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£66.95
Santa Claus Is Comin' to Town - Michael Kamuf
The big guy is getting his groove ON! Santa Claus Is Comin' to Town, arranged by Michael Kamuf, gets a fun, fresh treatment complete with Latin American grooves, cool harmony, and, of course, some cowbell! Adding players on the cowbell part is a great way to employ large percussion sections or to feature your faculty or staff. Bring the house down at your next holiday concert with this classic. (2:35)
Estimated dispatch 7-14 working days
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£159.99
Eiffel Tower - Otto M. Schwarz
The 330-meter-tall Eiffel Tower is one of the most famous landmarks in the world. Originally built as a temporary structure for the 1889 World's Fair, it was meant to symbolize the technological and industrial advancements of the 19th century. Construction began in 1887 and was completed in 1889, just in time for the fair, which celebrated the 100th anniversary of the French Revolution. Over two years, around 300 workers assembled the 18,038 iron pieces.Until the 1930s, the Eiffel Tower, standing at 330 meters, was the tallest structure in the world and was considered a triumph of engineering. With its striking and controversial design, the Eiffel Tower broke with architectural traditions and set new standards for the use of metal structures. However, its creation was accompanied by heated debates. Many artists and intellectuals, including Charles Gounod and Alexandre Dumas, criticized the "gigantic skeleton" as unaesthetic and a threat to the Parisian skyline. Some even called for the tower to be torn down after the World's Fair.But the Eiffel Tower survived these objections and developed into a symbol not only for Paris but for all of France. Its structure was not only aesthetically significant but also practical: during World War I, it played a crucial role in radio transmission, as an antenna on its top was key to French communication. This functional use helped prevent its demolition.Today, the Eiffel Tower is a global symbol of innovation, modernity, and French culture. At major events, such as the 2024 Olympic Games, it took again center stage, attracting millions of visitors every year. Its elegance and the spectacular view from its platforms make it an unforgettable experience. Since its construction, the Eiffel Tower has welcomed more than 300 million visitors, making it one of the most visited structures in the world.
Estimated dispatch 7-14 working days
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£159.99
From Ashes to Glory - Otto M. Schwarz
Good times and bad times - we often picture them in shades of either somber black and white or vibrant color. Beautiful landscapes, tranquil villages, places brimming with peace and harmony - yet, in an instant, they can fall prey to the flames. Joy sinks into sorrow, but with every end comes a new beginning. From the ashes, something new arises, like a phoenix reborn. This has always been the way, the eternal circle of life that envelops our world.Imagine a serene landscape nestled in the mountains. Cows graze peacefully on alpine pastures, the sky stretches endlessly in a deep blue, and the warm spring sun casts its golden glow over the earth. From a hillside, we gaze down upon the village below, where quiet and peace reign. It is a place that carries the breath of time within its essence.But then, as if in a dream, the colors fade. Black and white take the stage, and we find ourselves transported 80 years into the past: it is April 20, 1943. The shadows of World War II have reached even St. Jakob am Arlberg. The swastika flag hangs heavily over the village square, while many of the village's men are away, serving on the front lines.On this day, Adolf Hitler's birthday, tragedy unfolds. A fire ignites - small at first, but fed by wind and timber, it grows into an unstoppable inferno. The flames hungrily consume house after house, and finally, they reach the village's beating heart: the church. Alarms echo through the streets, panic spreads like the fire itself, and the villagers fight desperately against the searing heat. Yet, despite their efforts, the steeple, which once rang out time for the village, collapses, and the church burns to its very foundations.The village is wounded, its people left amidst the ruins of their lives. But amid the ashes and despair, the true strength of the community emerges. Shoulder to shoulder, hand in hand, they come together to rebuild what seemed irretrievably lost.Gradually, color returns to the images. The wounds begin to heal, tears dry, and life blooms anew. The village rises again, radiant with hope and the resilience born from its darkest hours.For this is the cycle of life: from pain grows strength, and from the ashes of the past, the future is born - again and again.
Estimated dispatch 7-14 working days
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£64.99
MacArthur Park - Jimmy Webb
This iconic song that has been a hit over many decades and every genre from country to disco and even featured in the 2024 film Beetlejuice, Beetlejuice, is available here with this amazing arrangement for concert band. Starting off as a rock ballad it transitions to a driving double-time rock feel that builds in intensity before returning to a ballad feel that brings it home with relentless energy and emotion. All sections have great and engaging parts. This one will bring the house down!
Estimated dispatch 7-14 working days
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£211.80
Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£60.50
Breakneck! - Tyler Arcari
Imagine flying down the streets at breakneck speed! This high-wire work for developing bands is an intense ride from start to finish! Easy 8th-note patterns create an anchor-point for this work while a clever use of percussion equipment, upper brass "honks", and cool harmonic tension transport you behind directly behind the wheel!
Estimated dispatch 7-14 working days
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£127.30
Ballade fra Fantasistykker for Piano op. 36 - Agathe Backer-Grøndahl
Agathe Backer Grndahl's 'Ballade' can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grndahl's production, several of these are grouped under the term 'fantasy pieces'. There are six collections with a total of 48 fantasy pieces on her opus list and 'Ballade' is from the first of these (Op. 36), published in 1895. 'Ballade' is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material.The arrangement is close to Backer Grndahl's original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands.
Estimated dispatch 7-14 working days
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£137.70
Laling fr B
Laling is a Norwegian folktune from B.The arrangementet of the lullaby starts off with a calm atmosphere (like a dream). The dream develops into a more funky section, until it calms down again.Laling was commissioned by Korpsnett Norge, for their project "Arvegods" (Heritage), based on Norwegian folk tunes.
Estimated dispatch 7-14 working days
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£244.00
Stratoscape - Gauthier Dupertuis
Stratoscape, by Swiss composer Gauthier Dupertuis, is a colorful and contrasting work for wind orchestra, depicting the view of our earth as seen from the stratosphere. This voyage into the sky is pictural, but also metaphorical, as it is also about distancing from our world. br>The work is divided into five sections:I Ignition!, II Broadness & The Big Blue, III Stars Shining from Down to Above, IV Destructive Forces, V One and Only HomeFive contrasting movements, starting with Ignition in which Gauthier Dupertuis tries to musically convey the majesty of our planet seeing if from the atmosphere, ending with One and Only Hope, as the title say, a message of hope. In between three movements that depict the broadness of the landscapes of our planet (second movement), the fragility of our earth at night with only the stars shining (third movement). But also sheer reality in the fourth movement when the composer translates into music the damage caused to our planet by us human beings. Stratoscape: a fantastic view of Planet Earth!
Estimated dispatch 7-14 working days
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£66.95
Comegys Creek - Brian Beck
Kick off your shoes, jump in, and ride down Comegys Creek. This North Texas creek is named after Dr. C. G. Comegys, a prominent family who lived in Mckinney, TX in the early 1900s. Composer and fellow Texan, Brian Beck captures the southern rowdiness of frolicking in the water with friends and family. Comegys Creek is a fun piece that will expand your student's harmonic vocabulary and is perfect for introducing and reinforcing accidentals that create interesting harmonies, all within a comfortable range. It also explores the many permutations of the 8th and 16th note combinations, as well as introduces and reinforces 7/8 time signature. Groups performing this piece will become "multi-meter masters" in no time! (2:24).
Estimated dispatch 7-14 working days