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£99.99Veni Immanuel
The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.
Estimated delivery 7-14 working days
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£144.99Purcellian Fantasia - Jan de Haan
This composition is based on the march from Henry Purcell's Music for the funeral of Queen Mary II, a work written in 1694. In this fantasia, various movements flow from one to the next following the main theme: these movements not only elaborate on the theme, but also contrast with it. At times, the thematic material diverges so much, that the work acquires a character of its own: however, the composer often refers back to fragments of the theme.
Estimated delivery 7-14 working days
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£87.99David of the White Rock - Traditional
This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his Harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for Concert Band retains all the beauty and simplicity of the original.
Estimated delivery 7-14 working days
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£48.80Canal Street Commotion - Mike Carubia
This chart features the sound of a New Orleans funeral marching band historically known as the "Second Line" which follows behind the family and casket. It's a time for celebration coming after the initial mourning period. Lots of fun to play in the style of a funky, marching Dixieland band. The harmonic form is the Blues and there is room made for soloing both inside the ensemble and for featured soloists. Includes an optional flute part.
Estimated delivery 7-14 working days
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£57.50The Mansions of the Lord (from We Were Soldiers)
Here is the moving anthem from the movie We Were Soldiers as performed during Ronald Reagan's funeral service. Combine this with choir and strings for a truly impressive and powerful production.
Estimated delivery 7-14 working days
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£77.20Songs of Grace and Songs of Glory - John Philip Sousa
NEVER BEFORE PUBLISHED, Sousa's wonderful concert medley of well-known hymns, exactly as performed by the Sousa Band to open all of their Sunday Concerts. Includes: Verdi Requiem, Rock of Ages, Steal Away, Mary & Martha, The Palms, and Nearer My God To Thee (exactly as performed at President Garfield's funeral).
Estimated delivery 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated delivery 7-14 working days
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£60.90
Glory and Triumph - Hector Berlioz
Freely adapted from the finale of Berlioz "Funeral and Triumphal Symphony for Band," this skillful arrangement makes one of the cornerstones of the wind repertoire accessible to student musicians.
Estimated delivery 7-14 working days
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£79.99Commemoration - James Barnes
Commemoration was commissioned by the members of the Northwest North Carolina Bandmasters Association to recognize the distinguished career of Dr. William A. Gora, the longtime Director of Bands at Appalachian State University, who passed away in 2015. Bill was loved by his students, respected by his peers and cherised by his many friends. A brilliant musician, a fine conductor and a warm human being with a marvelous sense of humor, Bill has been sorely missed by all. Gora was friends with composer James Barnes for over 40 years. They met when Barnes was still in graduate school at Kansas and Gora had just finished his DMA at the University of Florida. When the NNCBDA asked Barnes to compose a work in Bill's honor, he was honored to do so. He decided to write a cheerful work for Bill, full of energy, color and melody, because he knew this is what he would have wanted; no funeral dirges for Bill Gora. The soft middle portion of the work, a hymn-like tune scored in saxophone choir, was included because Bill was a fine saxophonist and, for many years, the saxophone teacher at ASU.
Estimated delivery 7-14 working days
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£60.99Lux Aeterna (Flexible Ensemble - Score and Parts)
Otto M. Schwarz was asked by a friend to compose a chorale for the funeral of his child. Lux Aeterna (The Eternal Light) is actually part of the requiem mass, but in this composition, there is no reference to the original Latin text. People who recount near-death experiences often report a bright light. The music moves back and forth between passages that are sad, optimistic, and imploring in nature, posing questions that cannot be answered. The end of the piece comes, however, with a conciliatory major chord that reflects the calm and warmth of this light that promises redemption.Duration: 3.45
Estimated delivery 7-14 working days
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