosses aggravate their journey. A sudden change of weather, however, enables them to reach the top after a strenuous ascent. This piece invites you to an imaginary journey from Saint-Gervais-les-Bains via the voie royale to the top of Mont-Blanc.Duration: 6.45
Estimated dispatch 7-14 working days
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£109.99
James Bond 007 (Concert Band - Score and Parts) - De Meij, Johan
In this selection of well-known James Bond melodies, arranger Johan de Meij has availed himself of the following themes successively: All Time High (from Octopussy, Roger Moore's last role as secret agent 007), James Bond Theme (from the film Dr. No), For Your Eyes Only and Goldfinger (from the same movie, starring Sean Connery). The most important musical contributor to the James Bond movies has been composer John Barry (1933 - 2011). Apart from the above-mentioned themes of Goldfinger and Octopussy, he has also added to his name the themes of Thunderball, From Russia with Love, Moonraker and Diamonds are Forever. He also wrote the music for other famous films such as The Deep, Midnight Cowboy, Born Free and Out of Africa.Duration: 7.30
Estimated dispatch 7-14 working days
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£53.95
Monsters, Unite! (Concert Band - Score and Parts) - Dugger, Kelly
Monsters, Unite! by Kelly Dugger is a fun beginning band piece that is sure to be a hit, not only at Halloween time but all year round. Monsters all around the world are waking up to a calling to unite. Some are big, hairy creatures, and others are delicate and fairy-like. They walk and fly long distances to find each other. In the end, they all come together, marching as one. Just when you think they've marched off into the distance, they come together to surprise the audience. Unique percussion effects, timpani glissando and theremin (or flexatone) add to the spooky sound. A tuba solo at the end is followed by a surprising scream that will leave the performers and the audience giggling! Duration: 1.30
Estimated dispatch 7-14 working days
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£80.00
A Year in Three Minutes (Concert Band - Score and Parts) - Newton, Bryce
Unique and creative, Bryce Newton's "A Year in Three Minutes" is appropriate programming for end-of-year concerts, holiday programs, or any time that to reflect on a full year gone by! Musicians and audiences will enjoy all of the traditional annual celebrations in only three minutes. Teachers will appreciate Bryce Newton's careful regard for playability for younger players. Don't miss this one! Duration: 3.15
Estimated dispatch 7-14 working days
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£49.00
Half Off! (Concert Band - Score and Parts) - Webb, Amy
Teaching students the concept of cut time in music can be difficult and daunting, but not so with "Half Off!," an engaging, light-hearted learning tool. Using only notes and rests that are easily divisible by two, combined with a catchy tune, this song will quickly show kids that cut-time is nothing to be feared, and actually a lot of fun to play. Onward and upward with "Half Off!" Duration: 1.30
Estimated dispatch 7-14 working days
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£284.99
Symphony for Wind Ensemble (Concert Band - Score and Parts) - Stephenson, James M.
The symphony is in four movements. The first movement starts a single triangle note, followed by a guitar strum. The movement anxiously attempts to churn into action, only to be stifled repeatedly by the single triangle note. Finally, with the guitar as inspiration, the main theme gets under way, revealing an almost Spanish, or even Eastern European flavor. Ideas and themes get reworked, developed, repeated and augmented throughout the movement, before finally closing out just as it began, but in reverse: this time guitar followed by triangle. The second movement steals from an angular and shrieking motif of the first, but is presented in opposite fashion: with the warm blend of the low brass. Hints of iconic military symbolism are interspersed throughout this movement, as homage to the commissioning ensemble. The main theme is inverted and awarded to a solo trumpet midway before giving way to a brass fanfare, though not done loudly, but here muted, from afar. The low brass return at the end, fading away to nothing as the bell tolls. The third movement is merely a short interlude - a break, in almost Gershwin-like fashion - from the seriousness of the movements that precede and follow. Lastly, the fourth movement is a wild one: with mixed meters and plentiful percussion penned to propel the movement throughout. The movements' themes are all reworkings of material presented earlier. Duration: 25.00
Estimated dispatch 7-14 working days
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£148.00
Da Vinci (A Study on the Ivory Keys) (Concert Band - Score and Parts) - De Meij, Johan
The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. Da Vinci opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.Duration: 8.15
Estimated dispatch 7-14 working days