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£76.99Ode to the Spirit of Man (Concert Band - Score and Parts) - Curnow, James
Fantasy on Themes of BeethovenA powerful work for the symphonic band, Ode to the Spirit of Man is based on thematic material taken from the fourth movement of Beethoven's Symphony No.9 and developed into a fantasy of kaleidoscopic nature. The opening is a joyful expression of the spirit of freedom and is based on the composer's own themes derived from Beethoven's music. Throughout the work, various themes from the symphony are interwoven, including Alla Marcia, Scherzo, Andante maestoso and finally the uplifting Ode to Joy.Duration: 5:15
Estimated delivery 7-14 working days
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£278.00UFO Concerto (Euphonium Solo with Concert Band - Score and Parts)
UFO Concerto, the first solo work by Johan de Meij for euphonium, is not a traditional concert work in the classical sense. It is comprised of five movements that are thematically interconnected:Andante - Con motoGiocoso - VivoAndante cantabileVivaceAlla Marcia - VivaceDuration: 23.45
Estimated delivery 7-14 working days
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£148.00La Quintessenza (Concert Band - Score and Parts) - De Meij, Johan
La Quintessenza is a musical approach of the quintessence, the heart of the matter. By focusing a five note motif in a number of variants, De Meij tries to get through to the essence of the musical matter. The core of the composition is a lyrical middle part (Arioso), preceded by an opening fanfare for brass (Introduzione) and a burlesque variant on the same motif (Capriccio). In the fourth part (Alla Marcia) this main motif is only used as an ambient signal, and in the Finale the opening theme is repeated so the musical walk-round is complete. Duration: 12.00
Estimated delivery 7-14 working days
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£84.99Turkish March (Concert Band - Score and Parts) - Beethoven, Ludwig van - Kobayashi, Mika
The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style, popular in music at the time. The theme was first used in Beethoven's Six Variations on an Original Theme, Op.76, of 1809. In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op.113), which premiered in Pest in 1812. The Turkish March appears as movement four of the incidental music.Duration: 3.30
Estimated delivery 7-14 working days
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£104.99Concertino (Trumpet Solo with Concert Band - Score and Parts)
The first movement of this work, an Allegretto, begins with a fanfare-like opening. After a number of other melody lines, a reprise of the beginning follows, which ends in a cadenza for the soloist. Movement two, titled Rituel, is characterized by interplay between the soloist and the band within a stately melody. In the final movement, the theme of the first movement's opening returns. As the indication 'alla marcia' of the last movement suggests, this Allegro Giocoso contains march-like music that guarantees a lively conclusion. With Concertino, Kees Schoonenbeek has written an appealing work that is very suitable for a beginner soloist. It is also available for trumpet and piano.Duration: 9.00
Estimated delivery 7-14 working days
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£144.99
Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated delivery 7-14 working days
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£52.00Sandhills Saga
Use the intertwining melodies of this composition to teach the important musical concept of the canon. Each instrument gets a moment to sing out during the development of an easy, yet musically challenging, melody. With a quiet introduction followed by brisk "alla marcia" section with a lively close, use this as a unique concert selection to educate your students and audience as well.
Estimated delivery 12-14 days
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