Results
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£141.99Goodnight Moon (Vocal Solo (Soprano) with Concert Band - Score and Parts) - Brown & Whitacre - Mosenbichler-Bryant, Verena
Note from the Composer: "Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed - the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, originally setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. I later arranged Goodnight Moon for SATB choir and piano. More recently, my dear friend Verena M?senbichler-Bryant arranged the piece for wind ensemble and soloist. The melody of Goodnight Moon will forever make me think of those quiet nights, reading my son to sleep." - Eric Whitacre
Estimated dispatch 7-14 working days
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£69.95Aylesbury Dances (Concert Band - Score and Parts) - Wiffin, Rob
The suite Aylesbury Dances was commissioned by the Aylesbury Concert Band to mark the occasion of their 25th Anniversary in 2019. Its three movements depict different aspects of Aylesbury: I. Pavane: The Town - Having read something of the town's history and its architecture I decided I wanted to write something ceremonial with the feel of music from Tudor times. Aylesbury was given its charter and borough status in 1554 by Mary Tudor so I took that as my starting point but then added some harmony that moves forward in time. This fits with the town's motto: Semper Prorsum (Always forward) and also with the Band's evolution from Aylesbury Town Band to Aylesbury Community Concert Band to Aylesbury Concert Band. The music can be defined as a pavane, or a cortege. The sense of procession is slightly disturbed by a 'Blue Leanie' moment. The Blue Leanie is an iconic Aylesbury building, an oblique rhombic prism which stands at an angle of 17% inclination. I took a quaver out of the time signature (I know the maths don't work!) to reflect this and added some bluer harmony at that point. This opening movement gives a sense of the grandeur and heritage of Aylesbury town and a chance for my friends from the brass section to warm up! II. Siciliana: Waterside - To balance the outer two movements, the middle movement of the suite has a slow lilting 6/8 rhythm. It is in the style of a Siciliana, a dance form originating in the baroque era. It is a graceful, tender and melancholic dance, cast here in a minor key and featuring the dark voice of the cor anglais. The Siciliana was often linked with pastoral scenes and Aylesbury itself sits amid some beautiful countryside. It may, therefore, seem a bit of a stretch to call this movement 'Waterside', especially as Aylesbury is so far from the sea, but the town has a theatre of that name and that was the genesis for this particular music. There is a statue of Ronnie Barker in the grounds of the Waterside theatre as he started his career in repertory theatre in Aylesbury, so I included a fleeting reference to the theme music of the comedy programme 'Open all Hours'. III. Frolic: Ducks in a Row - It was impossible to write a piece connected with Aylesbury without considering the famous Aylesbury ducks. Duck rearing was a major industry in the town in the 19th century. The white Aylesbury Duck is a symbol of the town, appearing on its coat of arms and in the logo of the Aylesbury Concert Band! This movement is all about trying to get the little darlings in a row so they can sing their 'Duck Chorus' together but they keep on scattering, flying off or swimming away as quickly as they can manage. It's a bit like watching ducks disperse when my dog jumps into the stream after them. Eventually we get more of them in a row - even though they protest. Hidden amongst the ducks is a reference to Erica Miller, saxophonist and chairman of the band, and there's even a veiled reference to a shark in the hope of getting them out of the water. Ducks in a Row is a fun romp bringing this suite of Aylesbury Dances to a suitably celebratory conclusion.- Rob Wiffin.Duration: 9.15
Estimated dispatch 7-14 working days
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£84.95Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00
Estimated dispatch 7-14 working days
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£118.99Goodnight Moon - Eric Whitacre
Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time those fragments began toblossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed - thefirst time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, originally setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. I laterarranged Goodnight Moon for SATB choir and piano. More recently, my dear friend Verena Msenbichler-Bryant arranged the piece for wind ensemble and soloist. The melody of Goodnight Moon will forever make me think of those quietnights, reading my son to sleep. -Eric Whitacre
Estimated dispatch 7-14 working days
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£202.99
The Wind Rises - Joe Hisaishi
This beautiful, lyrical melody is so colorful in the film, without having an imposing image. "The Wind Rises" (2013) does not dominate the visual, and perhaps is an ideal form of film music considering this is director Miyazaki's final production. Chamber ensembles with solos and strings are frequently used in the soundtrack, so the sound is mellow and soft. As you listen more and more, you still recognize the tradition of Ghibli music.When I arrange, I try not to visualize the image of a film. I may think of characters and story line but is it important to write music that alone is appealing and fascinating. Trying not to "overstate" the film is not needed here. If you can bring out the most appealing parts of the soundtrack, excess can be forgiven. Of course, I have not changed the musical elements of the original.I asked Mr. Tomoki Ubata (band director at Ina Gakuen Sr. High School) whom I have worked with numerous times to assist with layout. He came up with a heartwarming medley with two main parts; leading boy Jiro's gift for aeronautical design and his romance with the heroine, Natsuko.The following themes are contained in the arrangement:1. Nahoko (A Rainbow) Beginning2. Caproni (An Aeronautical Designer's Dream) C3. A Journey (An Encounter at Karuizawa) H4. The Falcon I5. Prototype 8 N6. A Journey (A Parting) & A Journey (A Dream of Flight) PIt is quite remarkable, looking back on 30 years of Studio Ghibli's achievements.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£164.99Trumpet Concerto - Satoshi Yagisawa
