Results
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£71.00High School Cadets
One of the classic John Philip Sousa marches, High School Cadets has been arranged by Andrew Balent without loosing the intent of the original. Balent has arranged the piece into playable keys and brought down the ranges, but left the march still very much intact. Sousa himself would approve of this arrangement. Perfect for contests or festivals.
Estimated dispatch 12-14 working days
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£56.00Whitewater Run
This driving rhythmic piece is written to depict an exhilarating run down a whitewater river. Composer Ed Kiefer draws on his years of experience as a band director to provide a perfect choice for younger bands with small forces in the lower voices as those sections are mostly scored in unison. A welcome addition to the repertoire for young band festival performances.
Estimated dispatch 12-14 working days
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£37.00Angels on Parade
For very beginning students, Carl Strommen gives us a new arrangement of a popular Christmas carol in march style, making it sound as if angels are marching down the street in a parade. This well-scored arrangement will play very easily for young students while sounding full and strong Take a serious look at this for your next holiday concert.
Estimated dispatch 12-14 working days
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£71.00Hands Across The Sea
Andrew Balent arranging John Philip Sousa is a winning combination in itself, and this popular march has been scaled down sensitively and carefully for the younger band. Inspired by the friendship between the United States and their allies overseas, Sousa composed this march after hearing the phrase, "A sudden thought strikes me; let us swear eternal friendship." The touching patriotism and bold happiness of this work will make your group shine.
Estimated dispatch 12-14 working days
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£48.00Song of India - Nikolai Rimsky-Korsakov
This sultry classical favorite from Rimsky-Korsakov is faithfully arranged for young bands by Andrew Balent. Andy has a knack for retaining the essence of standard classical repertoire, while toning the technical difficulties down to the students' ability levels. Paying close attention to dynamic changes and ensemble balance will make this a winner in contest and festival settings.
Estimated dispatch 12-14 working days
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£63.00Rifle Regiment
When you hear the names John Phillip Sousa and Andrew Balent, you know they have to do with something great! Balent takes one of Sousa's most popular marches and works it down to keep some of the technical demands in check for most younger bands. Sousa wrote this march in 1886 to commemorate The Third Infantry, known as "The Old Guard."
Estimated dispatch 12-14 working days
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£72.99Snowdrifts - Michael Oare
The peace and tranquility of a soft falling snow and the thrill of sledding down the hill all wrapped up into one great work. Lots of dramatic and impact moments along with high energy rhythms. Perfect for holiday, winter and spring programs.
Estimated dispatch 7-14 working days
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£53.50Spy Train - Robert Buckley
This thrilling and cinematic adventure is rolling down the tracks with expert scoring using simple chromaticism, driving percussion and thrilling rhythmic energy. Your students won't want to stop practicing and the audience won't believe it's a young concert band!
Estimated dispatch 7-14 working days
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£64.99MacArthur Park - Jimmy Webb
This iconic song that has been a hit over many decades and every genre from country to disco and even featured in the 2024 film Beetlejuice, Beetlejuice, is available here with this amazing arrangement for concert band. Starting off as a rock ballad it transitions to a driving double-time rock feel that builds in intensity before returning to a ballad feel that brings it home with relentless energy and emotion. All sections have great and engaging parts. This one will bring the house down!
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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