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  • £75.00

    Molinasque (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul

    Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!

    Estimated dispatch 7-14 working days

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  • £134.99

    Milestone Overture (Concert Band - Score and Parts) - Brosse, Dirk

    This work was written at the pivotal point of both two centuries and two millennia. With its hopeful melodies and triumphant parts in the brass section, the opening pictures the dawning of a new era of great expectations, characterized by the high speed of communicating all over the world, which is one of the most important aspects of life in the 21st century. This is achieved by musical themes being rapidly transferred from one musician to another. In this vortex of information and fast business transactions, the sense of individuality threatens to become extinct. At this point, Brosse silences the orchestra (a symbol of society) and draws attention to those people who are less fortunate than most of us. This focus on other people culminates with an orchestral climax in which all powers come together with a feeling of euphoria.Duration: 7:45

    Estimated dispatch 7-14 working days

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  • £134.99

    Rhapsody (Flugel Horn or Trumpet Solo with Concert Band - Score and Parts) - Waignein, Andre

    As a trumpet player Andre Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players, and more demanding works for professionals.With his rhapsody Andre Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity, sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult, it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore, with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity and offers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.Duration: 6:00

    Estimated dispatch 7-14 working days

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  • £84.99

    Arioso Wind Band Set (Score & Parts)

    Even the most basic understanding of Western music must include an intimate familiarity with the magnificent body of works by J.S.Bach. The charming beauty of the ARIOSO from BWV 156 must almost certainly appear on anyone?s personal list of the world's most beautiful melodies. What a wonderful vehicle for the study of artful phrasing and expression! Don't let the Grade 2 designation make you overlook this exquisite rendition for bands that normally play at grades 4, 5, and 6. Musicians at any level of ability will find great rewards here.As the perfect festival centerpiece or as a lovely introspective moment on any concert, Jacob de Haan's touching arrangement of Bach's incomparable ARIOSO, speaking its own inherent and spiritual truth, is sure to find a permanent home in your concert band library. 0:03:50

    Estimated dispatch 7-14 working days

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  • £160.00

    DANCE SUITE (Concert Band) - Muldowney, Dominic

    Includes:1. Hey2. Pavane/Waltz3. Polka4. Waltz/Galliard5. Tangos6. Break-DanceDance Suite displays a variety of historical dance forms from a twentieth century viewpoint. The six dances move forward historically from the ancient Hey, through Waltz and Polka, to the sophisticated Tango and the jazz tradition. The rhythm that typifies each dance is constantly under attack, sometimes from a different dance style altogether. These intrusive elements are most obvious in the final dance and prompts the double meaning of the title.I. HEYHey is constructed like a mediaeval motet, where the main blocks of material are rhythmically unconnected to one another. The percussion is the most disconnected of all and seems to have arrived from a Chinese carnival. The scoring alludes to the eight, four and two foot pipes of a baroque organ.I. PAVANE/WALTZAfter a nod in the direction of Dowland's Lachrimae Pavan, the piece seems to wander to and fro between the 16th century and the 19th century world of the Lehr waltz.I. POLKAThe Polka is derived from a four bar fragment found in Stravinsky's sketchbook for The Rite of Spring above which is written: "Dieppe Polka".I. WALTZ/GALLIARDThis is a reversal of the date-shift process in the second movement, in that the wandering goes backwards rather than forwards, particularly to the William Byrd of the Fitzwilliam Virginal Book.I. TANGOSA slow sentimental tango is sandwiched between an abstract deconstructed one, both of which are developed in Dominic Muldowney's opera The Voluptuous Tango.I. BREAK-DANCEBreak-Dance is the fastest, hardest and strangest movement. Its exuberance fractures the texture, which slowly crumbles midway through the movement, only to be resurrected mirror fashion. The piece is a species of palindrome with no true centre, hence: "Break-Dance".Conductors are free to make a selection from these dances for festival or competition programmes, when limited performance time is available.

    Estimated dispatch 7-14 working days
  • £60.99

    Shibuya Scramble Crossing (Concert Band - Score and Parts) - Yagisawa, Satoshi

    This work was composed in 2018 as a commission to commemorate the 40th anniversary of the Shibuya Youth Band, based in Tokyo, Japan. Its world premiere was conducted by the composer's mentor, Masato Sato.Shibuya, a special ward in Tokyo, is a symbol of Japanese urban landscape and a centre of culture, entertainment, and fashion. It is known for its scramble crossing, the most famous intersection in the world.With this opening piece, perfect for your next concert, Satoshi Yagisawa paints a vivid impression of a city filled with love and dreams where so many people gather.Duration: 3.15

    Estimated dispatch 7-14 working days

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  • £159.99

    In Nomine (Concert Band - Score and Parts) - Schwarz, Otto M.

