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£121.00Always With Grace - Gary P. Gilroy
Always With Grace, commissioned by the Lloyd C. Bird High School band, includes references to Amazing Grace. Not meant to be an arrangement of this wonderful melody, it is instead a tribute to this favorite hymn. From the opening bars of driving eighth-note rhythms through the solemn and lyric middle section, the concept of "time moving forward" is represented by numerous musical devices. As the composition concludes, the full hymn is heard while an off-stage saxophone quartet and metallic percussion sounds "tick away" to an intriguing, unique conclusion.
Estimated dispatch 7-14 working days
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£121.00Fantasy On Prospect - David Gorham
An outstanding concert work based a melody from the "Southern Harmony" collection. This impressive selection incorporates the age-old favorite hymn Prospect, which provides wonderful musical material for this stunning concert work. Opening quietly with the majestic hymn, it sets a spellbinding mood that builds to a lively and intriguing dance-like atmosphere before closing with a magnificent and thrilling finale. A wonderful setting of contrasting styles, Fantasy on Prospect will demonstrate, as well as highlight, the musicality and versatility of your concert band. Perfect for contests and festivals.
Estimated dispatch 7-14 working days
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£82.50In Endless Song - Robert Lowry
A beautiful hymn composed by Robert Lowry that expresses a true feeling of inner peace and joy. This sensitive arrangement presents the melody with little or no alteration, letting its natural beauty speak for itself. Band composers have long used hymntunes as the basis for their compositions, creating a large and rich repertoire of musical hymn settings. This wonderfully lyric arrangement will make a welcome addition to that collection of works.
Estimated dispatch 7-14 working days
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£82.50A Scottish Sunrise - Travis J. Weller
The Celtic hymn Morning Has Broken is used as thematic material for this vivid depiction of sunrise on the Scottish landscape. A lush and serene opening with optional flute solo depicts the quiet calm just moments before dawn. A building fanfare ushers in the rising sun, reaching its peak just as the sun breaks through in full glory. The opening strains of the hymn are stated by various sections as a lilting original jig adds to the festive atmosphere, bursting forth together for a rollicking conclusion.
Estimated dispatch 7-14 working days
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£82.50In Simple Faith - William J. Kirkpatrick
This work was commissioned by the Baptist Preparatory School Band of Little Rock, Arkansas, Mrs. Lindsey Leggitt, director. The work is dedicated to that school and the 2016 graduating class of the Baptist Prep Band Program. This musical work for concert band is based on the hymn Tis so Sweet to Trust in Jesus with some additional material created for transitions and unity. The piece is written in the style of classic hymn song settings for band and should be played with careful attention to expression and balance.
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel
The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.
Estimated dispatch 7-14 working days
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£79.99A Repton Fantasy - C. Hubert Parry
Sir Hubert Parry (1848-1918) belongs to a forgotten generation of English composers who are often over-shadowed by Sir Edward Elgar, and the result has been that much of their work is little played or forgotten. In Parry?s case, he is now mostly remembered for his hymn tunes, such as Jerusalem and Repton, both marvellous melodies, of course. The latter first appeared in Parry?s oratorio Judith and was adapted as a hymn tune after the composer?s death.The solo part can be played by a trumpet, clarinet or alto saxophone and will give yourchosen soloist a chance to shine.
Estimated dispatch 7-14 working days
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£76.99Viva La Musica - Hermann Pallhuber
Viva La Music--A joyous Hymn and Dance--is a cheerful piece of some 3:20 in length. It is comprised of two parts: a festive hymn with a recurring theme and a dance in the style of a lively jig. Thanks to its melodic character, its positive mood and its punchy wit Viva La Musica can equally serve as a short opening piece or as a finale. This work can even be played by a very small ensemble and, due to its lyricism and simple structure, it is especially suitable for youth wind band.The composer has dedicated Viva La Musica to the town of Fritzens in Tirol (Austria) and to its music guild.
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£89.99Emerald Jubilee - Jan de Haan
Klaas van der Woude has based his arrangement An Old Swedish Hymn on an old pastoral hymn from Dalarna. This beautiful melody even attracted ABBA as they used it as the opening music for some of their concerts. Van der Woude's arrangement is in classical style making it suitable for any occasion.
Estimated dispatch 7-14 working days
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