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£71.50Jangle Bells - Gary P. Gilroy
You cant have Christmas without Jingle Bells, and if you like Jingle Bells you will love Jangle Bells. This clever arrangement of the popular Christmas song is perfect for young players and will be enjoyed by both the players and their audiences while getting everyone into a happy, holiday spirit. Featuring creative, clever percussion, and contrasting musical styles, everyone in the band plays an important role in this holiday treat.
Estimated dispatch 7-14 working days
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£60.50Christmas Train - Gene Milford
Trains are a part of Christmas, whether on a "trip" to the North Pole or around the Christmas tree. With train effects and a happy melody interspersed with familiar carols this will be a favorite of players and audience alike.
Estimated dispatch 7-14 working days
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£76.99Lugano - Franco Cesarini
Lugano is an exciting concert march that Franco Cesarini composed for the Civica Filarmonica di Lugano, which Cesarini has been conducting since 1998. The idyllic location of the Ticinese city and the happy disposition of its citizens provided Cesarini with more than enough inspiration, and this is reflected in Lugano's uplifting themes.
Estimated dispatch 7-14 working days
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£69.99
Francesca - Lorenzo Bocci
All of us, sooner or later, find a person to love and with whom we want to spend the rest of our life. Lorenzo Bocci has met Francesca. This simple and brilliant march, which reflects Francesca's personality, always happy and cheerful, is dedicated to her.A truly joyous march.
Estimated dispatch 7-14 working days
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£76.99The Logical Song
The Logical Song was written by the lead singer of the famous British pop band Supertramp - a song about a happy, carefree child growing up to become a cynical adult. It was one of the group's biggest worldwide hits. Andr Waignein's arrangement will be a big hit with all Supertramp fans and may well attract many new fans!
Estimated dispatch 7-14 working days
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£168.50Harlequin - Philip Sparke
Harlequin was commissioned by, and is dedicated to, euphonium virtuoso David Childs. The piece takes as its inspiration the happy and sad masks which symbolise the Commedia dell?Arte (which features Harlequin as one of its main characters) and comprises two movements, a slow modal ballad followed by a frenetic faster movement. A fantastic showpiece for euphonium and band.
Estimated dispatch 7-14 working days
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£72.99Crystal Waves - Stef Minnebo
During the first half of the sixties the world was under the spell of Californian surf music. Groups such as the Beach Boys, Dick Dale and his Del- Tones, The Surfaris and The Challengers dominated the international charts. The summery and happy style was very catchy, and as it turned out had a great influence on early rock music. Crystal Waves is an ode to this surf music and utilises its characteristic melodies, chords and rhythms to form a catchy piece for concert band.
Estimated dispatch 7-14 working days
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£84.99Wind Capsule - Naoya Wada
Composer Naoya Wada wrote his new work Wind Capsule for his old school pal and his wife Asako for their wedding. Befitting this happy occasion, it's a cheerful, bubbly and dynamic work that radiates oodles of energy!
Estimated dispatch 7-14 working days
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£202.99
Porco Rosso - Joe Hisaishi
From the 1992 Japanese animated film about an Italian World War I flying ace who, for a wartime misdeed, was transformed into an anthropomorphic pig. The flamboyant post-war story of Porco Rosso (Crimson Pig) battling air pirates is full of intrigue and romance, and the film's diverse and lush soundtrack is one of the more rare Studio Ghibli scorings. Mr. Tomoki Ubata, (band director at Ina Gakuen Sr. High School) assisted with medley design as we both became intrigued with the music.The sixth song, Kyouki ~ hishou (insanity & soaring), appearing on Joe Hisaishi's album "My Lost City", is often performed for his concerts. Due to its complexity I am sure this is one of Hisaishi's favorites. I also added the French chanson "Le Temps des cerises" (Antoine Renard) that Madame Gena sings in the film. This is my favorite of all chansons; I was happy to include this bittersweet, beautiful melody.The following themes are contained in the arrangement:1. Le Temps des cerises2. Jidai no kaze (Wind of the Times)3. Mammaito4. Pikkoro no onnatachi (Women of Piccolo)5. Porco e Bella6. Kyouki ~ hishou (Insanity & Soaring)7. Tooki jidai o momomede (Seeking for Far Times)You can hear how the story folds without a screen.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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