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£119.99Hermitage - Jan de Haan
Jan de Haan drew inspiration for this work from five paintings exhibited in The Hermitage in Saint Petersburg, one of the largest and most versatile museums in the world. He used the melodious Andante cantabile from the String Quartet Op. 11 by the Russian composer Pyotr Ilyich Tchaikovsky as its starting point. Thus, he created his own musical painting, which is just as varied as the underlying canvases - from Cheerful Company by Dirck Hals to Dance II by Henri Matisse. A true work of art!
Estimated dispatch 7-14 working days
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£102.99Don't You Worry 'Bout A Thing - Stevie Wonder
Don't You Worry 'Bout A Thing is one of the most popular songs by Stevie Wonder and has been performed by various other famous artists throughout the years. The version from Al Jarreau is probably the most well known, and has been arranged by the Norwegian arranger Richard Johnsen.
Estimated dispatch 7-14 working days
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£106.95
Cradle of Liberty
Al Hayes was one of seven pseudonyms used by famous march composer Henry Fillmore. Fillmore became so popular and was so prolific in the early part of the 20th century that he had to resort to pennames as to not compete with himself. This is yet another tuneful, well-written march by Fillmore that has been given new life in this setting by arranger Laurie Lafferty. This is the perfect march for use as a festival warm-up that is of a moderate difficulty.
Estimated dispatch 7-14 working days
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£286.40Fifth Symphony - Alfred Reed
This work was commissioned by the Senzoku Gakuen College of Music in Tokyo in celebration of its 70th anniversary in 1994. However, in view of the invitation by WASBE (World Association of Symphonic Bands and Ensembles) for its Wind Orchestra to perform at the 7th annual convention of this association, to be held in Hamamatsu, Japan, in the summer of 1995, it was decided to premiere the music at that time instead of the anniversary year itself. The symphony is in three movements, with an introduction marked 'Moderately and sustained' leading to the first movement proper, a driving 'Allegro assai' whose main thematic material is first heard in the timpani and mallet percussion. The second movement, from which the symphony drives its sub-title, is an extended treatment of one of the oldest and most beloved Japanese folk songs 'Sakura' ('Cherry Blossoms'), a long-breathed elegiac melody taken as the basis for a free variation development through all the individual sections of the orchestra. The third movement is a brilliant rondo form (Allegro Molto, con fuoco) in which some elements of the preceding two movements are incorporated to bring the entire work to a breath-taking conclusion in a final burst of virtuoso performance from every instrument in the ensemble. The 'Fifth Symphony (Sakura)' was first performed on July 26th 1995, by the Senzoku Gakuen Symphonic Wind Orchestra under the direction of the composer, at the 7th WASBE Conference in Hamamatsu, Japan.
Estimated dispatch 7-14 working days
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£38.20Royal Jubilee - Henk van Lijnschooten
On the occasion of the 75th anniversary of the Royal Dutch Federation of Wind Bands Mr. Henk van Lijnschooten was commissioned to compose a festive march. The main condition for the composer to fulfill was to make this march suitable for execution by bands of varying levels.Almost every one of the appr. 1000 orchestras united in the Federation have the march Royal Jubilee in their possession. The positive response of numerrous bands proves that it is not just some "composition for an occasion" but a march of lasting value which can be used to advantage on festive and solemn events.Royal Jubilee is based on Dutch motifs. The first section is dominated by the initial motiv of the Dutc National Anthem Wilhelmus. It is not just by chance that it is done in marching tempo, the National Anthem stems from a seventeenth century marching song. It was later in history that is grew customary to perform the Wilhelmus at a more solemn tempo. The second section (trio) of Royal Jubilee is of a more solemn character and at its end a fragment can be heard of a song (wier Neerlands Bloed) that served as the Dutch National Anthem for some time but later went into oblivion. The scoring of Royal Jubilee has made it suitable for any type of windband, whereas a drumband could be added ad libitum.
Estimated dispatch 7-14 working days
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£141.60Story Book - Daniele Carnevali
The piece, commissioned in 2001 by the Banda Civica di Soncino, is one of several works that have been specifically written for this prestigious wind orchestra by a number of well-known North European composers. "Story Book" is inspired by a group of tales that are a mixture of history and legend- the former based on historical facts, the latter on traditional beliefs- all connected with life in Soncino (a farming and industrial community in the Cremona plain). The tales are all involves events in the castle (which is still in very good condition) and life at court during the late Middle Ages and early Renaissance period. As the piece develops, it recounts the legend of strange presences in the castle tower (Phantom of the red tower), the bloody battle against invaders (The battle), the foggy landscape and strange female figures seen floating over marshland where there was once a lake (Enchanted lake), and finally the ceremony in the castle's Piazza d'Armi to celebrate victory over the invaders.
Estimated dispatch 7-14 working days
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£154.95
Two Poems of Robert Frost - David Campo
Robert Frost (1874 - 1963) was one of the most popular, widely read and honored American poets of the 20th century; the two of his poems arguably most popular in the mainstream are "Stopping By Woods On A Snowy Evening" and "The Road Not Taken." On the surface, these two poems appear quite different; "Stopping By Woods On A Snowy Evening" is contemplative, set in the quietude of a winter night's snow, while "The Road Not Taken" is decisive, kinetic and brightly lit by a morning sun. These similarities and differences resonated deeply with the composer, and the opportunity to set recurring themes and melodies in such contrasting musical environments was the impetus and inspiration for this two movement work. Both movements conjure the remarkably different atmospheres of the respective poems but are interconnected thematically, giving the work cohesion and depth. Both are strikingly colorful and evocative. While the poems are not set literally, there are recurring allusions to the words present in the rhythm, particularly in the phrase "and miles to go before I sleep," as this line seems to especially reflect the physical and spiritual duality of both poems.
Estimated dispatch 7-14 working days
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£104.50Shock Wave - Gary D. Ziek
Shock Wave is a high-energy piece, driven by a constant sense of propulsion and rippling waves of motion. The initial shock wave is provided by percussion, leading into a tension-filled section with multiple layers of sound scattered throughout. Each new entrance or wave is accompanied by solo percussion which builds to a frenzied, swirling state. Layer upon layer of musical pressure builds until the final resolution with the percussion getting the last word, providing one final "aftershock" for a decisive finish.
Estimated dispatch 7-14 working days
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£131.30Hymns And Dances II - J. Slothouwer
In 1990 Jochem Slothouwer composed Hymns and Cances II. This work for symphonic band and harp (ad libitum) is based on Hymns and Dances I for piano, mixed choir and percussion. The compostition is based on the contrast between hymnlike melodies and dance music episodes. The work, in five connected parts, seems to look for a reconciliation of both melodic and rythmical elements. The initial theme with the horns and the answer of the band form the base of the first part.The second part, charcterized by a vitorous dance rhythm, is dominated by the percussionn and syncopated motifs with the brass. A melody with the euphoniums almost imperceptibly slips into the ensemble and gradually gets to the foreground. The dance and the hymn reach a real climax interrupted by a short and dark intermezzo (part three). The clear sonority of part four, a fiery tarantella with many small byt virtuoso solos, is a new contras. The final adagio reuses the previously developed ideas of part one and ends in sheer ecstasy.
Estimated dispatch 7-14 working days
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£116.40Cacabus Rhapsodie - Peter Kleine Schaars
This rhapsody for solo quintet and band has been composed especially for bands of the honour's division boasting 2 oboes, one cor anglais and 2 bassoons. The classical dance forms played by the quintet dialogue and contrast with the modern styles played by the band. The solo parts can also be played by a saxophone quintet or any wind quintet.
Estimated dispatch 7-14 working days
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