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  • £102.99

    Meditation (Concert Band - Score and Parts) - De Haan, Jan

    Meditation is based on Dear Lord and Father of Mankind (1887) by the English composer and organist Frederick Charles Maker (1844-1927). This is a calm, introverted work that however has an intense effect. In the first section, the solo euphonium is given an important role, leading to one of the loveliest of all English hymn melodies.Duration: 6:45

    Estimated dispatch 7-14 working days

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  • £206.99

    Songs of the East Coast Fishermen (Concert Band - Score and Parts) - Sparke, Philip

    100 years ago English composer Vaughan Williams visited Norfolk (an area on the east coast of England) to collect and notate folk songs from people of all trades and callings. Accompanied by a local clergyman, he visited The Tilden Smith, a pub which was a favourite haunt of the 'Northenders', the local fishermen, and in less than a week the composer had notated 61 songs. Vaughan Williams incorporated the best of these songs into his own music, most notably in A Norfolk Rhapsody and the Sea Symphony. Philip Sparke has composed this suite based on five of these folk songs together with King's Lynn, a folk song which Vaughan Williams adapted into a popular hymn tune. Why not bring a piece of traditional English heritage to any concert with this melodious work.Duration: 14:00

    Estimated dispatch 7-14 working days

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  • £44.95

    Robert the Bruce and the Spider (Concert Band - Score and Parts) - Fraser, Bruce

    King Robert the Bruce was hunted by King Edward the First of England and, so the story goes, was hiding in a cave. According to legend, he watched a spider attempting to climb a tree whilst weaving a web. It failed many times, but finally reached the top. This action gave Robert the Bruce the encouragement to persist against the English ant at the Battle of Bannockburn the English were defeated by the Scots. The rhythm which opens the piece in percussion spells out Robert the Bruce and this is used with an unusual effect in the middle section from the Percussion section, where the players gradually raise their sticks above their heads whilst beating out the Robert the Bruce rhythm pattern.

    Estimated dispatch 7-14 working days
  • £8.95

    Robert the Bruce and the Spider (Concert Band - Score Only) - Fraser, Bruce

    King Robert the Bruce was hunted by King Edward the First of England and, so the story goes, was hiding in a cave. According to legend, he watched a spider attempting to climb a tree whilst weaving a web. It failed many times, but finally reached the top. This action gave Robert the Bruce the encouragement to persist against the English ant at the Battle of Bannockburn the English were defeated by the Scots. The rhythm which opens the piece in percussion spells out Robert the Bruce and this is used with an unusual effect in the middle section from the Percussion section, where the players gradually raise their sticks above their heads whilst beating out the Robert the Bruce rhythm pattern.

    Estimated dispatch 7-14 working days
  • £154.99

    Alternances (Concert Band - Score and Parts) - Waignein, Andre

    In 1984 the Corciano (Italy) Tourist Authority initiated a composition competition for wind band. For this event Andre Waignein composed "Alternances for Symphonic Band", a piece which won him the first prize in the competition. The opening of the work is based on a very tonal foundation. The English horn (or alto saxophone) introduces a rich and warm theme which is immediately taken up by the whole orchestra in a grandiose manner. The subsequent development shows off all the elements of the orchestra to the full. In the second movement, the English horn (or alto saxophone) comes to the fore again. A harmonic change gradually takes us back to the allegro of the first movement. The musical development is here dominated by exuberance, virtuosity and rhythm.Duration: 12:30

    Estimated dispatch 7-14 working days

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  • £54.99

    Away in a Manger Wind Band Set (Score & Parts)

    In English-speaking countries 'Away in a Manger' is one of the first Christmas songs to be taught to little children. It is a moving song with simple words, which makes it easy to understand. The song is also known as 'Luther's Cradle Hymn'. This suggests that Martin Luther was the author of the lyrics. According to researchers, however, this is a misconception - the author is unknown. In England 'Away in a Manger' is sung to a different melody than in the USA, for example. The 'English' melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the 'English' melody, which suits the tender lyrics perfectly. 01:45

    Estimated dispatch 7-14 working days

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  • £74.25

    Cameo Suite

    The two pieces which comprise "Cameo Suite'' come from diverse backgrounds, one American and the other English. "The Nightingale'' is a traditional English folksong about unrequited love. The "Glendy Burk'' was composed by Stephen Foster and is a riverboat song depicting the life and times of the riverboat "Glendy Burk'' on the Mississippi.

    Estimated dispatch 7-14 working days

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  • £115.00

    NAME PERPETUAL, A (Concert Band) - Pierce, Eseld

    Under the leadership of Michael An Gof and Thomas Flamanck, a Cornish host, sometimes estimated to number as many as 15,000, marched to London in protest against excessive taxation. Arriving at Blackheath, they were attacked by the King's army and defeated, and the two rebel leaders were hung, drawn and quartered. On his way to his death, An Gof stated that he would have "a name perpetual and a fame permanent and immortal". A Name Perpetual tells the story of the Rebellion in four connected scenes. The music includes strong elements of the Celtic music tradition, being structured around an old Cornish folk tune. The first scene introduces fragments of the folk theme and reflects the anguish of the Cornish people. The second scene opens with the folk theme on solo piccolo and, as different instruments enter one by one, the march is depicted with its accumulation of forces en route. The march halts suddenly as the Cornishmen discover the unexpected arrival of the English army and the subsequent music portrays the Blackheath Skirmish. In this scene the orchestra is divided into four parts, each working independently to create a sense of chaos, with the stronger elements of the brass and bass instruments representing the English, while the woodwind and saxophones represent the Cornish, struggling to sustain the folk tune throughout the battle. Eventually all the parts come together and the final section is a lament for the lost Cornishmen, fading away to leave only a haunting off-stage trumpet solo.

    Estimated dispatch 7-14 working days
  • £124.95

    SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward

    In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)

    Estimated dispatch 7-14 working days

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  • £139.99

    The Golden Age Wind Band Set (Score & Parts)

    The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ?Adios espa?oles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed the Republic. However, the Spanish continued the war. Only with the Treaty of M?nster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years' War. III Rembrandt's Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other's territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing. 0:11:30

    Estimated dispatch 7-14 working days

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