    How often has something been justified by, declared to be, or blessed as 'in the name of' some cause or other? How can it be that opposing armies and the use of weapons are ever 'in the name of...'? This is a common thread in the history of different faiths. Good was created but evil was committed and all 'in the name of...' This thread is also found in the history of the Premonstratensian Abbey at Wadgassen. The abbey was built in the 12th century on unfertile, desolate moorland, which later evolved into the most powerful religious community in the Saarland. The history of the abbey records quite astounding achievements under the motto desertum florebit quasi lilium ('the desert will bloom like a lily'); but also the harsh treatment of delinquents. The order had its own school, in which children were taught the seven liberal arts (which included music as well as geography and astronomy), but the poor were left to starve outside the abbey walls and were only allowed to eat from the members' leftovers on feast days. The medieval witch trials demanded their pound of flesh, and one group that fell victim were ecstatic dancers who moved wildly to music, which was interpreted as the devil's work. The result: a show trial that sentenced the dancers to death by fire. All in the name of... The year is 1789: Abbot Bordier is in the tenth year of his command. He does not yet know that he is to be the last abbot of an almost 700-year tradition. Not far from the abbey is the French border, which has long been making itself felt with the sound of gunfire, and the brothers continue to keep a nervous eye on it. The first portents of the French Revolution loom, but no one wants to believe it, that is, until the French pound the door down, storm the abbey and come right into the brothers' chambers. In a blind fury, all the pipes of the abbey organ are torn out, icons beheaded with swords and brothers beaten death while numerous buildings are set on fire. The abbey church is in flames. A frantic and desperate escape begins. Abbot Bordier and a handful of brothers make their getaway via the River Saar, adjacent to the abbey, to the neighbouring village of Bous. They survive, but their life, the Premonstratensian abbey, is destroyed. While they flee towards Prague and the sanctuary of the Strahov Monastery, the abbey at Wadgassen is razed to the ground and becomes a stone quarry. The desert blooms once more, however. A few short decades later, a glasswork arises from the foundations of the abbey. As peace returns to the region, it brings jobs and a new vision for its people.Duration: 11.15

    Estimated dispatch 7-14 working days

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  • £89.00

    Rhapsody in Blue (Piano Solo with Concert Band - Score and Parts) - Gershwin, George - Longfield, Robert

    George Gershwin's iconic masterpiece is now available in this well-paced, abridged arrangement by Robert Longfield for concert band and piano soloist. Since its premiere in 1924, Rhapsody in Blue has become one of the most popular and beloved American concert works. Its jazzy themes have been featured on the concert stage as well as in movies and commercials. One of the finest musical works ever produced in America, Rhapsody in Blue is a classic that will enthral your audience. Superb!Duration: 5.45

    Estimated dispatch 7-14 working days

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  • £89.99

    Heroes Near and Far (Concert Band - Score and Parts) - Saucedo, Richard L.

    Each of the five movements of this innovative work is designed to invoke a particular type of emotion associated with leadership. Courage is stately in nature and written in a marcato style. Vision is playful in character and focuses on mixed meters as well as mixed emotions. The lyrical and sensitive Compassion is meant to stir the soul, while the contrasting Selflessness offers some of the most intense and demanding music of the set. The energetic final movement Heroes will bring to mind your own favourite superhero! Educator and speaker Scott Lang helped develop the concept for this unique work, and has made available supplemental curricula centred around leadership and character development. This material is tied to the Common Core Standards relating to reading, writing, music, art, and critical thinking. Each movement and its accompanying curriculum can stand on its own, allowing the director the flexibility of using as much or as little as desired. A tremendous resource for today's teacher!Duration: 9:30

    Estimated dispatch 7-14 working days
  • £68.00

    Requiem Aeternam (from Edgar) (Concert Band - Score and Parts) - Puccini, Giacomo - De Meij, Johan

    Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premiere in La Scala in Milan in 1889. Initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, characters and instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti Guarda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar, the confused young man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer. Duration: 3.30

    Estimated dispatch 7-14 working days

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