Results
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£44.99Bandroom Rock (Concert Band - Score and Parts) - Sweeney, Michael
Using only limited rhythms and ranges, Bandroom Rock is a great way to get your beginning players energised and motivated. The low brass starts things off, following the rest of the band and short feature spots for the percussion section. Fun for all!
Estimated dispatch 7-14 working days
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£76.99Clockwork (Concert Band - Score and Parts) - Doss, Thomas
In vivid, imaginative musical pictures Clockwork tells the story of a young girl who finds it hard to get up in the mornings:Every evening Barbara sets her alarm so that she doesn't sleep in and isn't late for school. Today, as usual, she can?t make it, and lets her alarm ring again and again. She dozes off and dreams of lovely things - landscapes and stories - while time flies by and the clock continues to tick. As the big living room clock loudly strikes eight, however, she jumps up, startled - school has already begun! Now she'll be late again...
Estimated dispatch 7-14 working days
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£85.00Tchaikovskyana (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Daehn, Larry
Get ready for the applause! A great piece for concerts, festivals and honor bands. Featuring Tchaikovsky's most famous melodies: "Sleeping Beauty," "The Nutcracker," "Swan Lake," and "Symphony 'Pathetique,'" topped off with the "1812 Overture!" A favorite of players and audiences! Duration: 6.15
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£58.50Bad Girls (Concert Band - Score and Parts) - Lopez, Victor
In tribute to Donna Summer, the bad boys get to meet the bad girls in a dynamic dance-craze arrangement that will knock your socks off and have everyone dancing in no time. May the "Bad Girls" win! Extremely playable and with much of the original flavour, this arrangement will definitely be the most requested piece in your band repertoire. Beep Beep!Duration: 2:00
Estimated dispatch 7-14 working days
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£102.99Variations on an Austrian Folksong (Concert Band - Score and Parts) - Oswald, Gerald
Hot off the press! Composer Gerald Oswald bases this new work on an old Austrian folksong, O du lieber Augustin! The Augustin in questions is a ballad singer and an ad lib poet who apparently wrote this folksong about himself. His grim sense of humour and his attitude towards life, that humour can get you through anything, are readily apparent in this new piece. Gerald Oswald's Variations on an Austrian Folk Song received top honours at the 2010 Austrian Composition Contest.Duration: 6:45
Estimated dispatch 7-14 working days
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£75.00The Barber of Seville Goes to the Devil (Concert Band - Score and Parts) - Jacob, Gordon - Noble, Paul
Gordon Jacob (1895-1984), one of Malcolm Arnold's teachers at the Royal College of Music, was represented in the first Hoffnung. This rumbustious parody of Rossini's style was composed in 1960 for the BBC Concert Orchestra, which introduced it under Vilm Tausky in a broadcast concert that year. (Tausky added the opening bars, in fact, with the composer's approval, which are included in this arrangement.) The piece is a no-holds-barred workout on familiar material such as could be brought off only by a certified master of the modern orchestra with a free-wheeling imaginativeness to match his/her technical skill. Concert Bands and their audiences will get in on the fun of this rousing parody, exploring everything from a Spanish dance to a Street parade.
Estimated dispatch 7-14 working days
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£50.50Joplin! (Concert Band - Score and Parts) - Joplin, Scott - Harnsberger, L. C.
Scott Joplin is one of the twentieth century's most popular composers. Three of his best-loved melodies are included in this medley of favorites. Start with the Maple Leaf Rag, then move into Solace, the beautiful Mexican Serenade, and finish off with Joplin's most famous rag, The Entertainer. Each piece is nicely scored with fun parts for everyone in the band. Get ready for a toe-tapping tune that will be a sure hit for any concert. Duration: 3.15
Estimated dispatch 7-14 working days
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£38.50Freedom's Road (Concert Band - Score and Parts) - Lavender, Paul
Get your beginning band off to a great start on their first concert! This impressive-sounding composition has bold lines for brass and contrasting melodies for woodwinds all with nothing faster than quarter notes (8ths in percussion). Guaranteed success.Duration: 1.45
Estimated dispatch 7-14 working days
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