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£154.99
Achnaton Wind Band Set (Score & Parts)
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered in a revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at his side. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyed himself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reign Achnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was the centre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping to forget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the 'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'. 09:00
Estimated dispatch 7-14 working days
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£84.99
Durkle Bandrydge Suite Wind Band Set (Score & Parts) - Fraser, Bruce
Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its own peculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.Durkle Bandrydge exists at the end of your street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss, who is a giant troll guarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall, mysterious, and somehow sophisticated character, who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walk through quicksand. Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squeals of delight. Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card, buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het 'happy go lucky' approach to life. Marsyn Edginton is the Lord of the manor, the richest man in town, the 'big cheese', the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eats lots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig and this is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade - it is a pity that you can not see them, what is a wonderful sight. If you listen carefully, you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle! 10:00
Estimated dispatch 7-14 working days
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£149.40O Helga natt - Adolphe Charles Adam
O Holy Night is a very well-known Christmas carol. The origin of the carol is French beginning with the words: "Minuit! Chrtiens, c'est l'heure solennelle". It is about the birth of Jesus and was written in 1843 by a wine merchant and poet by the name of Placide Cappeau (1808 77). He turned to the composer Adolphe Adam (1803 56) and asked him to write a suitable melody. The result was brilliant and the carol was premiered in Cappeau's home town Roquemaure in 1847 by the opera singer Emily Laurey. Based on Cappeau's French text, the English version was written in 1855 by an American Unitarian (Calvinist) minister by the name of John Sullivan Dwight (1813 93). Adolphe Adamwas the son of the pianist and composer Louis Adam (1758 1848), who did not want his son to follow in his foot-steps as a musician. However, Adolphe wanted otherwise, and already at the age of 17 he was accepted to study at the music conservatoire in Paris. He was a student under Franois Adrien Bo eldieu and composed several comical operas that became successful. After the July-revolution 1830 Adam moved to London. He worked for a couple of years before returning to Paris, where he founded a new opera house in 1847, the Th tre national. After the revolution in 1848 it had to close and Adam was ruined, why he had to go back to composing. In 1856 he concluded the ballet Le Corsaire, which together with the ballet Giselle are his most performed works today.
Estimated dispatch 7-14 working days
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£107.70
Triqui-Traqui - Paul Desenne
Commissioned by Gustavo Dudamel for his 2017 New Year's concert with the Vienna Philharmonic, my Caribbean reinterpretation of Strauss' famous Tritsch-Tratsch Polka was deemed tooosefor the occasion, yet the maestro recorded it that year, not in Vienna but in Caracas, with the fabulous performers of his orchestra, the Orquesta Sinfnica Simn Bolvar, and published it on the web as his musical New Year's greetings card. The gesture was meaningful, and bold. I'm convinced that Johann Strauss, a man immersed in the fashions of his city and his time, would have loved the idea; a musical collage which carries in its banter a very strong aesthetic statement. The lightest and most frivolous things seem to always carry the deepest messages, let us not forget. ... ... Today, this version of my transformed Tritsch- Tratsch Polka forSymphonic Band created by Steve Boehm, will certainly tickle the Viennese in each and every one of us, and we will be very happy!"
Estimated dispatch 7-14 working days
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£62.95
Through Courageous Eyes - Brian Balmages
This innovative work makes use of an optional piano part that is most likely playable by someone already in the band. It was written in honor of Matt Rhodes, a student at John T. Baker Middle (Damascus, MD), who passed away during a battle with spina bifida. It represents his kindness, courage, and determination despite his confinement to a wheelchair. An opening ethereal section and chorale moves into an exciting portrayal of life which concludes with a humorous ending that was very characteristic of Matt. A very musical new composition which teaches much more than notes.
