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£84.99The Bell of Hope - Hayato Hirose
The piece was commissioned by Shobi College of Music (Tokyo, Japan) for their entrance ceremony for freshman students in 2010, premiered by Shobi Ceremonial Wind Orchestra (Hirohisa Takanashi, conductor).In the introduction, woodwinds and euphonium play a solemn passage, followed by a brilliant fanfare in brass and percussion. After the heart-warming middle section, banda trumpets and trombones play a polyphonic passage, which leads to a grand andmagnificent finale to conclude the work. This is a short but solemn and impressive piece that suits any kind of festival, ceremony and concert.
Estimated dispatch 7-14 working days
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£64.99Benediction - John Stevens
Originally scored for brass choir, composer John Stevens brings us this marvelous version for full band featuring flowing melodies and counterlines in a rich chorale-like setting.The solo part at the beginning and end is scored for euphonium, but is cued for clarinet, trumpet or trombone. Great for teaching a lyric style of playing, and also as an effective performance piece. Dur: 3:30
Estimated dispatch 7-14 working days
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£79.99O Waly Waly (A Rhapsody for Band) - Jay Bocook
Dating from the 1600s, the folk song O Waly, Waly (commonly known as The Water is Wide) forms the basis for this well-crafted rhapsody for band. The lyrical opening section features solos on flute and euphonium, as a four-notemotif common to this song and also Carolina (South Caroline's official song) is developed. This motif unifies the entire work. A Celtic flavored Allegro takes over using this fragment, which leads ultimately to a grand Maestososection for the entire ensemble. A creative and dynamic work for contest or festival! Dur: 5:00
Estimated dispatch 7-14 working days
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£149.40Sommernatt ved fjorden - Ketil Bjørnstad
"By the Fjord" is written by the Norwegian composer Kjetil Bjrnstad and is the most famous song from the musical work "Leve Patagonia" which was published in 1978. The work is written as a modern suite about the Oslo Bohemians Hans Jaeger and OdaLasson sitting in a pram on the fjord a summer night. Odas sister sees the couple on the sea from her window and tells us the story.Kjetil Bjrnstad wrote "By the Fjord" in his house outside Tvedestrand early spring 1978. He was initially notfully satisfied and considered disposing it. The beautiful music has luckily made the song a classic in Norwegian music.To the conductorThis arrangement can be used with both vocal andinstrumental soloist. Its always a challenge toarrange songs with many verses that tells a story if it is to be played by an instrumental soloist instead of a singer. Because of that, please cut the repeats if it's performed without lyrics.Solo-parts included in the set: Vocal Flute Altosax Flugelhorn Euphonium - Trombone
Estimated dispatch 7-14 working days
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£115.60I Don't Know How to Love Him - Andrew Lloyd Webber
This is a ballad from the rock-opera "Jesus Christ Superstar" written by Andrew Lloyd Webber (Music) and Tim Rice (Lyrics). Together with the title song, this ballad is the most popular tune from Jesus Christ Superstar. It's recorded and performedlive by many artists since the music saw the light of day in 1971.This arrangement can be performed with a vocal- or instrumental solist. In addition to the vocal solo part, there are also solo-options for the followinginstruments:Flute Oboe Bassoon Clarinet in Bb Altosax Tenorsax Trumpet/Cornet F-horn Euphonium/Trombone
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£84.99High Voltage - Thierry Deleruyelle
High Voltage is an especially energetic composition in the big band style. The blaring brass and the ornate interplay of the woodwinds lend this work great character and conviction. In the second half of the piece two solos are played: firstlythe tenor saxophone (alternatively alto saxophone), followed by a virtuoso variation in the trombone (alternatively baritone euphonium).
Estimated dispatch 7-14 working days
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£123.95Blue Bells of Scotland - Arthur Pryor
This folk song has been arranged in a theme and variations format for a variety of solo instruments. Here it has been arranged for trumpet or trombone/euphonium with band accpmpaniment. The solo part is very reasonable and sounds harder than it is (about a Grade 3.5). This is great piece for showing off that talented soloist in your ensemble.
Estimated dispatch 7-14 working days
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£72.99A Winter's Night (based on Silent Night)
Though Silent Night has been arranged for band many times before, this unique setting by Rick Kirby deserves special attention. An oboe solo (cued for alto sax) accompanied by piano sets the stage for an impressive rhapsodicapproach that includes lush full ensemble passages with harmonic twists, solos for recorder (flute), bassoon (tenor sax) and euphonium. Rick's beautiful rendering ends with the band singing Silent Night in unison. Sure to become aholiday highlight.
Estimated dispatch 7-14 working days
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£106.99Fair Field Festival (Concert Band - Score and Parts) - Sparke, Philip
Fair Field Festival opens with a brass fanfare under florid woodwind figuration. A noble chorale leads to a lively allegro vivo, which centres around a majestic horn and euphonium melody under chattering woodwinds. A second theme is first stated by trumpets and this leads to a central legato theme on horns and saxes, repeated by the trumpets. A brief allusion to the opening section leads to a full recapitulation and an energetic coda. A work filled with vitality!Duration: 5.15
Estimated dispatch 7-14 working days
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