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£75.00The Beatles Remembered (Concert Band - Score and Parts) - Lennon & McCartney - Bullock, Jack
From the roots of the rock-and-roll era, this energy-packed medley brings back fond memories to those old enough, and introduces these cherished tunes to the youngsters. John, George, Ringo, and Paul! With a variety of styles to embrace the breadth of the Beatles impact on our global musical culture, the titles included are "Do You Want to Know a Secret?," "From Me to You," "I Saw Her Standing There," and "She Loves You." Clear notation, well-defined dynamics, and a groove supplied by the rhythm section in the style of the tasteful Ringo Starr, you're sure to find a warm reception for this highly crafted arrangement.Duration: 5:30
Estimated dispatch 7-14 working days
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£60.99Beatles Gold
The Beatles early recordings were some of their most memorable, and they are back again as hits! They're all here in this medley that includes: I Saw Her Standing There, She Loves You, From Me To You, and Twist And Shout.
Estimated dispatch 7-14 working days
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£72.99My Fair Lady, Selections from (Concert Band - Score and Parts) - Lerner & Loewe - Moss, John
John Moss brings us a superb new arrangement of one of the most popular musicals ever written. Many of the songs from this magnificant show have gone on to become standards on their own. Includes Get Me to the Church on Time, I Could Have Danced All Night, I've Grown Accustomed to Her Face, On the Street Where You Live, With a Little Bit of Luck, and Wouldn't It Be Loverly.
Estimated dispatch 7-14 working days
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£60.99Beatles Gold (Concert Band - Score and Parts) - Lavender, Paul
The Beatles early recordings were some of their most memorable, and they are back again as hits! They're all here in this medley that includes: I Saw Her Standing There, She Loves You, From Me To You, and Twist And Shout.
Estimated dispatch 7-14 working days
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£98.50A Gershwin Tribute to Love (Concert Band - Score and Parts) - Gershwin & Gershwin - Heisinger, Brent
A medley of four Gershwin favorites: "'S Wonderful," "Love Is Here to Stay," "They Can't Take That Away from Me," and "Embraceable You." Arranged by award-winning composer Brent Heisinger, the work incorporates a combination of fast and slow, swing and "straight" styles with richly varied orchestration.Duration: 8:30
Estimated dispatch 7-14 working days
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£45.95You Really Got Me (Concert Band - Score and Parts) - Davies, Ray - Story, Michael
Here's a favourite from the past with a new twist. Every member of your ensemble can be given the opportunity to improvise for one measure. This tune is a great way to provide independent creative playing possibilities. You won't be able to stop your band from playing You Really Got Me.Duration: 2.00
Estimated dispatch 7-14 working days
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£57.50Music from Glee
There seems to be no stopping the popularity of the hit TV series Glee! With fresh versions of some of the biggest hits from past decades, here is a terrific medley of showstoppers featured on the first season. Includes: Don'tStop Believin', Alone, Sweet Caroline and You Keep Me Hangin' On.
Estimated dispatch 7-14 working days
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£60.99YOU RAISE ME UP (Vocal Solo with Young Concert Band - Score and Parts) - Lovland, Rolf - Wasson, John
Perfect for concert or graduation, this popular hit from Josh Groban shares a message of hope and encouragement for all. This beautifully scored concert band accompaniment offers a rare opportunity to feature a vocal soloist. Sure to be a memorable moment at any concert.
Estimated dispatch 7-14 working days
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£46.90More Beatles for Young People (Flexible Ensemble - Score and Parts) - Lennon & McCartney - Fernie, Alan
4 Part Flexible Ensemble and PercussionIncludes:From Me to YouEight Days a WeekWhen I'm 64All You Need is Love
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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