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£85.50Freedom Rising - David Shaffer
"Freedom Rising" was written in commemoration of the 150 anniversary of Quantrill's raid on the unsuspecting town of Lawrence, Kansas where the residents bravely fought to defend their town from the forces of pro-slavery western counties. Opening with a dark and haunting woodwind choir, the composition quickly journeys into the raging battle that took place that fateful August day in 1863. The slower middle section is a powerful hymn expressing the hope of all townspeople for a successful defense to this sneak-attack. The dramatic powerful conclusion leaves us with the knowledge that this community fought desperately for the freedom of all people. A powerful piece that brings to life this brief but important period in American history.
Estimated dispatch 7-14 working days
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£107.50Faith - Matt Conaway
This poignant setting of variations on the Doxology was composed in memory of a junior high school trumpet player whose life ended abruptly in a tragic car accident. The melody is given reverential, celebratory and celestial treatment to reflect her exuberant character, creating an emotional experience your students and audience will not soon forget.
Estimated dispatch 7-14 working days
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£107.50Up From Earth's Center - Rob Romeyn
This brilliant programmatic work from the pen of Rob Romeyn is an incredible display of beauty, sensitivity, emotion and vigorous intensity. The journey begins on the morning of the great 1868 Hawaii earthquake. Peaceful and beautiful sounds of the black sand beach of Punalu'u are heard as the sun rises. The music then develops, first with a statement of the traditional melody "The Earth Is Our Mother" to remind us to respect Mother Earth and be mindful of her incredible powers. As the tempo quickens we are musically transported into the events of the fateful day, as the earthquake and resulting Tsunami ensued. As the movement of the earth subsides, we return to the beach of Punalu'u as Mother Earth begins her renewal of new life. Certain to become a classic for concert and festival use, this is music of highest quality!
Estimated dispatch 7-14 working days
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£80.99A Pirate's Tale - La Plante
From the dramatic opening and theme to the merry hornpipe and final ominous knell of the gong, it's "all hands on deck!" "A Pirate's Tale" musically depicts life of the high seas in the ages of gangplanks and shipboard scallywags. Delightfully descriptive, this work will entertain and amuse all. So weigh anchor, run up the Jolly Roger and set sail with "A Pirate's Tale." AARGH!!
Estimated dispatch 7-14 working days
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£98.99Rush Hour - Christopher T. Greco
"Rush Hour" captures the chaos and frustration of being stuck in traffic, transforming the daily grind into an exhilarating musical soundscape. From the long, agonizing wait in a line of cars to the constant noise of construction outside your window, this work brings all the elements of rush hour to life. Performers will have a blast using a variety of percussion toys to mimic the sounds of honking horns, idling engines, and street noises. Fun, creative, and relatable, "Rush Hour" is the perfect choice for any concert, offering a playful and energetic take on the everyday commute.This work is not yet in print. Please check back later to view the conductor score and for purchasing information. In the meantime, please enjoy this recording performed by The Washington Winds, conducted by Edward S. Petersen.
Estimated dispatch 7-14 working days
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£82.95
Ghillie Dhu - Joseph Benjamin Earp
Ghillie Dhu (Gill-e Dew) "Elf of the Forest" is inspired by a friendly but often wild creature from Scottish Folklore. This mythical being is given life through the captivating writing of Joseph Benjamin Earp. A wonderful teaching tool for instrumental ensembles focused on polyrhythms and compound time signatures. Appropriate for any concert or festival performance.
Estimated dispatch 7-14 working days
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£193.20Pictures Of A Village - Harrie Janssen
In six parts, an image of life in Zwartsluis is painted on the basis of architecture, nature and human activity throughout the centuries. The composition "Pictures of a Village" consists of two different versions: one with and one without the Percussion Group. When the work is performed without Percussion Group, the 3rd movement "Peat Cutters" is omitted and the doubling of the orchestral parts by the Percussion Group in the 6th movement "Olde Maten" is omitted.
