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  • £89.99

    Second Essay (Concert Band - Score and Parts) - Barber, Samuel - Schneider, George R.

    Composed in 1942, Barber's Second Essay is a masterwork of concentrated musical drama, with a richness of texture comprised of highly charged and succinctly organised musical modules. The opening theme has a definite American flavor, which is followed by a fugal section that evolves from simple tonal patterns to polytonality. After an intensely rhythmic third section, all elements are combined in a huge climax and coda that round off the work. Expertly transcribed for symphonic band by Dr. George Schneider, this is certain to find its place in the standard repertoire for mature ensembles. Duration: 11:00 (Grade 5)

    Estimated dispatch 7-14 working days
  • £89.99

    Cambrian Explosion (Concert Band - Score and Parts) - Saucedo, Richard L.

    The Cambrian period of our planet's geological history (roughly 500 million years ago) saw an explosion of plant and animal diversity evolving into many of the complex life forms familiar today. Richard Saucedo gives us an "explosion" of musical forms and surprises in this fast-paced and powerful work for mature bands. A recurring mallet and timpani pattern provides unity amidst a diverse musical palette that ranges from jazzy to celebratory. The sudden appearance of the familiar hymn "For the Beauty of the Earth" is both stunning and dramatic as it ties the entire work together. Wonderfully creative!Duration: 3:10

    Estimated dispatch 7-14 working days
  • £84.50

    Ghost Dances (Wounded Knee, 1890) (Concert Band - Score and Parts) - Barrett, Roland

    Inspired by the tragic score of the Lakota Sioux massacre at Wounded Knee in 1890, this dynamic Roland Barrett original work is contemporary, featuring aleatoric musical fragments, and exceeds the bounds of an ultra-emotional musical presentation. Bravo!Duration: 6:45

    Estimated dispatch 7-14 working days

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  • £70.50

    A New Birth of Freedom (Narrator with Concert Band - Score and Parts) - Bass, Randol Alan

    This narrative setting of Lincoln's immortal Gettysburg Address is as beautiful as the speech is on paper, the best way to appreciate Lincoln's musical instinct for timbre, phrasing, and rhythmic patterns is through recitation and American composer Randol Alan Bass has created a unique musical opportunity for us to do that.Duration: 4:30

    Estimated dispatch 7-14 working days

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  • £159.99

    1834 (Machera Impressions) (Concert Band - Score and Parts) - Van der Roost, Jan

    The twofold title of this concert work is directly connected with the band who commissioned it. The 'Harmonie Municipale Grevenmacher' - from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg - was founded in the year 1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher. In 2009, this music society - the third oldest still in existence in the country - celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires the musical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character of Grevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peace and excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The premire, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musical festivities to a close. The 'Harmonie Municipale Grevenmacher' faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!Duration: 11:00

    Estimated dispatch 7-14 working days

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  • £164.95

    Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £32.95

    Elgar Variations (Concert Band - Score only) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £62.95

    Sixties Gold (Concert Band - Score and Parts) - Wagner, Douglas E.

    Chocked full of style, the medley includes "Chain Gang," "Only Sixteen," 'You Send Me" and "What a Wonderful World." These Sam Cooke tunes are both familiar and revered. Quite honestly a legitimate part of our musical heritage. Comfortably scored at the concert band level by Douglas Wagner, join the fun with this charming musical stroll through the 60s. Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £420.99

    Four Earth Songs (Concert Band - Score and Parts) - Putz, Marco

    The hymn Nun ruhen alle Wlder (Now All Forests Rest), arranged by J.S. Bach (No. 6, So sei nun, Seele, deine, from Cantata BWV 13), is a guiding light throughout this four-movement composition. Pu?tz wrote this work as a musical outcry against the wilful, profit-driven destruction of our environment. When Bach used the word "ruhen" (to rest) over 350 years ago, it probably had a different nuance from the meaning it has today. At the beginning of the 21st century - the so-called age of progress - "nun ruhen alle Wlder" should mean "now all forests die" . Massive industrialization and globalization, coupled with pure greed, corruption, political scandals, an ever-widening gap between the rich and poor, and other such senseless human actions, are pushing our blue planet closer and closer to the point of no return. This work is not intended to be a ranting accusation. It should remind us of the beauty and harmony that can exist all around us in nature, if we take care of it. Pu?tz hopes that this will, one day, help put a greater emphasis on humanity's survival, and coexistence with nature rather than the exploitation described earlier. All four texts were created by Australian poet Graeme King, whose works were discovered by Pu?tz, by chance on the internet. Pu?tz was especially captivated by King's clarity, and intrigued by the possibilities of adapting and melding the strong rhythmical structure of King's writing with his own musical language. The four movements are as follows: 1. Tears of Nature 2. Grrrevolution 3. Stand up! 4. Tomorrow The world premire of Four Earth Songs took place on 7 July 2009 at the 14th WASBE-Conference in Cincinnati (USA). This work is dedicated in friendship to Jouke Hoekstra, conductor, and the Frysk Fanfare Orkest (the Frisian Fanfare-Orchestra).Duration: 27:30

    Estimated dispatch 7-14 working days

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  • £98.00

    Brazil: Ceremony, Song and Samba (Concert Band - Score and Parts) - Smith, Robert W.

    At long last, Robert W. Smith continues his musical journey that began in western Africa years ago and now takes us to Brazil. Based upon authentic Afro-Brazilian percussion grooves, "Brazil: Ceremony, Song and Samba" is comprised of three musical sections illustrating the impact of the African experience on music of this part of the world. Beginning in northern Brazil with the Ceremony, the piece transitions to Rio di Janiero and the smooth sounds of the bossa nova that has become so popular throughout the world. The piece concludes with the exciting sounds of Carnaval and the Samba Schools that fill the streets during the annual celebration. Exciting, musically rewarding and extremely effective in any concert setting!Duration: 6.30

    Estimated dispatch 7-14 working days

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