Results
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£12.99
H. M. Jollies - Kenneth J. Alford
Estimated dispatch 7-14 working days
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£95.00
H.M.S Pinafore - Arthur Sullivan - John Glenesk Mortimer
Lass That Loved A Sailor / La Fille qui aimait un marin / Das Mdchen, das einen Matrosen liebte
Estimated dispatch 10-14 working days
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£24.95H M JOLLIES (Military Band) - Alford, Kenneth J.
Marchcard-size
Estimated dispatch 7-14 working days
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£74.95H.M.S. CHARITY (Concert March) (Programme Concert Band) - Ellerby, Martin
Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£174.99
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£84.99
So nimm denn meine H?'nde Wind Band Set (Score & Parts)
This celebrated song is based on a poem by Julie Hausmann (1826-1901), a Latvian teacher who was probably blind. The text draws on her personal experience and unshakeable faith in God, death and eternal life. The melody by Friedrich Silcher is written in a simple and delicate style but also draws on the grand romantic tradition of Wagner and Bruckner. This arrangement can also be performed with a mixed choir. The choir parts are in German. 0:05:30
Estimated dispatch 7-14 working days
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£89.99Norwegian Overture - Traditional
It is not entirely sure where the melody originates that forms the basis for Norwegian Overture. Most sources point in the direction of a certain J.H. Nebelong in about 1881. It is also possible that he was the first to note down this traditional melody and put his name to it.The lyrics are by a certain A.H. Brorson and were set to the music at a later date. The original title is "store hvide flok", which means "the big white herd". Several composers have used this theme, including Edvard Grieg and the Danish Carl Nielsen.
Estimated dispatch 7-14 working days
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£172.80Centennium - Fredrick Schjelderup
"Centennium" was written for Lillestrm Skolekorps and their conductor Anders H. Halvorsen on the occasion of the band's centennial anniversary in 2023.The piece is based on a melodic theme that changes character, tempo, time signatures and harmony throughout the work, surrounded by train signals.Lillestrm got its train station as early as 1854, as part of the "Hovedbanen" from Oslo to Eidsvoll, Norway's first railway line. For many, the city of Lillestrm is known as a "train city," and thus the train signals are meant not only to illustrate the city's identity but also to symbolize the band's journey through its first 100 years.
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£149.40Grevling i taket - Øystein Dolmen og Gustav Lorentzen
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, flutes and clarinets should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the trumpet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. The saxophonists can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 7-14 working days
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