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£75.00Lo! He Comes with Clouds Descending (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Lo! He Comes with Clouds Descending is a hymn with a text by John Cennick (1718-1755) and Charles Wesley (1707-1788). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment. Considered one of the Great Four Anglican Hymns in the 19th century, it is most commonly sung to the tune Helmsley, first published in 1763. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£55.00Amazing Grace (Concert Band - Score and Parts) - Nowlin, Ryan
The simple melody of this famous hymn is treated to lush harmonizations and searing emotion. In this arrangement, the tune is heard in its entirety three times, each time becoming more impassioned. Between each iteration of the hymn, the composer includes original material that serves to bridge the ardent treatment of the multiple verses.?Amazing Grace?is a wonderful vehicle for increasing the musicality of the young intermediate band.?
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£87.99Old Hundredth (Concert Band - Score and Parts) - Sparke, Philip
The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100, All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - hence its current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.Duration: 2:30
Estimated dispatch 7-14 working days
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£114.99Geneva Variations (Concert Band - Score and Parts) - Bulla, Stephen
This work is based on the 19th century American hymn melody, Resignation, which is also known as Psalm Tune (Psalm 23) based on the words The Lord Is My Shepherd. It is in the form of a theme and variations with each of the four variations evoking different moods using a fragment of the original tune. An evocative and joyful work that will make a welcome addition to your concert repertoire.Duration: 6.00
Estimated dispatch 7-14 working days
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£13.95
The Very Best of Festival of Music Volume 1
1Old ComradesCarl TeikeThe Massed Bands of the Royal Air Force2.182ElegyDavies/Dyson/HingleyThe Massed Bands of the Royal Air Force3.533633 SquadronRob GoodwinThe Massed Bands of the Royal Air Force2.414NimrodEdward Elgar/HingleyThe Massed Bands of the Royal Air Force3.415Sun and MoonSchoenberg/Maltby/BoubillThe Massed Bands of the Royal Air Force2.556USAF MarchCranfordThe Massed Bands of the Royal Air Force1.487Highland CathedralGilmourThe Massed Bands of the Royal Air Force3.328Robin Hood, Price of ThievesMichael KamenThe Massed Bands of the Royal Air Force9.469Marching with Sousaarr. Gordon LangfordThe Massed Bands of the Royal Air Force5.4510Spitfire PreludeWilliam WaltonThe Massed Bands of the Royal Air Force3.4311Bohemian RhapsodyFreddie MercuryThe Massed Bands of the Royal Air Force7.1812Irish Tune from County DerryPercy GraingerThe Massed Bands of the Royal Air Force3.4813In the MoodRazaf & GarlandThe Squadronaires3.2514Pomp and Circumstance No.1Edward ElgarThe Massed Bands of the Royal Air Force6.0315RiverdanceBill WhelanThe Massed Bands of the Royal Air Force5.5316Evening Hymn and Sunsetarr. Rob WiffinThe Massed Bands of the Royal Air Force3.26
Estimated dispatch 7-14 working days
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£40.95Be Thou My Vision (Wind Band) Traditional arr. Andrew Wainwright
VIEW SCORE PDF A highly evocative arrangement of the popular hymn, also known as Slane. The arranger Andrew Wainwright responds to the ethereal quality of the tune with an exquisite layering of texture. The three-verse setting grows to a glorious climax on the final verse, before dying away to a serene ending. The arrangement was commissioned by the Nebraska Brass Band and its Musical Director Glenn Greet, and it is now available here for wind band. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com To view a video of Dallas Brass Band performing the brass band version of this work please visit www.youtube.com/watch?v=mUyDYnOkXuE Difficulty Level: Medium Instrumentation: Flute 1-2 Oboe English Horn Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£40.95The Huron Carol - Wind Band (Canadian Traditional arr. Andrew Wainwright)
A magical arrangement of the beautiful Canadian Christmas hymn (Canada's oldest Christmas song), which is also known as 'Twas in the Moon of Wintertime. 'In The Huron Carol, Andrew responds to the ethereal quality and wintery mood of Canada's oldest Christmas song, setting this beautifully simple tune in an ambiguous, Downie-Himes inspired landscape. The layering of texture is magical.' Paul Hindmarsh - Music critic To view a performance of the work please visit: https://www.youtube.com/watch?v=gB7DhDTWBCA (please note the performance is of the brass band version). PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Suspended Cymbal Triangle
In stock: Estimated dispatch 1-3 days
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£29.95Prelude on 'Lavenham' (Concert Band - Score and Parts) - Nobes, Geoffrey
Prelude on 'Lavenham' was written for the 130th anniversary, in 2014, of Lavenham Corps in Suffolk and was first performed at their anniversary concert in the village's beautiful Parish Church by Kettering Citadel Band. It's an arrangement of a tune the composer wrote to the words, 'Lord, there are times', a lovely hymn by the Reverend Nick Fawcett. The arrangement is dedicated to the memory of Bandmaster Derek Wilding of Lavenham Corps.The music is serene and free-flowing and was written with the rich and warm acoustics of the lovely medieval church very much in mind. It should be played cantabile throughout, with close attention to contrasts in dynamics.
Estimated dispatch 7-14 working days
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