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  • £102.99

    Karachi Boulevard - Willy Fransen

    Karachi Boulevard is a piece of music is inspired by the city of Karachi in Pakistan. This composition was made according to the theme-and-variations principle.The main theme of the work consists of a whole musical scale and this immediately gives the arrangement an Oriental flavour. This theme is cleverly disguised in endless, almost unrecognisable variations in a series of short interconnected fragments. Following a brief presentation of the thematic material, a rhythmic allegro part, in 7/8 time, is played by the piccolo. Next, some improvisation by the clarinet are played with vocal accompaniment by a number of "inhabitants" of Karachi. In the following part, anextremely moody and impressionist andante breaks through the hectic confusion when a flute solo brings a totally different variation of the theme. After this variation, a compelling folk dance in 3/4 time is played and the piece ends in a grand finale whereby the theme can be heard once again, albeit reduced to its simplest form and enhanced by rhythmic decorations from the woodwind.Despite the many variations, this exceptional piece is composed of different parts that form a logical sequence and make a very strong musical impression on the audience.

    Estimated dispatch 7-14 working days

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  • £274.99

    Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán

    I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."

    Estimated dispatch 7-14 working days

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  • £264.99

    Diferencias on an Old Spanish Song - Yasuhide Ito

    I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)

    Estimated dispatch 7-14 working days

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  • £72.99

    Lip Benders - Ray Cramer

    Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of the ESSENTIALS OF MUSICIANSHIP series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can mazimize this time, and focus on specific areas that are important to the performance of the music being prepared. This product is sold as a standard concert band set (score and parts).

    Estimated dispatch 7-14 working days

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  • £114.99

    Tone Studies 2 for Band - James Curnow

    Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of theESSENTIALS OF MUSICIANSHIP series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can mazimize this time, and focus on specific areas that areimportant to the performance of the music being prepared. This product is sold as a standard concert band set (score and parts).

    Estimated dispatch 7-14 working days
  • £102.99

    Style Studies for Band - James Curnow

    Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of the ESSENTIALS OF MUSICIANSHIP series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can mazimize this time, and focus on specific areas that are important to the performance of the music being prepared. This is not a book, but rather it is a sheet music publication just like any other band publication.

    Estimated dispatch 7-14 working days

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  • £99.99

    A Colonial Collage - James L. Hosay

    Explore new musical frontiers with COLONIAL COLLAGE! The three most prevalent musical styles of the Revolutionary era- fife and drum music, the country dance and the sacred hymn- are woven together here as a melodic reflection of life and culture in Colonial America.A challenging and rewarding selection for any number of venues, the brilliant opening and beautiful hymnodic sections balance perfectly in this artfully composed original piece by James L. Hosay. Stake your claim to this enticing new work today !

    Estimated dispatch 7-14 working days

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  • £74.99

    Interval Studies - James Curnow

    Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of the ESSENTIALS OF MUSICIANSHIP series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can mazimize this time, and focus on specific areas that are important to the performance of the music being prepared. This is not a book, but rather it is a sheet music publication just like any other band publication.

    Estimated dispatch 7-14 working days

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  • £57.50

    Scale Preps for Beginning Band - Mike Hannickel

    Every conductor knows the importance of using excellent teaching materials to aid in the development of all aspects of musical growth. The quality of the band's performance must be continually improving. Each component of theESSENTIALS OF MUSICIANSHIP series is designed to focus on a specific area of musical performance. By using these materials during the warm-up period, the conductor can mazimize this time, and focus on specific areas that areimportant to the performance of the music being prepared. This product is sold as a standard concert band set (score and parts).

    Estimated dispatch 7-14 working days
  • £102.99

    Spirit of the Pioneers - James Curnow

    James Curnow presents an outstanding new overture for band. A wealth of enchanting musical ideas are masterfully developed and contrasted in this magnificent composition. What a delightful musical statement! The ever-optimistic spirit of the pioneers is beautifully represented throughout this bright and cheerful concert offering. It's fun to play and an accessible joy for the audience to hear. Be sure and listen to the demonstration CD. You are sure to like Spirit of the Pioneers. Opportunities abound for cross-curricular tie-ins.Unforgettable!

    Estimated dispatch 7-14 working days

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