Estimated dispatch 7-14 working days
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£159.99Guardian Angels - Kevin Houben
Guardian Angels gives a musical expression to the legend of Reverend Louis Henri Bhler referring to the use of Psalm 34.North-west Veluwe and in particular Oldebroek (The Netherlands) has a very rich religious tradition which is demonstrated by its monumental churches. They tell the story of a stirring history in which Reverend Bhler played a crucial role. Inspired by his arrival as a pastor in 1870 in the neighbouring Oosterwolde, two big religious communities came into existence with their characteristic churches but this rivalry also resulted in great social unrest.This composition reflects on this striking personality and in particular on the story of the Angel Guard.'One evening Reverend Bhler has given a sermon in Oldebroek and he walks over the Church path through the pastures to Oosterwolde. On this dark and stormy evening Bhler's opponents are waiting for the pastor in ambush. They want to drown him in a watercourse near the Church path but abandon their plan because Bhler is accompanied by two men. The next day it comes to an encounter between Bhler and his opponents. They repent their, fortunately unexecuted , plan. Bhler firmly believes that on the previous night he walked alone over the Church path, and was not accompanied by two men. It was concluded that it must have been the angels who had protected Bhler.'Psalm 34 is central to this composition and this because of its powerful melody but also because the lyrics of verse 4 of the rhymed version fit in well with the special legend of Reverend Bhler:The Lord's angel gathered round himAn invincible heavenly guard,Who tries God's will, around himSo he's well guard(ed)A second melodious and harmonic cell is a musical transformation of the name 'Bhler'. This cell is varied in major and minor third chords and sometimes used as the main idea or apotheosis, but also serves as an accompanying cell or as a bridge between other melodic and rhythmic constructions.The composition was made possible by contributions of: Mr Evert van de Poll, owner of the Van Gelder Groep, Het Prins Bernhard Cultuurfonds Gelderland en Het Feteris Oosterbaan Fonds.
Estimated dispatch 7-14 working days
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£159.99Guardian Angels (Concert Band - Score and Parts) - Houben, Kevin
Guardian Angels gives a musical expression to the legend of Reverend Louis Henri Bahler referring to the use of Psalm 34. North-west Veluwe and in particular Oldebroek (The Netherlands) has a very rich religious tradition which is demonstrated by its monumental churches. They tell the story of a stirring history in which Reverend Bahler played a crucial role. Inspired by his arrival as a pastor in 1870 in the neighbouring Oosterwolde, two big religious communities came into existence with their characteristic churches but this rivalry also resulted in great social unrest. This composition reflects on this striking personality and in particular on the story of the Angel Guard. 'One evening Reverend Bahler has given a sermon in Oldebroek and he walks over the Church path through the pastures to Oosterwolde. On this dark and stormy evening Bahler's opponents are waiting for the pastor in ambush. They want to drown him in a watercourse near the Church path but abandon their plan because Bahler is accompanied by two men. The next day it comes to an encounter between Bahler and his opponents. They repent their, fortunately unexecuted, plan. Bahler firmly believes that on the previous night he walked alone over the Church path, and was not accompanied by two men. It was concluded that it must have been the angels who had protected Bahler.' Psalm 34 is central to this composition and this because of its powerful melody but also because the lyrics of verse 4 of the rhymed version fit in well with the special legend of Reverend Bahler: The Lord's angel gathered round him An invincible heavenly guard, Who tries God's will, around him So he's well guard(ed) A second melodious and harmonic cell is a musical transformation of the name 'Bahler'. This cell is varied in major and minor third chords and sometimes used as the main idea or apotheosis, but also serves as an accompanying cell or as a bridge between other melodic and rhythmic constructions. The composition was made possible by contributions of: Mr Evert van de Poll, owner of the Van Gelder Groep, Het Prins Bernhard Cultuurfonds Gelderland en Het Feteris Oosterbaan Fonds. Duration: 16.30
Estimated dispatch 7-14 working days
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£44.95Eine Kleine Klarinette Musik (Clarinet Solo with Concert Band - Score and Parts) - Wiffin, Rob
A solo for solo clarinet and band featuring the well-known tune from Mozart's Eine kleine Nachtmusik. I have always thought that Woody Herman's Golden Wedding is a great showpiece for clarinet. He takes a tune entitled La Cinquantaine by the French Romantic composer Jean Gabriel-Marie (1852 - 1928) and sets it as a big band swing piece complete with Krupa Toms. In seeking to emulate it I suddenly realised that the Rondo from Mozart's Eine Kleine Nachtmusik K.525 had very much the same character if I presented it in a minor key. It was then really just a matter of organizing the various sections, setting them in a swing manner and adding a cadenza-like passage. There is, of course, a strong connection between Mozart and the clarinet. It was fun to write and will hopefully be a fun solo vehicle for clarinettists. - Rob Wiffin. Duration: 3.30
Estimated dispatch 7-14 working days
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£101.30Honor to the Veterans - Tormod Brufladt
The march "Honour to the Veterans" was the composers third composition ever. He sent this march to Kjell Martinsen, who was the conductor of The Kings Guards Band in Norway. He liked the march so much that it was included on the CD which was releasedin connection with the bands 150 years anniversary.The march is not very difficult. There is a variety of melody lines in the march that differs from many other marches, especially the piccolo flute solo makes it a little bit special. Themarch is also playable for bands lacking a piccolo flute player, because the melody line in this part of the march is well taken care of.
Estimated dispatch 7-14 working days
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