Results
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£54.95
Now Is the Merry Month of Maying - Morley
Estimated dispatch 7-14 working days
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£107.00
Boy Bands Then and Now
Estimated dispatch 7-14 working days
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£73.00
Gonna Fly Now (Warner)
Estimated dispatch 7-14 working days
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£104.50Before Thy Throne I Now Appear - Daniel Bukvich
Bachs last composition is an organ prelude based on the chorale Wenn Wie in Houchsten Noten Sin. Bukvichs re-composition includes this organ prelude plus the original melody and two of Bachs harmonizations, resulting in a highly emotional work. ( 5 minutes 30 seconds)
Estimated dispatch 7-14 working days
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£76.99Gonna Fly Now - Bill Conti
This is best known as the theme from Rocky, the 1997 smash hit for composer, conductor and Oscar winner Bill Conti. The Italian composer Lorenzo Bocci has taken this exciting piece and made it accessible for concert bands.
Estimated dispatch 7-14 working days
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£104.99Gonna Fly Now (Theme From Rocky) - Bill Conti
This is best known as the theme from Rocky, the 1997 smash hitfor composer, conductor and Oscar winner Bill Conti. The Japanesearranger Naohiro Iwai has taken this exciting piece and made it intoa stirring concert item for concert band.
Estimated dispatch 7-14 working days
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£108.10Gonna Fly Now (arr. Saurer)
Estimated dispatch 7-14 working days
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£104.50Eternal Father, Strong To Save - Claude T. Smith
Legendary composer W. Francis McBeth once said, "If Claude Smith only wrote the fanfare to "Eternal Father," he would still be a legend. Smith takes the Navy's hymn as the basis for his fanfare. This famous hymn tune, normally in the major key, has now been placed in the minor key then transitions to Allegro Vivace. The hymn tune is put through its paces including several variations and two fugatos (one for the woodwinds and one for brass). A short transition,(including the famous 7/8 measure!) to the now well-known setting for French horn quartet, gives us an emotional rendition of the original hymn tune now in the major key. The full band plays the hymn, and a timpani roll takes us back to the original fanfare now in C major. A classic of literature and a composition which will provide a meaningful experience for musician and audience member alike.
Estimated dispatch 7-14 working days
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£53.95Haunted Sleigh Ride (Concert Band - Score and Parts) - Pierpont, James Lord - Beck, Brian
Haunted Sleigh Ride is based on "Jingle Bells" but shifted to a minor key, transforming a winter favourite into an eerie adventure into the snowy unknown. We may not be "laughing all the way." Brian Beck's setting is jam-packed with various style and dynamic markings as well as accidentals in every part, challenging musicians, and engaging audiences. Shifting a piece from major to minor (or vice versa) will instantly illuminate a melody and breathe new life into a piece. What was happy is now sad, what was dark is now vibrant, and, in this case, what was cheerful is now spooky. Duration: 2.15
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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