Results
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£104.50Ancient Apparitions - John Prescott
Travel back to the time of the oldest human civilizations, whose very existence seem to us today as ghosts of a long-dead past. A solo flute and solo trumpet provide musical invitations for listeners to transport themselves to these ancient times while the band answers with antiphonal response. This work continues to gain momentum as ghostly apparitions from ancient times swirl in and out of sight like spinning wisps of mist. The specters - and the music - gain strength and substance as they approach the unyielding vortex of an exciting conclusion.
Estimated dispatch 7-14 working days
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£71.50As Moolinght Falls - Travis J. Weller
This beautiful work uses lyrical themes, rich scoring, gentle percussion, and dynamics to paint a picture of quiet reflection of the day that has passed, then builds to a dramatic climax before peacefully fading into the night. There are several opportunities for flute and clarinet solos. A perfect choice for concert or contest, this work provides an excellent opportunity to teach breath control, phrasing, tone, and ensemble playing.
Estimated dispatch 7-14 working days
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£140.80Concerto pour Harpe - Serge Lancen
It was his charming wife Raphale, a fine harpist, who drew Serge Lancen's attention to the harp. He has written various works for this instrument, such as: 'Pour Raphale', 'Duo Concertant' for harp and flute, 'Crpuscule' for two harps, 'Concerto Champtre' for solo harp and chamber orchestra, and many pieces in a lighter vein for harp quintet and this Harp Concerto. The initial cadenza was inspired by Camille Saint-Sans Second Piano Concerto a work which Serge Lancen studied as a young boy. The Harp Concerto can be played with a symphonic band, a string orchestra or the piano.This work, dedicated to his wife, was premiered in July 1990 during the First Le Havre International Wind Band Festival , by Marie-Pierre Cochereau and the Le Havre Municipal Symphonic Band, conducted by Philippe Langlet.
Estimated dispatch 7-14 working days
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£90.30Giubilare Flautissimo - Harald Suilen
It was for the 80 anniversary as musician of Mr. Denessen that the wind band Harmonie St. Cecilia' at Tegelen, The Netherlands asked me to write this march. As his slogan is 'Playing music keeps me fit' the 94 year old Wiel Denessen still plays the flute in the band and is an example for many a musician. This march is a homage to a special music amateur, an exemplary band member, but above all a man of great qualities.The march 'Giubilare Flautissimo' was premiered at the anniversary concert on 17 November 1996.Harald Suilen
Estimated dispatch 7-14 working days
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£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
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£76.80How Insensitive - Antonio Carlos Jobim
Here is another fine arrangement by Peter Kleine Schaars (Deventer, 1962) in true big band style of the famous tune composed by Antonio Carlos Jobim. A dialogue between the expressive, classical flute and the swinging band introduces the rhythmical Bossa Nova that invites to dance right away. This arrangement can also be performed with a female or male singer.
Estimated dispatch 7-14 working days
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£116.40St. Louis Fantasie - Peter Kleine Schaars
In this fantasy, the band develops itself starting from a flute cadenza and an oboe solo and then develops through a slow blues in the woodwinds, a big band passage and a tango into a sparkling swing band. The score contains a solo passage for a Dixieland band noted in all parts. Some obbligato improvisations help the splendid orchestration to make a thrilling experience of this piece.
Estimated dispatch 7-14 working days
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£33.10Hunyadi Indul - Ferenc Erkel
The first performance of the opera "Hunyadi Lszl" by Ferenc Erkel (1810-1893) at the National Theater in Pest took place in times that foreboded the revolt of 1848. The rise of this stage work to Hungary's national opera and its ensuing immediate great success probably is due to the plot itself and the atmosphere prevailing in the country at that time. The great flute virtuoso and composer Franz Doppler (1821-1883) asked "Erkel to grant permission to write a march on the basis of motifs from this opera for my citizen's guards band, which he explicitly consented to ..." From the days of the revolution against Habsburg until today the "Hunyadi indul" ("March on Motifs of theOpera 'Hunyadi'") has remained to be popular throughout and therefore may rightly be addressed as a Hungarian national march.
Estimated dispatch 7-14 working days
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£149.40
Lullaby from Four Watercolours - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
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£76.99
Queen of the Night - Wolfgang Amadeus Mozart
Vocal solo with concert band accompaniment.Excerpted from: The Magic FluteAlternate/Translated: Knigin der Nacht
Estimated dispatch 7-14 working days
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