Results
-
£65.99Bonds of Unity - Karl L. King
A must have of James Swearingen's arrangement of King's classic "Bonds of Unity" March. While not difficult, this is one of King's nicest marches and is an excellent selection for concert, festival, or contest use by bands of all levels. This James Swearingen arrangement of "Bonds of Unity" is one of the best.
Estimated dispatch 7-14 working days
-
£71.50Lexington - Karl L. King
One of King's finest marches in an effective new edition by master arranger James Swearingen. A terrific selection for concert, festival or contest use. This march will be the hit of your next performance! VERY HIGHLY RECOMMENDED!
Estimated dispatch 7-14 working days
-
£61.95Arrival At Normandy - Sean O'Loughlin
Arrival at Normandy depicts the entry into Normandy by our forces on D-Day. The tune uses only the first 6 notes learned in most band method and the most difficult rhythm is quarter note based in the winds. Perfect contest/festival showcase piece for a be
Estimated dispatch 7-14 working days
-
£95.95
Fantasy On Early American Tunes - Kevin Mixon
A concert rhapsody based on three early American tunes. You will hear the influence of the church hymn in this setting, but it also contains brass fanfares, woodwind flourishes, and exciting climaxes that make this piece an excellent selection for contest/festival performance.
Estimated dispatch 7-14 working days
-
£65.50
Promised Land - Sean O'Loughlin
Promised Land is a serious-sounding, new piece for the developing band that sounds much more difficult than it plays, allowing your students to show off while remaining at their ability level. The title has its roots in the ideals of John Humphrey Noyes, who founded the Oneida community in the late 1840s. He built a thriving agricultural and spiritual community that became his promised land. The music depicts the struggles and triumph of those first settlers in the area, who worked the land and fought for their ideals through much persecution. Promised Land contains all of the rhythmic interest and memorable motives that Sean's music is so known for. It is also an excellentchoice for contest/festival.
Estimated dispatch 7-14 working days
-
£72.95
Morning Glory - Joseph Compello
Joseph Compello gives us Morning Glory, which is evocative of some of the greatest marches, but well with in the capabilities of young bands. It is harmonious, with creative counter lines in the low brass and standard modulation at the trio. Perfect for a contest/festival warm-up.
Estimated dispatch 7-14 working days
-
£196.50Grand Mesa - Eric Ewazen
The Colorado Mesa University Wind Symphony, under direction of Dr. Calvin Hofer, has hosted the annual and continually growing Best of the West Music Festival. In 2007, Ewazen was guest composer and commissioned for a new concert band work to celebrate Grand Junction and the towering Grand Mesa that rises above the town. Inspired by this grand landscape, I set out to write a work which was rich, resonant, colorful and bold, a tribute to this amazing scenery which I ultimately had the pleasure of seeing and exploring first hand. For intermediate to advanced bands.
Estimated dispatch 7-14 working days
-
£44.95The Kings Go Forth (Concert Band - Score only) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£164.95
The Kings Go Forth (Concert Band - Score and Parts) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax.- Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£252.10Norsk Festouverture - Johan Halvorsen
The Norwegian Festival Overture was written for the grand opening of the National Theatre on September 1st, 1899. In the opening bars, one can virtually imagine the stage curtain being drawn aside, and the stage is revealed to the audience. The trumpets openly quote Peer Gynts return from Grieg's music to the play Peer Gynt. The main part of the overture consists of a theme in Norwegian folk music style, which Halvorsen brilliantly develops thematically and contrapuntally. The work can probably be seen as pompous and at times seems somewhat overwrought, but then Halvorsen himself, ever so slightly self-deprecating, has written Pomposo over the grand conclusion of the work.The arrangement of the overture was written to The Royal Norwegian Navy Band for a concert in Halvorsen's native town of Drammen in 2016. The arranger has tried to preserve as much as possible of Halvorsen's brilliant orchestration. There are a lot of cue notes which make it possible to perform also with a reduced instrumentation.
Estimated dispatch 7-14 working days
View Music