Results
-
£82.95
Up On The Hip-Hop House Top
Santa may be "Up on the Housetop," but certainly not all is calm! Bryce Newton's clever arrangement takes the familiar tune and adds unique twists and turns that your ensemble and audiences will find entertaining and just plain fun. Lively percussion writing and interesting wind parts that provide each musician with something exciting to play. This is a sure-fire way to add variety and depth to your next holiday program!
Estimated dispatch 7-14 working days
-
£53.50Suite for the Endangered - Paul Jennings
This intriguing suite by Paul Jennings is a perfect way to introduce contemporary musical content and relevant programmatic material to young bands. Each of the three short movements explores a different endangered species: Mountain Gorilla, Trumpeter Swan, and Humpback Whale. Here is an expressive, thought-provoking work that can have a powerful effect on your group musically and on many other levels.
Estimated dispatch 7-14 working days
-
£112.50To set the darkness echoing - Dana Wilson
This intriguing composition, marked by its innovative sounds and haunting orchestration, is a tribute to Martin Luther King, Jr. The composer's intent was to capture the way Dr. King inspired profound change by leading us to see how we, not others, were behaving - and thus "set the darkness echoing," according to the words of poet Seamus Heaney. This dramatic and thought-provoking piece will truly inspire.
Estimated dispatch 7-14 working days
-
£106.99The River Knows Your Name - Jacob de Haan
This work describes the way the German river Saar holds the names of all the people who once lived in the area and of those who live there now. The introduction depicts the river flowing toward its confluence with the Mosel. The first names revealed by the river, in a dance, are those of the Romans, who established their first settlement here. Then the beautiful Saar Cathedral is portrayed, where believers give voice to the names of the people they know. Next, a powerful passage resounds: a reflection of the entrepreneurial spirit in Dillingen that has taken shape through the famous metal industry. Via a short clarinet solo, the work flows toward its conclusion in an emotional, stirring fashion, from nostalgic strains to full-blown euphoria.
Estimated dispatch 7-14 working days
-
£78.95
Ghost in the Machine - George Sweet
Ghost in the Machine has characteristics of minimalist music and utilizes many interesting sounds, colors and textures to create a mechanized sound. This piece is a great way to introduce students to the important minimalistic style and has enough musical sophistication to keep students and audiences on the edge of their seats.
Estimated dispatch 7-14 working days
-
£84.99
Pride of the Fleet - James L. Hosay
James L. Hosay is Americas most gifted and prolific writer of patriotic music for the concert band, works his magic once again in this thrilling composition. It's a challenging but accessible piece that keeps all the players involved with delightful parts to play. Mr. Hosay writes great F Horn parts! Directors who have strong F Horn sections often have a hard time finding music that lets that section be heard the way it should be.
Estimated dispatch 7-14 working days
-
£137.99The Baltic Way (Concert Band - Score and Parts) - De Haan, Jan
In 1989, the demonstration named the Baltic Way, also known as the Baltic Chain, was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of the first movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas Ciurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and, in rhythmic terms, contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautiska giesm?' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30
Estimated dispatch 7-14 working days
-
£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
-
£199.95
The Year of the Dragon (Prestige Concert Band - Score and Parts) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
-
£64.35The American Way - Swearingen, James
A stirring performance of a King march is the perfect way to round out your concert program. Audiences love marches and this well-crafted arrangement by James Swearingen is a guaranteed toe-tapper. Singable themes, strong counter-melodies, and interesting percussion parts make this the perfect selection for that special concert. A guaranteed winner!
Estimated dispatch 7-14 working days
View Music