Estimated dispatch 7-14 working days
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£35.50Triglav - Julius Fucik
Julius Fuc k (1872-1916) appreciated life in Sarajevo. First compositions were written, which soon made him become one of the leading representatives of his profession in Austria-Hungary. Among those works also figured his elaborate piece "Austria's Glory and Honor", which unfortunately remains kind of ill-fated up to now. Yet another area of activities, where Fu k was able to demonstrate his talents was to stage the symphony concerts introduced by him in Sarajevo. Late in fall of the year 1900 Fuc k's time had come, when the regiment deployed from Sarajevo to Budapest. He lived in that metropolis on the Danube for the next some ten years, and during that period most of hisworks were composed. At that time his popularity also grew from day to day. The first performances of his works met with general interest, and not only numerous officers most of them were friends of Fuc k attended these events, they rather were attractions for all ranks of the society. It should also not be overlooked that music publishers were anxious to secure almost each one of his works for their publishing company, and most of them were printed immediately after their premieres. In 1899 the "Laban March" was written as his Opus 44. It was dedicated to Major General Rudolf Laban of Vralje, commander of the 3d Mountain Brigade which was stationed in Nevesinje. The title of the march then changed to "Eiserne Brigade" ("Iron Brigade") until it finally became known as "Danubia". It was first printed as late as 1933 by Bohuslav Leopold (Edition Continental). Leopold was a musician in Fuc k's regimental band, and later a successful publisher. He succeeded in securing the best of Fuc k's works for his company. Sketches of "Triglav" date back to 1903. The title alludes to the highest mountain of the province of Slovenia, and this was probably an apt means in the eyes of the composer to demonstrate his "Slavonic patriotism".
Estimated dispatch 7-14 working days
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Dreams Unseen - Peter Meechan
A number of traumatic global events over the past year have tested humanity. The global pandemic, racism, human rights issues, the discovery of thousands of unmarked Canadian Indigenous children's graves and climate change are testing humans' willingness to listen, hope and seek change. This three-movement work is a journey through silence, resistance and hope.Dreams Unseen begs the question, "Are we listening?"As people around the world endure and cope with significant loss, isolation, uncertainty and fear, Dreams Unseen contemplates the journey through uncertain times and is fraught with the complexities of today. As we continue to endure loss and uncertainty, we must have faith in resilience, goodwill and hope for a brighter future.Jacquie Dawson, August 2021Note from the composerWhen composing Dreams Unseen I was faced with a variety of decisions and complexities. Initially commissioned with the idea of conveying joy and hope as we emerged, or hoped to emerge, from a pandemic, too much happened around us in the world - locally, globally, and personally - that made the initial goal of the piece something that didn't represent so much that I saw.This made the selection of texts particularly difficult.As time passed, the texts originally selected became less and less appropriate to what I wanted to say, and, as the unmarked graves of murdered Indigenous children were uncovered throughout Canada on a daily basis, I felt compelled to move away from joy and the promise of hope to instead write about listening, to put hope in a more fragile, truthful context, to be grateful for those who never gave up, those who stood up in the face of all that was happening - the scientists, the leaders, people we've never met, people we know. It felt that the only way I could say all that I wanted to say as a composer was to write my own words.The first movement, In Silence, I ask us not to just hear, but to listen. It is only once we understand the truth that we can truly begin the process of reconciliation. The second movement, In Resistance, is my amazement at those who stood up in these times of adversity - specifically the scientists who saved our lives and those who continue to fight for what it right in the face of a seemingly impossible situation. I continue to believe that, because of those people, love will win, and lyrically I wanted to pay homage to that; The Beatles "In My Life" and Dr. King's "I Have A Dream" speech are both referenced.The final movement, In Hope, also takes existing words as an inspiration. The Rodgers and Hammerstein song "You'll Never Walk Alone" has been a song so close to my heart throughout