Results
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£104.95Dreams and Fancies (Concert Band - Score and Parts) - Brand, Michael
The story of a sleepless night, "Dreams and Fancies" uses musical episodes to depict definite pictures: the three accented pulses of the main theme signifying a kind of fate, a demented waltz which breaks down, a love theme in the middle, then a wild jazz party. The end is a huge climax - a grand ceremony in which the lovers marry, but haunted by the three accented pulses of the first theme, representing a dark fate.
Estimated dispatch 7-14 working days
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£20.95
Dreams and Fancies (Concert Band - Score Only) - Brand, Michael
The story of a sleepless night, "Dreams and Fancies" uses musical episodes to depict definite pictures: the three accented pulses of the main theme signifying a kind of fate, a demented waltz which breaks down, a love theme in the middle, then a wild jazz party. The end is a huge climax - a grand ceremony in which the lovers marry, but haunted by the three accented pulses of the first theme, representing a dark fate.
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£55.00What a Wonderful World (Concert Band - Score and Parts) - Thiele & Weiss - Sebesky, Gerald
This title sings the praises of just being alive! Some of us remember the fantastic Louis Armstrong vocal/instrumental version that has become a true classic in the annals of jazz. More recently, we've heard it immortalized Good Morning, Vietnam. Here's a great tune with a wonderfully easy transcription to bring to your beginning band. Duration: 1.50
Estimated dispatch 7-14 working days
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£53.95Clarinet Jive (Clarinet Section feature with Concert Band - Score and Parts) - Story, Michael
Get that tasty, subtle jazz groove cookin' within the group and stand aside as your clarinet section proves its mettle. It's just amazing how 'star quality' can play so easily! Besides enjoying the applause, those single reed wonders will work like crazy to perform with perfect blend and precision. It's a winning situation for the thinking director. Duration: 2.00
Estimated dispatch 7-14 working days
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£57.50Baby Elephant Walk (Concert Band - Score and Parts) - Mancini, Henry - Moss, John
Here's a new edition of Henry Mancini's jaunty march from the movie Hatari. John Moss' treatment is clever, fun to play and really captures that special Mancini sound that combines the symphonic and jazz idioms
Estimated dispatch 7-14 working days
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£69.99Fusion Factory (Concert Band - Score and Parts) - Hosay, James L.
At the end of the Sixties and the beginning of the Seventies, slowly but surely, a new exciting music style arose in pop music. Pop groups enlarged the musical spectrum by combining jazz harmonies with rock 'n' roll rhythms. These experiments are now known as fusion. Fusion Factory combines elements of early fusion with modern fusion sounds. Listen to the excellent result!Duration: 5.45
Estimated dispatch 7-14 working days
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£84.99The Second Waltz (Concert Band - Score and Parts) - Shostakovich, Dmitri - Waignein, Andre
from Jazz Suite No.2. Duration: 3.45
Estimated dispatch 7-14 working days
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£74.95Bill Bailey (Concert Band - Score and Parts) - Cannon, Hughie - Geldard, Bill
Bill Bailey is an old song made popular in the British Music Halls of the Victorian and Edwardian eras. As a top trombone player and bog band arranger Geldard, Bill has used familiar idioms from the circus march to the jazz waltz to provide a contemporary and entertaining score which will be ideal for any concert.
Estimated dispatch 7-14 working days
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