Results
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£104.50Comrades Of The Legion - John Philip Sousa
Dedicated to the American Legion, this march was originally published in 1920. On this publication, Sousa, a Naval officer in World War I and always a patriot, listed his name as John Philip Sousa, Lieut. Com. U.S.N.R.F.
Estimated dispatch 7-14 working days
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£54.99Armada - David Gorham
Throughout history, the awe-inspiring sight of a fleet of powerful warships never fails to impress. This full-sounding and dramatic work for first-year band projects the menacing thrill of naval power on display. You can increase the impact by adding as many players as you like to the percussion parts, creating a sonic broadside that will rouse your audience.
Estimated dispatch 7-14 working days
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£89.99Light of the Sword - Itaru Sakai
This work takes both its name and inspiration from a lighthouse "Sword Cape" that keeps watch near Japan's naval base. The piece describes how, come rain or shine, the lighthouse bids a safe journey to departing ships, guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by, white-capped waves, the deep blue of the ocean and the light of 'sword cape" as it silently guides ships over the mysterious waters.
Estimated dispatch 7-14 working days
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£64.00Fair Winds and Following Seas - Steven Rosenhaus
The saying "Fair Winds and Following Seas" is offered to sailors as a gesture of good will and good luck to those who have served with courage and integrity and will be missed. The composer writes: I have had the honor and pleasure of composing works for U.S. military ensembles, particularly for the U.S. Navy Band and the U.S. Naval Forces Europe Band.
Estimated dispatch 12-14 working days
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£94.00With Wind and Water
With Wind and Wateris a musical portrayal of an adventure on the high seas during the sailing age. Large sailing vessels dominated global exploration, international trade, and naval warfare during the 16th to the mid-19th century.The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
Estimated dispatch 12-14 working days
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£99.99Kure - Core City of the East (Movement 1 of Beyond the Horizon) (Concert Band - Score and Parts) - Yagisawa, Satoshi
Beyond the Horizon is available in three separate movements that each can be played independently, but also link up with each other perfectly to form a rounded whole. Thus it is possible to perform the complete three-movement work, but you can also choose to play one of the movements.The first movement, 'Kure', describes the lively Japanese city of the same name and its surroundings.Movement two, 'Setouchi', reflects the local inland sea.The third movement, 'Yamato', is all about the battleship that was built at the naval shipyard of Kure.Three expressive pieces of music full of atmosphere!Duration: 7.00
Estimated dispatch 7-14 working days
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£100.00Battles (Concert Band - Score and Parts) - Dobson, Simon
Battles was written for the restoration of the epic 1927 silent film The Battles of Coronel and Falkland Islands, and was commissioned by the British Film Institute (BFI) in 2013. The work presents eight contrasting scenes as a continuous sequence: War, Introduction of Admiral von Spee, German Banquet, Building Steam/Preparing, Islanders, Call to Arms, Great Battle at Sea and Victory. The original score was written for a small chamber orchestra, symphonic brass and a substantial batterie of tuned and untuned percussion. Battles has been edited for symphonic wind orchestra with percussion and harp. Composer Simon Dobson says of his colourful score, "I wanted to keep things simple and clear, so there is a British theme, a fanfare march idea, often heard on trumpet, and a German naval theme, which is a more angular motif." Duration: 13.00
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£113.00Eternal Vigilance (The Long Brave Line) (Concert Band - Score and Parts) - Jager, Robert
The result of a collaborative commission by the U.S. Air Force Academy Band, the U.S. Coast Guard Band, the U.S. Military Academy Band and the U.S. Naval Academy Band, this major work for band takes its title from a quote attributed to Thomas Jefferson, "Eternal vigilance is the price of liberty," and a variation of the West Point motto, "The Long Gray Line." Opening with a tribute to those who have gone before in service to our country, a solemn, noble theme is presented that reappears near the end of the composition. The main body of the work is a series of march-like themes and idiomatic fragments culminating in a glorious full-band fanfare. Following a restatement of the "noble" theme, a stirring coda brings the music to a climactic close.Duration: 8:30
Estimated dispatch 7-14 working days
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