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£118.99Chopin Always With You - Yasuhide Ito
Referred to as the poet of the piano, Chopin (1810-1949) is known for his gorgeous melodies so beloved for the past 200 years. The French-derived title, "Chopin, Always with You" depicts this sense of endearment for his music. This composition was first introduced in the 2010 Band Journal (a popular Japanese wind band magazine) commemorating the composer's bicentennial. Since Chopin's melodies are not often translated to the wind band medium, it is my hope that many will enjoy his splendid musical gifts.
Estimated dispatch 7-14 working days
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£129.99And Then the Ocean Glows - Johann Strauss
And Then the Ocean Glows was commissioned by Niihama Grade School and its director, Mr. Shinichi Tagawa and completed in April of 2002. Mr. Tagawa and I titled the piece together, drawing from sectional themes of "Shining Morning Ocean", "Wind Stormy Ocean" and "Large Mother Ocean." Before I began composing the piece, I visited Niihama's rehearsal and met the band's inspired young students. The work's theme and melodies are enjoyable and compelling for musicians; I would be delighted for bands to experience this fresh composition.Niihama Grade School Band performed this work for the All Japan Band Contest in 2002 and advanced to divisional level to receive a gold prize. The band also appeared in the TBS Children's Music Contest and received a first prize. (Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£244.99
Zenith of Maya - Satoshi Yagisawa
By 200 B.C. the Mayan civilization was expansive, from the Yucatan Peninsula well into Central America. Their highly advanced technology still amazes us today, including their discovery of an accurate calendar derived from detailed astronomical observations and the use of the "0" in sophisticated mathematics.I. Royal ceremony and sacrifice of renewalThe first movement describes Mayan civilization at its zenith. An initial theme heralds admiration for a great king. A graceful choral then captures the magnificent setting of the Mayan world. After a folk melody for the populace, the agitated scene of a sacrificial ceremony is portrayed. The regal theme appears again in the coda, concluding in brilliance. This great civilization vanished in 10 A.D., leaving only remnants of a remarkably prosperous world. Thousands of ruins large and small remain locked in a dense world of jungle, with huge crumbled cities having lain forgotten for eight centuries.II. Glorious ruins still ariseII characterizes this civilization from glory, to destruction, to the present with its buried ruins. To begin, stone cities wait silently cloaked in jungle, steadfastly eluding discovery. As time passes slowly, the music reflects back to the glory of the Maya. Though wishing to turn back the hands of time for this incredible civilization, its fate and the gravity of its loss are carried forward in the profound silence of eternal loss. Finally, in the present, we marvel at the thousands of elegant remains, with a choral of praise for those with remarkable wisdom and strength, in a spectacular conclusion.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£202.99Gloriosa - Symphonic Poem for Band Movement 1 - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
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£209.99
Gloriosa - Symphonic Poem for Band Mvt 2 & 3 - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
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£61.95Celebrating Chanukah
Three popular Chanukah melodies, including the delightful Dreydl Song, are the basis of this clever holiday medley. It has a fresh modern sound, but is easy enough for the first holiday concert, where it is sure to be a big hit especially with the parents of the percussion players! Duration: 3'
Estimated dispatch 7-14 working days
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£59.95Rockology - Sandy Feldstein
This enjoyable rock-styled piece makes much of a simple syncopated figure and will help to instill good counting habits in a young band. The percussion parts are musically active, but the rest of the band uses only the first 6 notes that are taught to beginners. The resulting piece is great fun to play but easy to prepare. Duration: 2'15"
Estimated dispatch 7-14 working days
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£59.95Conflict - Larry Clark
Contrasting a slow, expressive opening with a vigorous aggressive "Allegro con fuoco," both based on the same modal/minor idea, Larry Clark created a remarkably effective piece using the six notes that are first introduced in all beginning methods. A great piece to introduce minor/modal sounds to the young band. Duratio
Estimated dispatch 7-14 working days
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£59.95The Bold Brigade - Carol Brittin Chambers
This beginning level march-like piece, using only the first 6 notes learned, portrays the confident spirit of military troops working together. A steady pulse using half, quarter, and eighth notes with doubled melody, harmony, and bass lines makes this patriotic piece one students will play with pride!
Estimated dispatch 7-14 working days
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£59.95Qu Verdes Son - Zachary Poulter
Beginning with simmering Latin percussion this energetic, rhythmic arrangement of O Tannenbaum, explores the beauty and meaning of one of the holiday's most beloved symbols: the Christmas tree. Qu Verdes Son, the Spanish-language version, celebrates the tree's beautiful lights, fresh aroma, and especially, its lovely color. Playable by beginning students who only know the first 6 notes of the Bb scale, this will be an audience and student favorite!
Estimated dispatch 7-14 working days
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