my life, in the good times and difficult times alike. None of these times have been more difficult than losing a friend during the pandemic. His fight with cancer was driven by hope. A wonderful musician and human, he would also turn to "You'll Never Walk Alone" - so I chose this final movement to pay homage to the song, to my dearly missed friend, and to the idea that hope - for a better future, for a win against an almost unstoppable disease, for those whose voice is so often not heard to be listened to, and that Dr. King's words will come true - is everything.Pete Meechan, August 2021With funds from:Desautels Faculty of Music at the University of Manitoba - Jacquie Dawson, Director of BandsUniversity of Kansas - Paul Popiel, Director of BandsAnd the following commissioning partners:Arizona State University - Jason Caslor, Director of BandsGeorgia State University - Robert Ambrose, Director of BandsMarietta College - Nils Landsberg, Director of BandsNew Mexico State University - Michael Mapp, Director of BandsOregon State University - Erik Leung, Director of BandsThe Desert Winds - Charles Maguire, Artistic DirectorUniversity of Colorado Boulder - Donald McKinney, Director of BandsUniversity of Missouri - Brian Silvey, Director of Bands, and Amy Knopps, Associate Director of BandsUniversity of North Florida - Erin Bodnar, Director of BandsUniversity of Texas - Jerry Junkin, Director of BandsUniversity of Toronto - Gillian Mackay, Director of Winds ConductingValdosta State University - Ben Harper, Director of BandsWright State University - Shelley Jagow, Director of Bands
Estimated dispatch 5-14 working days
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Fragile Oasis - Peter Meechan
Fragile Oasis is the name of a collective who describe themselves as "...a grass-roots participatory initiative that connects the shared perspective of astronauts from different countries and cultures with people on Earth, encouraging all to work together so that our planet is not only visibly beautiful, but beautiful for all".Many involved in the project are astronauts on the International Space Station (I.S.S.), who post, on their website (http://www.fragileoasis.org) many different details of their experiments, photos from space, and some incredible video footage of our Earth.One such time lapse video (a video made up many still images) was posted on their website by astronaut Ron Garan (http://www.fragileoasis.org/blog/2011/11/coming-back-down-to-our-fragile-oasis-2/) in 2011. It is made up of images taken from the I.S.S. of what Garan described as "...a couple of laps around our Fragile Oasis before coming back down [to Earth]" and features all kinds of amazing views from space.Each of the five sections of this work relate to an aspect of the video - either something literal or something more metaphorical. The opening section, i: The lights from Above, is a musical description of the view of the Aurora Australis from above the lights. The second section, ii: The Storm from Above (part i), is also a musical portrayal of portions of the video clip - in this case the many lightning storms we see from above. The storms that are so powerful on Earth appear as small bolts of electricity dancing through the clouds.The third section, iii: Freya, has its roots in personal family tragedy. The name Freya derives from a Norse goddess who was associated with both beauty and love, and in this central section I wanted to write music that not only acknowledged how fragile life itself is, but that every day of it counts and should be celebrated.iv: The Storm from Above (part ii) is a again a reference to the lightning storms, but also to the huge hurricanes we see in the video. It leads us to the final section, v: The Oasis from Above - a description of the size and grandeur of Earth, our Fragile Oasis.Fragile Oasis is dedicated to Natalie Youson, in friendship.The original wind orchestra scoring was completed in 2014, and was revised in 2017 with the editorial advice of Robert Ambrose whose support of this work I am eternally grateful for.This wind orchestra scoring was completed in 2014 and was commissioned by a consortium of the following bands:Agrupacin Msico-Cultural "Las Musas" de Guadalupe (Murcia) - Dr. Jos Ibez Barrachina - SpainBand of the Coldstream Guards - Major Darren Wolfendale - UKBorge Musikkorps - Sverre Stakston Olsrud - NorwayThe Brooklyn Wind Symphony - Jeff W. Ball, Artistic Director - USADunshan Symphonic Wind Orchestra - Adrian Schneider - ChinaKoninklijke harmonie Ste. Cecilia Zele - Bart Picqueur - BelgiumMusikgesellschaft Emmen - Manuel Imhof - SwitzerlandUniversity of Saskatchewan Wind Orchestra - Dr. Darrin Oehlerking - Canada
Estimated dispatch 5-14 working days
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