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  • £60.99

    After the Cakewalk - Robert Nathaniel Dett

    Despite his having moved to the United States with his family when he was 11 years old, Robert Nathaniel Dett (1882-1943) was born in Canada where glimpses of his talent had already begun to manifest themselves at an early age. Among Dett's earliest titles was his Characteristic March Two-Step, After the Cakewalk. Perhaps written when Dett was just a teenager, this current edition is wholly based upon its original 1901 band publication that was arranged by Lee Orean Smith. Smith was also responsible for preparing Dett's piano solo version for publication, as well as its form for theatre orchestra and mandolin club. Owing to the fact that Smith's highly idiomatic scoring was prepared for a band of that period, this edition adapts, edits and extends Smith's instrumentation in order to make it possible for Dett's music to become available to a new generation of musicians and listeners alike. (Grade 4)

    Estimated dispatch 7-14 working days
  • £102.99

    Little Suite - László Dubrovay

    This work was written in 2005, prompted by the composer's determination that young members of junior, music school and conservatoire wind ensembles should not be limited to transcriptions for lack of original compositions, especially contemporary ones. The new devices used in the Little Suite are suitable for student players to try out. Indeed, they enjoy them - for instance, purring or whistling into the instrument. Each of the three-or-four-minute movements of this four-movement work can also be performed separately. The titles of the movements are the following: 1. In cheerful mood, 2. Song, 3. Joke, 4. March. This music in modern idiom, full of interesting new effects, offers young players an opportunity for enjoyable music-making together, and at the same time prepares them for playing more difficult contemporary works.

    Estimated dispatch 7-14 working days
  • £149.99

    Aladdin Suite - Carl Nielsen

    The large creative output of the Danish composer Carl Nielsen (1865 - 1931) contains six symphonies, chamber music, vocal works and music for the theatre: two operas (Saul & David and Maskerade) and stage music for sixteen different plays. The stage music for Aladdin was written at the request of Johannes Nielsen, the director of the Royal Theatre in Copenhagen. This production was based on the drama Aladdin (1805) by the Danish author Adam Oehlenschlger. Already before the premiere at the Royal Theatre, Carl Nielsen had adapted some of the music for the concert hall: he conducted the first performance of six of the seven movements of the concert suite on February6th, 1919. Johan de Meij's transcription for symphonic band contains the following movements: I Oriental Festival March II Aladdin's Dream / Dance of the Morning Mist III African Negro Dance

    Estimated dispatch 7-14 working days

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  • £56.50

    Herald! - Carl Strommen

    Scored for younger bands, Carl Strommen's Herald is a rousing march/fanfare. For maximum effect and richness of sound, the piece was written for full ensemble (except for meas. 27-26). Students will enjoy the regal nature of this piece and will feel as though they are playing above their experience level.

    Estimated dispatch 7-14 working days
  • £67.95

    Activity - Harold Bennett

    A tuneful classic from the Fillmore catalog (Harold Bennett was a pseudonym for Henry Fillmore) is given a rousing arrangement for young band by Larry Clark that is a great introduction to this popular march style for today's developing band. Ranges and rhythms are carefully tailored for the level between very beginning band and the more developed grade two ensemble. Duration: 2'30"

    Estimated dispatch 7-14 working days
  • £149.99

    Heaven and Earth - Jan Bosveld

    An Astrological Composition. Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment, an astrologer looks at the position of the planets in the solar sustemat that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth. In this composition the typesof energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs, whose influence and energy are opposite. Venus and Mars. Venus represents the feminine principle: harmony, beauty,art, and the ability to make relationships and to keep the peace. Venus connects, and communicates in order to maintain the balance. Mars represent the masculine principle: winning, impulsiveness, enthusiasm, and sexual energy for procreation.He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character. Saturn and Jupiter. Saturn represents concentration and withdrawal: the strongnotion of responsibility, seriousness, self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it isalmost standing still, which also reflects the given character of this planet. Jupiter represents growth and expansion: the positive, self-confidence, the good Samaritan, the healer. Jupiter is the philosopher who will make the world a betterplace, sees future possibilities, and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations, resulting musically in a whirling and upbeat finale. not looking back at what has been but searchingfor new challenges. "Heaven and Earth" was commisioned by the Music Lending and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, The Netherlands.Een astrologische compositie. Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. ""Tijd voor koffie"" of ""het was je tijd nog niet"" als bijvoorbeeld een baan aan je neus voorbij is gegaan. Om de kwaliteit van een moment te lezen kijkt deastroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energien en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) verteltiets over wat er op aarde (Gaia) gebeurt. In deze compositie worden de energien van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren, die qua invloed en energie tegenovergesteldzijn. Venus en Mars. Venus vertegenwoordigt het vrouwelijke principe: harmonieus, schoonheid, de kunst, het vermogen om verbindingen aan te gaan en de vrede te bewaren. Venus geeft door en verbindt om de balans te bewaren. Marsvertegenwoordigt het mannelijke principe: winnen, anderen aftroeven, impulsief en enthousiast, seksuele energie voor de voortplanting. Mars creert oorlog om de sterkste te laten zegevieren. Venus staat tot Mars als vrede staat tot oorlog, alsverbinden staat tot verbreken, als harmonie staat tot competitie. Jupiter en Saturnus. Jupiter vertegenwoordigt groei en expansie: het positieve zelfvertrouwen, de weldoener, de genezer. Jupiter is de filosoof die de wereld wilverbeteren, vooruitkijkend en zoekend naar eeuwige waarden, de profeet die soms al te bombastisch zijn leer verkondigt. Saturnus vertegenwoordigt concentratie en inkrimping: het sterke verantwoordelijkheidsbesef, soberheid, zelfdiscipline enmelancholie. Saturnus is de kluizenaar die onder minimale voorwaarden en zelfkastijding zijn angsten wil overwinnen. De harde, serieuze werker die volgens vaste regels stug doorgaat om aan zijn hoge eisen te voldoen. Jupiter staat tot Saturnusals uitbreiding staat tot inkrimping, als zelfvertrouwen staat tot faalangst, als vrijheid staat tot structuur.

