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£94.99
Operatica - James L. Hosay
If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay's new intermediate level piece, OPERATICA, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colors as it twists and turns its way through opera-style development and variation. Whether for formal, festival,or spring concert use, you will find this to be a thrilling addition to your library.Opulent!
Estimated dispatch 7-14 working days
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£79.99Lion City Festival (Concert Band - Score and Parts) - Sparke, Philip
Lion City Festival was commissioned as one of the test pieces for the Singapore Youth Festival 2010, an annual event at which school ensembles from throughout Singapore can receive gold, silver or bronze awards for their performance. The English name for Singapore comes from Malay Singapura, which has Sanskrit roots meaning 'Lion City'. Lion City Festival is in the form of a quick march in ABA form. An opening fanfare leads to a perky march tune which is taken up by the full band. A change of key heralds a legato trio section before the main theme returns in varied form. Roaring fun!Duration: 3:00
Estimated dispatch 7-14 working days
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£179.99Academic Festival Overture (Concert Band - Score and Parts) - Brahms, Johannes - Takahashi, Tohru
The German composer Johannes Brahms (1833-1897) wrote his Academic Festival Overture in the summer of 1880, together with the Tragic Overture. The occasion was the honorary degree which Brahms had received a year before from the University of Breslau. Initially, Brahms had sent a thank-you note, but he was expected to express his gratitude with a composition. The premiere took place on 4 January, 1881 - conducted by the composer himself - in Breslau. For this sparkling work, Brahms used various German student songs as a basis in an inventive way - and a little jestingly. Owing to the accessible development, lyrical warmth, humour, and persuasiveness, the Academic Festival Overture is still a popular concert work. This transcription for concert band, which has been written by Tohru Takahashi, does justice to the original composition.Duration: 9:45
Estimated dispatch 7-14 working days
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£84.50A Christmas Festival (Concert Band - Score and Parts) - Anderson, Leroy
Now freshly engraved with a full score for the first time, "A Christmas Festival" is made up of eight traditional Christmas carols arranged in a very attractive medley by Leroy Anderson. Capture the spirit of the holidays with this outstanding collection. Leroy Anderson's "Christmas Festival" has long been a staple of concert performances for both bands and orchestras. Russell Robinson has created SATB choral settings that can be used in performance. Sure to enhance any Christmas concert!Duration: 6.30
Estimated dispatch 7-14 working days
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£149.99A Nottingham Festival (Concert Band - Score and Parts) - Sparke, Philip
This celebratory work, which Philip Sparke wrote for the 20th anniversary of the Nottingham Concert Band, starts with a hymn-like theme played as a fanfare in the brass. With a change of mood from 'solemn' to 'merry' and back to 'majestic', together with an unusual orchestration, in which may different instruments feature and in which at points the entire wind orchestra shimmers in tutti passages, A Nottingham Festival is a real pleasure for musicians and public alike.Duration: 6:00
Estimated dispatch 7-14 working days
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£66.95Hawkeye Festival Overture (Concert Band - Score and Parts) - Williams, Mark
Hawkeye Festival Overture begins with a bright opening fanfare which leads to a rhythmic Allegro section. An Andante section in 3/4 time features a lyric trumpet solo and numerous harmonic suspensions. A driving percussion interlude in 5/4 with a gradual pyramid that builds in the winds leads to a return of the Allegro. The work ends with a powerful re-statement of the syncopated 5/4 motives and finishes with a flourish. This very appealing work is well-suited for developing concert bands and should provide excellent opportunities for studies in general musicianship, intonation and rhythmic precision. Duration: 4.45
Estimated dispatch 7-14 working days
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£195.00Johannesburg Festival Overture (Concert Band - Score and Parts) - Walton, William - Noble, Paul
Johannesburg Festival Overture was composed for orchestra by William Walton for the 70th anniversary of Johannesburg, South Africa in 1956. Walton received the commission from Ernest Fleischmann, musical director of the Johannesburg Festival Committee, to celebrate the seventieth anniversary of the city. Fleischmann included in his request to include some African themes. For inspiration he requested recordings of African music from the African Music Society. The effect of these recordings can be heard with percussionists performing on eleven instruments. The composer also incorporated the main theme from Jean Bosco Mwenda's Masanga (which had been released on record in 1954). Walton described the piece to his publisher as a non-stop gallop...slightly crazy, hilarious and vulgar. This arrangement for Concert Band captures the original colour, excitement, and energy of the original orchestra work, and should become a staple in the repertoire of excellent bands.
Estimated dispatch 7-14 working days
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£79.99A Festive Overture (Concert Band - Score and Parts) - Reed, Alfred
A Festive Overture was commissioned by the Tri-State Festival, held annually under the auspices of the Music Division of Dickinson State College in Dickinson, North Dakota, for performance at the 1963 Festival. The first performance took place on November 2nd, 1963, at the concluding grand concert of the festival, with the Dickinson State College Symphonic Band under the composer's direction. The score is in traditional overture form, a brilliant opening allegro followed by a reflective, lyrical interlude, and concluding with a return to the first themes and mood. The entire work is built on three motifs, which are heard in the first section, with the middle section developed from one of these, which first appears as the bass line to the main theme. In the course of the work, the full resources of the modern, integrated concert band are called upon, to present these motifs in constantly varied forms and combinations, and in scintillating tone colors. The wording of the commission presented a basic challenge: that of writing a major work on the highest musical level and yet capable of performance by a good high school band. We believe that this challenge has been met, and are proud to offer this work as a contribution to the modern school and concert band repertoire.
Estimated dispatch 7-14 working days
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£106.99Festival Prelude Ad Excel (Concert Band - Score and Parts) - Sparke, Philip
Festival Prelude 'Ad Excel' was commissioned by the AD Concert Band, from Solihull in the UK, to celebrate their 40th Anniversary in 2016. The title, Ad Excel, is a play on words: it is Latin for 'to excel' but also celebrates the band's anniversary as XL is 40 in Roman numerals. The work opens with a bright fanfare with frequent changes of meter. This leads to a playful main subject, played first by woodwinds, followed by full band. A bridge passage leads to a legato second subject, played twice. The bridge passage returns to introduce the both main melodies in new keys and instrumentations before a coda, derived from the opening fanfare, brings the work to a close. Duration: 5.00
Estimated dispatch 7-14 working days
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£164.99Wilten Festival Overture (Concert Band - Score and Parts) - Sparke, Philip
To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck Philip Sparke composed Wilten Festival Overture. A bold fanfare, led by the horns, forms the opening of the work from which an expressive theme unfolds until the full band reaches a climax. Short solo statements from saxophone, horn and trumpet lead to a recapitulation of this theme which melts into a rhythmic Vivo. A robust melody is is then played by the clarinets and taken up by the whole band before a legato figure leads to a cantabile theme, again presented by the clarinets. The original Vivo melody reappears before the opening fanfare is briefly heard and the work comes to an end with a short Coda. A great experience for the whole band!Duration: 8:00
Estimated dispatch 7-14 working days
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