Commissioned by Japan's Central Air Self Defense Force BandWhen I received this commission, I thought of a regular piece for wind band, but as my preparations continued I heard so much about the band's outstanding trumpeter Kenichi Kurisu that I ended up writing a concerto for him. The Self Defense Force audience includes those without much chance to otherwise hear live music. With that in mind I realized I also had the challenge of creating a melody that was compelling.Using the classical sonata as a model I made this song with simple movements and included a signature chorus in the middle section. Although this piece is performed with band, a version for piano accompaniment was created by pianist Orimo Manabu for the 20th Anniversary of "The Trumpet Concert."This edition of Trumpet Concerto was offered for an American Premier at the 2013 Midwest International Band and Orchestra Clinic, Robert Sullivan soloist with the Kagoshima Joho High School Wind Orchestra.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£109.50Three London Sketches - David Campo
London is one of my favorite cities in the world, and in 2016 I was invited there to serve as an adjudicator for the London New Year's Day Parade and Gala Concerts. While I was there, I was fortunate to meet and spend time with The Lord Mayor of Westminster Councillor Steve Summers. While his title sounds formidable and intimidating, I found Steve to one of the nicest, most easygoing people I've ever met. And boy, does he love London! He was fond of saying that he had "the best job in the greatest city in the world." He spoke passionately about London and his favorite places in the city, and his enthusiasm was contagious. Some of his favorite places became some of my favorite places, and the inspiration for this piece. I hope that this work not only conveys the beauty and history of these iconic places, but Steve's deep and abiding love for them as well. I. Tower Bridge - The Tower Bridge was built over 120 years ago to ease road traffic while maintaining river access to the busy Pool of London docks. Its giant moveable roadways lift up for passing ships, making it a true engineering marvel. It is also one of the most iconic sites in London, and was used to display the Olympic Rings during the 2012 Olympics. II. St. Paul's (The Whispering Gallery) - The history of St. Paul's Cathedral goes back well over a thousand years, but construction on the current St. Paul's began in 1669 after a fire destroyed the earlier structure. The dome of St. Paul's Cathedral is a whispering gallery; you can whisper against the wall on the inside of the dome and it can be clearly heard on the other side of the dome over 100 ft. away. Imagine the secrets that have passed there... III. Trafalgar Square - The name commemorates the 1805 naval Battle of Trafalgar and is marked by Nelson's Column, a monument to Admiral Horatio Nelson, the hero of the Battle of Trafalgar. It is the heart of London; full of life and constant energy and home to iconic buildings including the National Gallery, St. Martin-in-the-Fields, Canada House and South Africa House. Londoners say that all roads in London lead to Trafalgar Square.
Estimated dispatch 7-14 working days
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Perpetua - Peter Meechan
When I write music I feel a need to comment on the world around us - which, right now, is not always a happy society. But I also want to write music about the world I want to live in - about the joy, beauty, hope, and love I see in our communities.In writing Perpetua I wanted to compose a piece of perpetual motion, that is challenging, exciting, and fun - all brought together through a sense of joy.Perpetua was commissioned by Foothills Concert Band (Calgary, AB, Canada) and their conductor Anthony Reimer.
Estimated dispatch 5-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£99.95The Music for the Royal Fireworks (Concert Band - Score and Parts) - Handel, George Frideric - Wiffin, Rob
This complete arrangement of The Music for the Royal Fireworks was made in January 2017 at the request of Lieutenant-Colonel Kevin Roberts, Senior Director of Music of the Household Division. I tried to make the version as close to the original as possible while arranging it to work for modern symphonic band. Although tempting, I did not want to ?€arrange?€ it too much, certainly not as much as the familiar Hamilton Harty arrangements. Consequently I kept the whole work in the same key of B flat, either major or minor, and made a few logical adjustments for the lower key and the technical facility of modern instruments. I have added a few apposite dynamics and articulations. I have also notated the music in the appropriate ?€French?€ style, writing out the double-dotted figures, especially in the Overture. In doing this I have gone further than the limited suggestions in the Eulenburg edition and taken account of the expertise of exponents of ?€Historically Informed Performance?€. The instrumentation is for full band but would work without trombones and saxophones and, to a lesser extent, flutes; clarinets though, are essential.Duration: c. 20
Estimated dispatch 7-14 working days
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