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£102.99
The Best Of Elvis Costello - Medley - Elvis Costello
Veronica - She - Everyday I Write The Book - Oliver's Army
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£202.99My Neighbor Totoro - Selection for Concert Band - Joe Hisaishi
There have been countless interpretations, both positive and negative, of "My Neighbor Totoro". However, I was simply moved by this film's portrait of family love, respect for the environment, exciting adventure of childhood, and people's loving kindness. It touched my heart with its abundant colorful images.To reflect its simplicity and unsophisticated character, this version is by no means an "elaborate" arrangement. With the tune from The Path of Wind as the introduction, this work is a medley of familiar tunes of the following scenes:1. Stroll,2. The Village in May,3. Traveling Soot,4. The Path of Wind,5. Catbus,6. My Neighbor Totoro(Yo Goto)
Estimated dispatch 7-14 working days
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£202.99
Howl's Moving Castle - Joe Hisaishi
Based on Hayao Miyazaki's animation "Howl's Moving Castle" (2004), this Symphonic Fantasy for Band was arranged for Neagari Jr. High School Band (Kazuhiro Tanaka- director) in Nomi, Ishikawa, Japan as concert contest non-test repertoire.This work consists of 5 scenes which are freely adapted from Image Symphonic Suite (music released before the film's premier) and The Soundtrack:1. The Allure of Dawn (Image Symphonic Suite)2. Wandering Sophie (Soundtrack)3. The Courageous Cavalry (Soundtrack)4. The Boy Who Swallowed the Star (Soundtrack)5. The Merry-go-round of Life (Soundtrack)To maximize the wind band's unique sound and function, I have taken some liberty in spreading active roles throughout the ensemble. This is the motive behind the subtitle, Symphonic Fantasy for Band.(Yo Goto)
Estimated dispatch 7-14 working days
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£202.99
Spirited Away - Joe Hisaishi
This is an arrangement of Ghibli's Anime film, "Spirited Away". It consists of six themes including No-Face, One Summer Day, The Bottomless Pit, Yubaba's Panic, Always with Me, and Reprise. I also added an alternate introduction using The Dragon Boy. The No-Face opener is somewhat avant-garde with technical difficulties so select the opening that is best suited to your ensemble. The arrangement concept was created by Mr. Tomoki Ubata of Ina Gakuen Sr. High School. His wonderfully crafted ideas always impress me. Especially, in the arrangement, mallet percussion and piano are effectively used to sound like a music box and the lyrical melody of Reprise is superimposed. This scene is the best part of the entire arrangement and is very emotional. All these fine melodies from the film transport both audience and performers to the fantastic world of anime. (Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£202.99
Ponyo on a Cliff by the Sea - Joe Hisaishi
The sound track ofPonyo on a Cliff by the Seaincludes a number of famous and familiar melodies as parody. I arranged it to exaggerate the fun-ness. "Deep Sea Ranch" from the film's beginning is reminiscent of Ravel's Lever du jour (Daphnis et Chlo); "Flight of Ponyo" with Wagner'sRide of the Valkyries, and "Mother of the Sea" with Jean Paul Martini'sPlaisir d'amour. The arrangement is enjoyable for movie fans as well as classic music fans. The main themePonyo on the Cliff by the Seaconcludes in lively march style. Harp can be omitted as needed and is written at medium grade level for school band. (Yo Goto)
Estimated dispatch 7-14 working days
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£64.99
Adventure Tale of Neverland - Daisuke Shimizu
Commissioned by the Rave Group Int'l and Hong Kong Band Directors' Association for the 7th Winter Band Festival 2015, this piece was completed in August of the same year. Ten years before I wrote "Adventure Tale of Professor Alex"(Brain/Bravo Music), setting the exploits of this imaginary character to music. From the same series now comes "Adventure Tale of Neverland" depicting fantasy adventures of the famed Peter Pan.The piece begins quietly with sound of the Great Bell of Big Ben, after which the main theme is introduced. As with the preceding work, please enjoy imagining Peter Pan's adventures to produce a spectacular musical voyage.
Estimated dispatch 7-14 working days
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£129.99
A Jupiter Fantasy (from the Planets) - Yasuhide Ito
Utilizing the melody from the central section of Holst's "The Planets: IV. Jupiter", I have exclusively written a chorus piece for an event in 1999. Based on that particular piece, a duo for piano and flute was written the same year. Later, more than a total of 30 renditions were written based on the original piece.This version of "Jupiter", arranged for the large wind band, is one of three parts of a three-part composition, which includes "Mars" and "Earth", composed in 2003 and 2005 respectively.The trumpet ad lib kicks off the central section, in which various other instruments could repeatedly perform the section, and ad lib is most welcome too.(Yasuhide Ito)
Estimated dispatch 7-14 working days
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£72.99Viva Massima - Eiji Suzuki
I wrote this in "Mashima-mode" dedicated to and celebrating the eminent Japanese composer Toshio Mashima's 60th birthday. The piece incorporates various familiar styles, melodies and nuances of the Popstage series. It is ideal as a closing piece or encore to finish a concert brilliantly! Effective use of Latin percussion is essential for good momentum. Don't be afraid to play bright and full. Massima is Italian for "peak" or "maximum", no special meaning, just word-play on the name Mashima. (Eiji Suzuki)
Estimated dispatch 7-14 working days
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£209.99Machu Picchu - Satoshi Yagisawa
Commissioned for the Ensemble Liberte Wind Orchestra, Kawaguchi City, 30th Anniversary ConcertExplaining the significance of Machu Picchu begins with remembering the Incan empire at its zenith, and its tragic encounter with the Spanish conquistadors. The great 16th century empire that unified most of Andean South America had as its capital the golden city of Cuzco. Irresistible to Francisco Pizarro, while stripping the city of massive quantities of gold, in 1533 he also destroyed Cuzco's Sun Temple, shrine of the founding deity of the Incan civilization.While that act symbolized the end of the great empire, 378 years later an archeologist from Yale University, Hiram Bingham, rediscovered "Machu Picchu", a glorious mountaintop Incan city that had escaped the attention of the invaders. At the central high point of the city stands its most important shrine, the Intihuatana, or "hitching post of the sun", a column of stone rising from a block of granite the size of a grand piano, where a priest would "tie the sun to the stone" at winter solstice to insure its seasonal return. Finding the last remaining Sun Temple of a great city inspired the belief that perhaps the royal lineage stole away to this holy place during Pizarro's conquest.After considering these remarkable ideas I wished to musically describe that magnificent citadel and trace some of the mysteries sealed in Machu Picchu's past. Three principal ideas dominate the piece: 1) the shimmering golden city of Cuzco set in the dramatic scenery of the Andes, 2) the destructiveness of violent invasion, and 3) the re-emergence of Incan glory as the City in the Sky again reached for the sun.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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