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£89.99WHERE NEVER LARK OR EAGLE FLEW (Concert Band) - Curnow, James
This item may be Print on Demand (approx 3 weeks). This impressive work for mature band is based on an inspiring poem written by an American pilot in World War II. The dazzling brass sonorities and sweeping woodwind lines reflect the young man's love for flying and its release from the troubles of the world. A classic band work from the pen of master composer James Curnow.
Estimated dispatch 7-14 working days
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£55.00Folk Dance and Carol (concert band) - Tim Paton
A festive, musical cocktail by Tim Paton for concert band, bringing together a folk-feel dance motif and a familiar carol, to create the atmosphere of a village celebration.Opening with a lively Jig, where the music joyfully dances around the band, the piece then settles to offer the tranquility of Gustav Holst's beautiful melody In the Bleak Mid-Winter.This peacefulness is soon overtaken by the reintroduction of the dance motif, finishing off the musical celebration with the dance and the carol mingling together.A very nice addition to Christmas repertoire, presenting a little bit of tradition amidst some lovely, imaginative scoring.Also available for brass band.
In stock: Estimated delivery 1-3 days
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£155.00
Fantasia on a Flemish Sea Song (CB) - Simon Van Hoecke
'Fantasia on a Flemish Sea Song' was commissioned by Jeroen Berwaerts and VLAMO for the gala concert of the European Brass Band Championships 2017. These took place in the Belgian seaside town of Ostend, which explains the choice to make a fantasy on the sailor's song "Al die willen te kap'ren varen". A first reference to the song can be found in a Ghent song collection from 1856 by E. de Coussemaker: "Chants populaires des Flamands de France". The fantasia is faithful to tradition composed in a free form with variation elements and allows the soloist to showcase virtuosity and narrative power.
Estimated dispatch 7-14 working days
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£89.99Bolero For Band - Maurice Ravel
Initially commissioned by Ida Rubenstein as a ballet work initially, Maurice Ravel's BOLERO has become his most popular and often-performed orchestra composition, which was a surprise to the composer who described it as seventeen minutes of orchestra without any music. With a structure that is simplicity itself, BOLERO uses two alternating melodies in what Ravel described as a crescendo on commonplace melod[ies]. Mark Rogers' transcription of BOLERO is an entirely complete wind band version of the piece; omitting not a single note or exotic instrument, thereby transferring the brilliance of Ravel_x001A_s orchestral score to the symphonic wind band with as much fidelity to the original as possible. Ravel calls for a very large orchestra (triple woodwinds, saxophones, large brass section, harp, celesta and percussion). Consequently, this transcription of BOLERO contains a large amount of divisi writing. It goes without saying that this transcription will be most successfully performed by large symphonic wind band.
Estimated dispatch 7-14 working days
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£71.50A Festive Holiday Overture
This spirited seasonal setting will provide a sparkling addition to holiday programs for the young band. Based on the traditional carols Joy to the World; Deck the Halls; Angels We Have Heard on High and O Come, All Ye Faithful, this work showcases crisp brass fanfares, gentle woodwind lines, and colorful percussion to create a real musical treat for the holiday season.
Estimated dispatch 7-14 working days
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£66.95Moorside March (from A Moorside Suite) (Concert Band - Score and Parts) - Holst, Gustav - Wagner, Douglas E.
A Moorside Suite was written in 1928 as a test piece for the National Brass Band Festival championship competition held that year. The three-movement work includes a jaunty "Scherzo," a lovely "Nocturne," and the popular "March," which has enjoyed countless performances since its premiere. Douglas E. Wagner created this arrangement with younger players in mind. Though slightly abridged, the main themes and styles are present in a carefully-crafted performance piece accessible to concert bands at this level. This authentic arrangement still bears Holst's unmistakable musical signature.Duration: 3.30
Estimated dispatch 7-14 working days
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£87.99Cardigan Bay (Fantasy on Aberystwyth) (Concert Band - Score and Parts) - De Haan, Jacob
This composition is based on the hymn Aberystwyth, named after a seaside town on the west coast of Wales. It is Jacob de Haan's favourite hymn from the 120 Hymns for Brass Band. The work consists of three continuous movements in which the theme of Aberystwyth comes forward in a variety of attractive ways, so that it forms a variegated whole which is captivating to players and listeners alike. Duration: 7.30
Estimated dispatch 7-14 working days
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£49.50A Moorside March (Flexible Ensemble - Score and Parts) - Holst, Gustav - Brand, Michael
Holst composed A Moorside Suite for Brass Band in 1928. It is in three movements, this March being preceded by a Scherzo and Nocturne. It is an extraordinary mature work for band from a master composer. There is very little fortissimo writing and there are no semiquavers at all. Instead, Holst has written clean melodic lines with each part being woven into a texture based on the modal lines of English folk music; but these represent its stylistic origin rather than using actual folk tunes as in Holst's earlier band writing. The March is stirring and flowing and is an ideal standalone piece to open or close any concert or festival programme. Duration: 4.15
Estimated dispatch 7-14 working days
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£75.00Tuba Christmas (Low Brass Section Feature with Concert Band - Score and Parts) - Smith, Robert W.
Featuring your tuba and euphonium sections, Tuba Christmas is a delightful addition to your holiday concert program. Featuring classic melodies in creative settings, the arrangement is musically effective and well crafted for the entire band. Ending with a farewell coda based on "We Wish You A Merry Christmas," the tubas and euphoniums will be the stars of your holiday performance! Duration: 2.30
Estimated dispatch 7-14 working days
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£150.00Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.
Estimated dispatch 7-14 working days
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