Results
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£65.00Masque (Concert Band - Score and Parts) - Hesketh, Kenneth
A Masque (short for Masquerade) has been defined by Historians as 'A revel in which Mummers or masked folk come with torches blazing into the festive hall and call upon the company to dance and dice' . The chaos of this dramatic dance is depicted in this 'Masque' by Hesketh. The main theme is bravura and is often present, in the background. The form of the piece is a simple scherzo-trio-scherzo. Colourful scoring (upper wind solos, trumpet and horn solos alternating with full bodied tuttis) with a dash of wildness may tease both player and listener to let their hair down a little!
Estimated dispatch 7-14 working days
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£19.95WARCRYE OF ELFEGEN (Prestige Concert Band Extra Score) - Lawrence, Geoffrey
Extra Score. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£99.95
WARCRYE OF ELFEGEN (Prestige Concert Band Set) - Lawrence, Geoffrey
Score and Parts. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£45.00Sound Trip - Steven Rosenhaus
This is an easy song for your beginning band and a great tool for teacher cut-time. Start out conducting in four, then without saying a word, conduct in two when the students have the song down. Once they play it, they will be able to feel the cut time rather than trying to explain it first.1st trumpet's highest note is C. Clarinets do not cross the break
Estimated dispatch 12-14 working days
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£64.99MacArthur Park (Concert Band - Score and Parts) - Webb, Jimmy - Murtha, Paul
This iconic song has been a hit over many decades and even featured in the 2024 film Beetlejuice, Beetlejuice. Starting off as a rock ballad it transitions to a driving double-time rock feel that builds in intensity before returning to a ballad feel that brings it home with relentless energy and emotion. All sections have great and engaging parts. This one will bring the house down!Duration: 3.15
Estimated dispatch 7-14 working days
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£16.95New Dawn (Concert Band - Score only) - Holmes, Chris
Festive Fanfare and MarchNew Dawn was composed originally for the Salisbury Concert Band in 2020. It was written in lock-downtime during the COVID pandemic, when the band had to shut down.New Dawn is written in a celebratory style to mark the time when we could get together again and do what we love doing - making music together.
Estimated dispatch 7-14 working days
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£82.95
New Dawn (Concert Band - Score and Parts) - Holmes, Chris
Festive Fanfare and MarchNew Dawn was composed originally for the Salisbury Concert Band in 2020. It was written in lock-downtime during the COVID pandemic, when the band had to shut down.New Dawn is written in a celebratory style to mark the time when we could get together again and do what we love doing - making music together.
Estimated dispatch 7-14 working days
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£62.95Prairie Dance (Concert Band - Score and Parts) - Docter, Zachary
In Zach Docter's Prairie Dance, every instrument gets a chance to shine. A simple tune starts in the clarinets. As it's passed through the ensemble, it grows louder before culminating in a rhythmic Americana-esque hoedown that would make Copland proud. After this spirited climax, the tune winds down before ending quietly with the clarinets, precisely as it began. Every instrument group is featured in this piece. Transparency allows students to gain experience playing in thin textures, which may be a new experience at this grade level.Duration: 1.45
Estimated dispatch 7-14 working days
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£47.50Range Rover (Concert Band - Score and Parts) - Roszell, Patrick
Range Rover by Patrick Roszell was written for students at the end of their first year in band, Range Rover uses intervals of a 2nd, a 3rd, and a 4th to move students up or down the scale. A fun way to reinforce air support and slurs in the brass section. Duration: 2.00
Estimated dispatch 7-14 working days
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£85.00Rejoice and Sing! (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Rejoice and sing! was written in celebration of the 95th birthday of Sir David Willcocks. John Rutter writes: I was delighted to be asked by OUP to compose a new carol in his honour. Writing 'Rejoice and sing!' I recalled the many happy Christmas concerts he conducted with the Bach Choir in London's Royal Albert Hall, thinking also of his fondness for quirky rhythms, hence the lopsided 7/8 which runs through much of the music. This arrangement is written for combined Concert Band and Chorus, but may be performed by band alone. It is compatible with the original version except that it is transposed down by one-half step (semi-tone).
Estimated dispatch 7-14 working days
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