Results
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£89.99Arsenal (Concert Band - Score and Parts) - Van der Roost, Jan
Arsenal was composed for the 50th anniversary of the 'Harmonie van het Spoorwegarsenaal' [railroad arsenal], based in Mechelen (Belgium). Rather a stately concert march, it has beautiful themes and a broad melody in the trio. It was premiered in the Mechelen Cultural Center on the 11th of May 1996 during the solemn ceremony, opening the anniversary year and conducted by the composer. In the meantime, Arsenal has been recorded several times by such reknowed performers like the Tokyo Kosei Wind Orchestra, the Black Dyke Brass Band etc.Duration: 3.30
Estimated dispatch 7-14 working days
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£79.99Fanfare and Flourishes (Concert Band - Score and Parts) - Curnow, Paul
Based on Marc-Antoine Charpentier's (1634-1704) Te Deum, Fanfare and Flourishes for a Festive Occasion was originally commissioned for the 1991 European Brass Band Championships held in Rotterdam, Holland.Duration: 2.30
Estimated dispatch 7-14 working days
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£109.99Internet Symphony Eroica (Concert Band - Score and Parts) - Martin, Peter Stanley
Originally commissioned by Google/YouTube for the inaugural YouTube Symphony Orchestra project, this edition represents Academy Award winner (Crouching Tiger, Hidden Dragon) and UNESCO Goodwill Ambassador Tan Dun's first composition for wind band. A four-and-a-half minute micro-symphony that combines multicultural influences, the iconic theme from Beethoven's Symphony No. 3 ("Eroica"), some extended techniques for the brass players, and a collection of car parts for the percussion section! A work that is sure to excite and entertain your ensembles and audiences by one of the world's unique contemporary voices. Dur: 4:30(Recorded by the Triangle Wind Ensemble - Dr. Evan Feldman, music director)
Estimated dispatch 7-14 working days
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£90.00Introduction and Caprice (Concert Band - Score and Parts) - Carter, Charles
Contrasting sections offer a showcase for rich brass writing and light, airy woodwinds. A study in moods, this piece includes broad lyric material, resonant tonal sonorities, and delicate dance-like rhythms. Excellent for contest or concert!
Estimated dispatch 7-14 working days
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£189.95Paganini Variations (Concert Band - Score and Parts) - Wilby, Philip - McBride, M. Scott
This Wind Band orchestration of Wilby's Paganini Variations attempts to capture the range of colour and expression of the original. There are opportunities abound for every member of the wind orchestra to play a convincing role in the drama. The intention of the Brass Band work was to use more of Paganini than his time honoured melody (from his twenty-fourth Caprice with a set of fourteen variations), but would also attempt to recreate in modern terms something of the wild and romantic spirit of the times.
Estimated dispatch 7-14 working days
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£37.95
Paganini Variations (Concert Band - Score only) - Wilby, Philip - McBride, M. Scott
This Wind Band orchestration of Wilby's Paganini Variations attempts to capture the range of colour and expression of the original. There are opportunities abound for every member of the wind orchestra to play a convincing role in the drama. The intention of the Brass Band work was to use more of Paganini than his time honoured melody (from his twenty-fourth Caprice with a set of fourteen variations), but would also attempt to recreate in modern terms something of the wild and romantic spirit of the times.
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£21.95
SPECTRUM (Prestige Concert Band Extra Score) - Vinter, Gilbert - Newton, Rodney
Extra Score. SPECTRUM. This work caused much consternation when it was used as the brass band test piece at the 1969 British Open Competition. The score is an uncompromising one and as colourful as its title suggests. The various episodes of the work are each named after a colour from the spectrum - Red, Orange, Yellow, Green, Blue, Indigo and Purple (changed from Violet when Vinter became conscious of his failing health). It is a piece of violent mood swings challenging all sections of the band. Many consider this to be the finest of Vinter's small output for band. Duration: 12:40 Recorded on Polyphonic QPRM151D Time Lines (Great British Music for Wind Band Vol.12)
Estimated dispatch 7-14 working days
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£107.95
SPECTRUM (Prestige Concert Band Set) - Vinter, Gilbert - Newton, Rodney
Score and Parts. SPECTRUM. This work caused much consternation when it was used as the brass band test piece at the 1969 British Open Competition. The score is an uncompromising one and as colourful as its title suggests. The various episodes of the work are each named after a colour from the spectrum - Red, Orange, Yellow, Green, Blue, Indigo and Purple (changed from Violet when Vinter became conscious of his failing health). It is a piece of violent mood swings challenging all sections of the band. Many consider this to be the finest of Vinter's small output for band. Duration: 12:40 Recorded on Polyphonic QPRM151D Time Lines (Great British Music for Wind Band Vol.12)
Estimated dispatch 7-14 working days
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