    Estimated dispatch 7-14 working days

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  • £149.40

    Norwegian Dance No. 2 - Alfred Evensen

    Alfred Evensen (1883 - 1942) was born in Troms, but moved to Harstad 16 years old to start as a student at The Military School of Music. He was director and chief of the military band in 1918, and worked there for 12 years. In 1930 he was appointedto conductor of the military band in Bergen, and worked there until he was appointed to take over from Johannes Hanssen (Valdres march) as manager and conductor of the military band in Oslo in 1934.With this band he participated in a majorinternational military music collection in Paris in 1935 With a great success. In addition to his work in military music, he was a highly respected conductor of choir and composed, in additionto his compositions for bands, many songs for choir.He died in Oslo, after he was arrested because of his resistance against the German occupation. At his own request he was buried in Harstad, and there is also a statue of him.Norwegian Dance No. 1 and No. 2 dates from 1911 and 1912respectively. They are composed in the style of Grieg's Norwegian Dances, Op. 35, but, unlike Grieg, Evensen has used his own themes for the compositions.

    Estimated dispatch 7-14 working days
  • £82.50

    Dashing Through the Stars and Stripes - John Philip Sousa

    Written to be a crowd favorite, the ever-popular John Philip Sousa march Stars and Stripes Forever is combined with the holiday favorite Jingle Bells for a clever and playable setting for the holidays. This may be the easiest and most accessible setting of "Sousa meets Santa," with the classic melody, countermelody and bass line. Its a fun combination of two well-known melodies for holiday concerts that will be a favorite of both students and audiences and is sure to be a home run for your program!

    Estimated dispatch 7-14 working days
  • £149.40

    Norwegian Dance No. 1 - Alfred Evensen

    Alfred Evensen (1883 - 1942) was born in Troms, but moved to Harstad 16 years old to start as a student at The Military School of Music. He was director and chief of the military band in 1918, and worked there for 12 years. In 1930 he was appointedto conductor of the military band in Bergen, and worked there until he was appointed to take over from Johannes Hanssen (Valdres march) as manager and conductor of the military band in Oslo in 1934.With this band he participated in a majorinternational military music collection in Paris in 1935 With a great success. In addition to his work in military music, he was a highly respected conductor of choir and composed, in additionto his compositions for bands, many songs for choir.He died in Oslo, after he was arrested because of his resistance against the German occupation. At his own request he was buried in Harstad, and there is also a statue of him.Norwegian Dance No. 1 and No. 2 dates from 1911 and 1912respectively. They are composed in the style of Grieg's Norwegian Dances, Op. 35, but, unlike Grieg, Evensen has used his own themes for the compositions.

    Estimated dispatch 7-14 working days
  • £149.99

    Jericho - Bert Appermont

    Jericho is the musical translation of the well-known story from the book of Joshua about the capture of the city of Jericho by the Israelites.Part 1 depicts the cruel journey through the desert to Canaan, the promised land. An emotional lamentation for the yearning for a home, for the end of a roaming existence.The capture of Jericho is the theme of part 2. The city cannot be captured immediately and Jehovah orders an impressive army to march around the city for six days. On the seventh day, they marched around the city seven times and the priests blew their trumpets and the people cried so loud that the walls of Jericho came tumbling down. The Jews stormed the city and drove theinhabitants away. The music clearly reveals the marching army and you can hear the walls falling down with a tremendous noise. However, there is quite some artistic freedom in the actual story.A majestic and grand melody subsequently evokes the triumphant emotions that emerged as the fortified city fell (part 3).Following a personal and romantic interpretation, the scene ultimately ends in a typical Jewish feast (part 4) whereby the virtuosity of melodies played by the woodwinds and the passionate rhythms refer to traditional Jewish music. All themes are repeated in this last part in various forms, often simultaneous and in duelling counterpoint. The piece ends with fragments from the main theme of part 1 in major: peace and quiet return at last.

    Estimated dispatch 7-14 working days

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