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£119.99The White Stone - Jacob de Haan
The White Stone was commissioned by the band of the catholic parish of Dossenheim on the occasion of the 1250th anniversary of the town of Dossenheim near Heidelberg, Germany. The work is named after a high peak (White Stone) in the east of the town. Throughout the piece the composer uses the tune 'How lovely you are, my Dossenheim' in different forms and shapes, and musically he depicts the history and landscapes of this idyllic town. A challenging and versatile concert work with lots of beautiful melodies as well as rhythmical and energetic sequences.
Estimated dispatch 7-14 working days
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£101.30Honorary March of Her Majesty Queen Sonja - Svein H. Giske
This march was commissioned by The office of cultural affairs in Fana and Ytrebygda (a part of Bergen Municipality) for the opening of The Bergen Light Rail. The premiere was given by The Norwegian Navy Band Bergen and Smrs skolemusikkduring the light rails maiden voyage. Her Majesty Queen Sonja of Norway opened the light rail on June 22nd 2010.My ida was to give the march a strong link to Bergen. In the bass solo (letter B) I have quoted Bergens "national"anthem Nystemtn and in the Trio (letter E) I have used a bugle call from Bergens unique tradition of archerchery brigades. The first part of the march is meant to have a sort of train feel to it; somethingthats moving steadily through thestreets of the city.
Estimated dispatch 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£109.99The Duke's Finest - Duke Ellington
Duke Ellington (1889- 1974) was a very successful American pianist, conductor, composer and arranger. His orchestra existed for decades and was able to survive thanks to the enormous hits that he and his collaborators wrote. Many of those songs now belong to the standard repertoire of jazz musicians.Billy Strayhorn (1915-1967) was arranger and composer with the orchestra from 1939, and also wrote Take the A-Train, which became the band's favourite song from 1941. Many recordings were made of it. Juan Tizol (1900-1984, valve trombone) played with Duke Ellington almost his entire career and composed Latin songs for the orchestra. He is co-composer of Caravan and Perdido.Just likein the original Duke Ellington concerts, the medley begins with Take the A-Train, followed by a number of classics from the repertoire of the legendary orchestra. In some songs there are soloists, notable a solo on kettledrums in C- Jam Blues. This solo can also be improvised.When rehearsing a lot of attention has to be paid to the drum and bass, which together form the rhythm section and drive the orchestra on. The other sections have to be tight and create a coherent swing effect. The swing shouldn't be too stiff, and can vary per song. For example in "In a Sentimental Mood", the melody can be played almost straight (classically), while the rhythm section continues swinging.
Estimated dispatch 7-14 working days
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£84.50
The Royal Irish Regiment - Larry Clark
The Royal Irish Regiment is an infantry regiment of the British army. This march was therefore meant to be in the style of a classic British style march. The march is set to emulate the passing by of the regiment as it marches in a parade. It starts with a tuneful fife-sounding melody in the flute or piccolo over the sound of bagpipes. The march then developes featuring all of the sections of the band in this colorful regal type march. Use it as a different type of march at your next contest or festival performance.
Estimated dispatch 7-14 working days
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£87.40Lord of Seven Seas - Kees Vlak
The plot of this overture takes place in the year 3000 A.D. At that time traffic between the earth and the planets relies exclusively on space flights. War as a last resort to "settle" arguments between people on earth no longer exists. There is only one gigantic spacecraft which is able to navigate both above and beneath the surface that supervises the oceans. This vessel, the "Lord of Seven Seas", is a hundred times larger than the "Nautilus" or the "Titanic" and must not be compared to any ship of our times. In the introduction of the overture, the gigantic vessel is presented by employing a musical style which is commonly associated with space flights. The introduction isfollowed by a fragment, which evokes the wild fury of rain and storm, and therefore reminds us of the story of the "Flying Dutchman". The middle section is written as a barcarole. The vessel investigates the local fauna in the depths of the Arctic Ocean. People on board enjoy the calmness as well as the variety and beauty of the animals. In the final part, the gigantic vessel emerges from below the surface and climbs to high altitudes flying from one ocean to the other. The magnificent finale portrays once again the incomparable sight which is offered by the impressive "Lord of Seven Seas".
Estimated dispatch 7-14 working days
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£228.70Pulsar - The Metamorphosis of a Star - John Brakstad
4th July in 1054 AD one of the most spectacular events was witnessed in the Cosmos. A massive star blew out; a supernova explosion.From the Earth it appeared as a new, bright star; the most brilliant in the sky. It was visible for three weeks, also in daylight, before it then faded away.But what was left of it is spectacular. Today we call it the "Crab Nebula".And in the very centre of the Nebula lies the remnant of the star; the core crushed by the force of gravity.This is a rotating neutron star, a pulsar, just 20 kilometres across, but so dense that it weighs more than our sun.As the neutron star spins, ejected particles stream out from its poles at almost the speed of light.These jets create powerful beams that sweep around as the star rotates.When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 7-14 working days
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£113.30Visions Of Jericho - Daniele Carnevali
The piece, commissioned by the "Banda Orchestra G. Bovo" from Carmignano di Brenta (Padua), was inspired by two paintings by the artist Galeazzo Vigan, which were in turn commissioned to celebrate the anniversary of the founding of the band. The two paintings, entitled "Gerico 1 and 2", their mirror-like arrangement, the alternation between fullness and fineness and the use of numerical symbols (especially the repetition of the number 7) are used as musical material in the formation and subsequent development of the themes. Similarly, the formal mirror-like arrangement of the allegro vivo and the alternation of the monodic and chordal styles (fineness - fullness) seek to create a bond between the pictorial and musical languages.
Estimated dispatch 7-14 working days
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£280.50Of Strife (1. From A Time Of Strife) - Eric Ewazen
A commission by the U.S. Air Force Band of the West allowed Ewazen to consider the ten years following the events of 9/11/2001, resulting in A Time of Strife, a Time of Peace. The first movement considers the long wars and the losses entailed through soaring lyrical lines above a rhythmic, pounding accompaniment, as Ewazen puts it. The second movement is a bittersweet celebration on the death of the perpetrator and a future of joy, peace, and life. Ewazen says, A burst of joyous energy bringing this chapter in our history to a close.
Estimated dispatch 7-14 working days
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£154.95
Two Poems of Robert Frost - David Campo
Robert Frost (1874 - 1963) was one of the most popular, widely read and honored American poets of the 20th century; the two of his poems arguably most popular in the mainstream are "Stopping By Woods On A Snowy Evening" and "The Road Not Taken." On the surface, these two poems appear quite different; "Stopping By Woods On A Snowy Evening" is contemplative, set in the quietude of a winter night's snow, while "The Road Not Taken" is decisive, kinetic and brightly lit by a morning sun. These similarities and differences resonated deeply with the composer, and the opportunity to set recurring themes and melodies in such contrasting musical environments was the impetus and inspiration for this two movement work. Both movements conjure the remarkably different atmospheres of the respective poems but are interconnected thematically, giving the work cohesion and depth. Both are strikingly colorful and evocative. While the poems are not set literally, there are recurring allusions to the words present in the rhythm, particularly in the phrase "and miles to go before I sleep," as this line seems to especially reflect the physical and spiritual duality of both poems.
Estimated dispatch 7-14 working days
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