Results
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£110.00Gloria Patri (from Magnificat) (Concert Band - Score and Parts) - Rutter, John - Noble, Paul
The final movement of John Rutter's Magnificat inspired Keith Allen, Conductor of the Birmingham Symphonic Winds (UK) to suggest it as a perfect candidate for a Concert Band piece. With approval from John Rutter, this setting captures his inspiration of the jubilant celebrations of Mary in Hispanic cultures and he conceived the work as a bright Latin-flavoured fiesta.
Estimated dispatch 7-14 working days
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£67.32And the Mountains Echoed: Gloria!
A stunning work for better bands by Robert Longfield that is based on the popular hymn, "Angels We Have Heard On High". Very attractive selection for holiday concerts yet the Longfield treatment makes it appropriate for concert or contest performances at any time of the year! VERY NICE!
Estimated dispatch 7-14 working days
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£92.00GLORIA DEO (Intermediate Concert Band) - Carron, Martin
Processional March. Duration: 3:50
Estimated dispatch 7-14 working days
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£79.20Kyrie and Gloria (Concert Band - Score and Parts)
Powerful, exciting, emtionally charged and moving are just a few words that best describe this work in which, in the composer's own words is "my best and most satisfying". "Alleluias" musically portrays the life, crucifixion and resurrection of Jesus Chirst. Truely outstanding!
Estimated dispatch 7-14 working days
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£90.00
Kyrie and Gloria (Concert Band - Score and Parts) - Hill, William H.
A less demanding, but solid work from one of the best! This William Hill classic features contrasting melodies in all instrumental chairs and uses antiphonal trumpets in a full and exciting way.
Estimated dispatch 7-14 working days
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£332.99Cantica de Sancto Benedicto - Jacob de Haan
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.
Estimated dispatch 7-14 working days
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£109.99Homage - Jan Van der Roost
In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.
Estimated dispatch 7-14 working days
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£183.99Three City Sketches - Philip Sparke
'Three City Sketches' was commissioned for Soli Deo Gloria Alkmaar from the Netherlands. The work's three movements depict different aspects of the orchestra's hometown. This is an exciting and epic piece for a contest or thematic concert.
Estimated dispatch 7-14 working days
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£64.99Do You Hear What I Hear - Gloria Shayne
Originally composed in 1962, few holiday songs can boast being recorded by so many varied artists, or maintaining a level of continued popularity as this masterful song.Based on the version recorded by the cast of Glee on their second Christmas album, here is a standout arrangement for young band sure to be a holiday favorite.
Estimated dispatch 7-14 working days
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£202.99Missa Tornacum - André Waignein
Flicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of thepiece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, adialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colorscharacterizing each of its three parts. The fourth part,Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passagemarking the end of the Mass. Choir parts are available separately.
Estimated dispatch 7-14 working days
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