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£109.99The White Thrill - Franco Cesarini
The White Thrill is a composition written on behalf of the "Musikkapelle Sankt Anton am Arlberg", in Austria. The theme refers to the ski race "Der weisse Rausch", that takes place every year in Sankt Anton. The composition is in an overtureform, with a majestic introduction, a fast part, a slow part and a reprise of the fast part. One theme characterizes the entire composition, with its pleasantly syncopated and fascinating rhythms; symbolizing in music the sinuous gait of the trackand the rapid maneuvers of the skiers. In the introduction, the majestic aspect, symbolizes the charm of the summits covered with snow, the grandeur of the alpine landscape. In the slow part, one can imagine the quiet of winter nights lit by the moonand the stars. A beautiful and ingenious piece.
Estimated dispatch 7-14 working days
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£174.99
Toccata Festiva - Jan Van der Roost
'Toccata Festiva' was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the 'Toccata Festiva': on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).
Estimated dispatch 7-14 working days
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£95.95
It Came Upon A Coventry Carol - Bill Calhoun
Composer Bill Calhoun combines two popular Christmas carols into one sophisticated concert-style piece. It is bold and serious, containing shifting modalities and moves effortlessly from major to minor, and back again, many times throughout this effective setting. If you want to play something stunning and unexpected for your next holiday concert, then this is one that deserves serious consideration.
Estimated dispatch 7-14 working days
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£84.50
Glacier Canyon - Mike Forbes
Glacier Canyon is not specifically programmatic, but the piece has programmatic elements.?The work begins with the idea of walking up to and peering into a vast glacial canyon. It?then picks up steam as one imagines white-water rafting through the turbulent waters of the canyon below.?The folkloric middle section of the work evokes a sense of American natural beauty before one last romp through the rapids. A perfect selection to show off the musical skills of your young band at a festival.
Estimated dispatch 7-14 working days
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£35.50Triglav - Julius Fucik
Julius Fuc k (1872-1916) appreciated life in Sarajevo. First compositions were written, which soon made him become one of the leading representatives of his profession in Austria-Hungary. Among those works also figured his elaborate piece "Austria's Glory and Honor", which unfortunately remains kind of ill-fated up to now. Yet another area of activities, where Fu k was able to demonstrate his talents was to stage the symphony concerts introduced by him in Sarajevo. Late in fall of the year 1900 Fuc k's time had come, when the regiment deployed from Sarajevo to Budapest. He lived in that metropolis on the Danube for the next some ten years, and during that period most of hisworks were composed. At that time his popularity also grew from day to day. The first performances of his works met with general interest, and not only numerous officers most of them were friends of Fuc k attended these events, they rather were attractions for all ranks of the society. It should also not be overlooked that music publishers were anxious to secure almost each one of his works for their publishing company, and most of them were printed immediately after their premieres. In 1899 the "Laban March" was written as his Opus 44. It was dedicated to Major General Rudolf Laban of Vralje, commander of the 3d Mountain Brigade which was stationed in Nevesinje. The title of the march then changed to "Eiserne Brigade" ("Iron Brigade") until it finally became known as "Danubia". It was first printed as late as 1933 by Bohuslav Leopold (Edition Continental). Leopold was a musician in Fuc k's regimental band, and later a successful publisher. He succeeded in securing the best of Fuc k's works for his company. Sketches of "Triglav" date back to 1903. The title alludes to the highest mountain of the province of Slovenia, and this was probably an apt means in the eyes of the composer to demonstrate his "Slavonic patriotism".
Estimated dispatch 7-14 working days
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£115.60The Polka'phone - Fredrick Schjelderup
"The Polka'phone" is a jolly little xylophone duet inspired by traditional polka music. The duet fits every occasion and suits young percussion players. The piece can also be performed by one soloist, using the Xylophone 1-part.The Xylophone 1-part can be played one octave up if the players use the same instrument during the performance.
Estimated dispatch 7-14 working days
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£127.30Let's Meet the Band - Haakon Esplo
Let your youngest musicians present their instruments and be soloists in this simple piece!Let's meet the band has a tutti part as starts and finish and a flexible part in the middle (A and B) where the soloist plays B-part and the rest plays A-part as accompaniment.Repeat the middle part as many times as you want and let all who wants to be soloists stand up and play. One by one or together in small groups.
Estimated dispatch 7-14 working days
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£135.80Ad Quartum - Luciano Feliciani
The city of Quart derives its name from the Latin "Ad quartum ab Augusta lapidem", or four Roman miles from Augusta Praetoria, present-day Aosta, along the ancient Roman consular road of the Gauls. The fortress of Quart, whose construction began in 1185, is the main source of inspiration for the composition. The work begins, in fact, as if wrapped in a mysterious, suspended atmosphere, when the fog that envelops the manor suddenly thins out and lets one see the majestic building in all its austerity. A rhythmically exciting episode follows this brief introduction, ideally describing the events that have marked the long history of these places. The music highlights the percussion instruments, which evoke ancient medieval atmospheres in a modern language. The second theme, derived from the previous one, describes instead emotions and feelings of grandeur, beauty, and peace associated with the splendid Valle d'Aosta mountains that surround Quart. A developed melodic idea, supported by wide-ranging harmonies, attempts to musically portray the extraordinary natural beauty of these places. The reprise of the first theme, varied and presented in a lively and energetic movement, guides the final part of the piece: a coda where all the melodic and rhythmic ideas previously exposed are condensed.
Estimated dispatch 7-14 working days
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£126.50Expansion - Claudio Dorigato
This piece features two themes: one is slow and contemplative, the other is quicker and more rhythmic. The themes are repeated and rearranged several times in a combination of different harmonies and sound mixtures. Both arising out of one phrase, the two themes have been developed in a number of ways using modality as a language. Tiny fragments of the theme introduce and link the various moments. These fragments, repeated using different rhythms and combinations, lead to a finale where the melodic and harmonic elements come closer, continuously imitating each other and becoming more and more similar, until everything overlaps in different scales.
Estimated dispatch 7-14 working days
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£39.95Blues for Big Ears - Mark Nightingale
Blues for Big Ears is one of Mark Nightingales' Easy Jazzy Tudes, one of Warwick Music's bestselling publications. The band arrangement came about as a result of a stroke of inspiration. After teaching the piece to pupils the idea to arrange it for band was formed. The solo in the middle can be read, or if you have a budding player who likes to improvise feature them. The quavers throughout should not be swung! The Tubas and instruments playing the bass part, should aim for a light sound, and try to imitate the sound of a double bass playing pizziccato. As there are easy parts attached, band directors can include their youngest players, so they don't feel left out. If you have a good drummer, get him to improvise during the fills, rather than read the notated part.
Estimated dispatch 7-14 working days
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