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  • £83.50

    Hymns from the Rig Veda - Gustav Holst

    A century ago, James Causley Windram, then band director of the 5th Northumberland Fusiliers (and later the Coldstream Guards) asked Gustav Holst if he would transcribe some of the composer's Hymns from the Rig Veda for military band. Always a band advocate, Holst readily agreed. In this thoroughly characteristic suite, two of Windram's settings (Hymn of the Travellers and Battle Hymn) have been edited for modern instrumentation, while a third (Hymn to Manas) has been arranged by Jon Ceander Mitchell from Holst's original choral setting.

    Estimated dispatch 7-14 working days
  • £118.99

    Jig - Gustav Holst

    Together with his good friend Ralph Vaughan Williams, Gustav Holst had a strong liking for the abundant folk music of the British Isles. This influence is heard in many of his works and is perhaps strongest in his Second Suite for Military Band and in the Saint Paul Suite for string orchestra. This work was composed in 1913 for the school orchestra of St. Paul's Girls School in London, where Holst was the Director of Music. The suite opens with this exuberant Jig, a dance originating from Scottish and Irish folk music in alternating duple and triple time (6/8 and 9/8), which has been expertly arranged for concert band.

    Estimated dispatch 7-14 working days

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  • £64.99

    I Vow To Thee, My Country - Gustav Holst

    This populat British patriotic hymn features a poem by Sir Cecil Spring Rice set to the familiar chorale melody from Jupiter by Gustav Holst. It is associated with Remembrance Day services throughout the United Kingdom, and has long been a favorite of the British royal family. This stately setting for band includes an optional part for unison voices.

    Estimated dispatch 7-14 working days
  • £115.60

    Jupiter Hymn from The Planets - Gustav Holst

    Gustav Holst (1874-1934) was a British composer. His most famous work is the orchestra suite "The Planets". "Jupiter Hymn" is an excerpt from the fourth movement named "Jupiter". This Young Band arrangement is a good choice to showcase the horn-section of the band. The clarinet-parts in the beginning of the piece may be omitted if the band not require doublings of the brass parts.

    Estimated dispatch 7-14 working days

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  • £47.50

    Swansea Town - Gustav Holst

    The charming folk song chosen by Gustav Holst is found early in his revered Second Suite. Scored for first year players, this is a sea shanty originally from southern England. Historic and musical, this adaptation will be enjoyed by all! (1:30)

    Estimated dispatch 7-14 working days

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  • £67.50

    Jupiter Hymn - Gustav Holst

    The 'Jupiter Hymn' comes from the fourth movement ,"Jupiter, the Bringer of Jollity" from the orchestral suite "THE PLANETS" by the English composer Gustav HOLST (l874 - 1934), written between 1914 and 1917. 'The Planets" was premiered in 1918 by Sir Adrian Boult and the Royal Philharmonic Society and remains one of the most colourful examples of our 20th-century orchestral literature. The Hymn is very suitable to start your concert program; for more solemn occasions, the alternative ending may be used.

    Estimated dispatch 7-14 working days

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  • £87.99

    In the Bleak Mid-Winter - Gustav Holst

    Christina Rossetti wrote the words to this famous Christmas carol in 1872 in response to a request from the magazine Scribner's Monthly for a Christmas poem. They were set to music by Gustav Holst (1874-1934) for inclusion in the first edition (1906) of The English Hymnal, edited by his life-long friend, Ralph Vaughan Williams. Philip Sparke has carefully arranged the beautiful melody into this delightful version for concert band. A must for any Christmas concert.

    Estimated dispatch 7-14 working days

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  • £83.00

    Moorside march - Gustav Holst

    Symphonic Band (score & parts). Holst, G

    Estimated dispatch 7-14 working days
  • £140.00

    Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)

    Estimated dispatch 7-14 working days

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  • £49.50

    A Moorside March (Flexible Ensemble - Score and Parts) - Holst, Gustav - Brand, Michael

    Holst composed A Moorside Suite for Brass Band in 1928. It is in three movements, this March being preceded by a Scherzo and Nocturne. It is an extraordinary mature work for band from a master composer. There is very little fortissimo writing and there are no semiquavers at all. Instead, Holst has written clean melodic lines with each part being woven into a texture based on the modal lines of English folk music; but these represent its stylistic origin rather than using actual folk tunes as in Holst's earlier band writing. The March is stirring and flowing and is an ideal standalone piece to open or close any concert or festival programme. Duration: 4.15

    Estimated dispatch 7-14 working days

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