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£202.99
The Spiked Wheel - Tom De Haes
The legends surrounding Saint Catherine of Alexandria, also known as the Great Martyr Saint Catherine, were the source of inspiration for this work. It depicts events surrounding her life in five musical episodes. The first episode presents the Emperor's procession and theme. All is well until a heathen sacrificial ritual is heard in the second movement. After the sacrifice, Catherine and her lyrical, reflective theme make an appearance. A dispute breaks out between Catherine and the Emperor, which can be heard in the heated exchange between their respective themes. Catherine is sentenced to die by the breaking wheel. The voices of angels can be heard in the finale, asCatherine ascends to heaven.
Estimated dispatch 7-14 working days
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£71.50
Walther's Prize Song - Richard Wagner
Vocal solo with concert band accompaniment.Excerpted from: Die Meistersinger
Estimated dispatch 7-14 working days
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£65.99
Laughing Song - Johann Strauss
Vocal solo with concert band accompaniment (Soprano).Excerpted from: Die Fledermaus
Estimated dispatch 7-14 working days
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£93.50
Parsifal, Walther's Prize Song - Richard Wagner
Prelude to "Parsifal" and "Walter's Prize Song" from Die Meistersinger
Estimated dispatch 7-14 working days
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£87.99
Lohengrin, Siegfried's Death And Funeral March - Richard Wagner
Siegfried's Death (Funeral March) from Die Gotterdammerung (8:30)Lohengrin (Prelude) (6:00)
Estimated dispatch 7-14 working days
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£98.99
Ride of the Valkyries - Richard Wagner
Excerpted from: Die Walkure
Estimated dispatch 7-14 working days
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£81.90
Kuda, kuda v udalilis - Pyotr Ilyich Tchaikovsky
The aria 'Kuda, kuda v udalilis' is sung by Lensky, fianc of Olga and friend of Onegin in the second act of Tschaikowsky's opera Eugene Onegin: Lensky challenged Onegin to a duel in response to Onegin's advances on Olga. Now, on the morning of the duel, Lensky looks back on his happy youth as he waits for Onegin to arrive. He realizes that he will probably die in the duel and that he does not particularly care if he does. The only great loss in his death would be that he would never see Olga again.
Estimated dispatch 7-14 working days
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£109.99Boreas - Jan Bosveld
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon theirarrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevarierd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept.
Estimated dispatch 7-14 working days
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£174.99Two Symphonic Interludes - Harrie Janssen
Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism). Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies. Hauptmann wrote various novels, plays, poetry and scientific works. Night Twilight floats above the valley's night mists are hanging, there's a whispering brook. Now the covering veil is lifting quite: come and look! See the magicland before our gaze: tall as dreams the silver mountains stand, crossed by silent silver paths shining from a secret land. Noble, pure, the dreaming country sleeps. By the path the shadow black and hogh of a beach. a wisp of a white smoke creeps to the dark'ning sky. Where the valley is the darkest hued countless little lights shine silently. O my soul! Drink of solitude! Carl Hauptmann Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility. My heart leaps up when I behold a rainbow in the sky My heart leaps up when I behold A rainbow in the sky: So was it when my life began. So is it now I am a man. So be it when I shall grow old, Or let me die! The Child is father of the Man. And I could wish my days to be Bound each to each by natural piety. William Wordsworth In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.
Estimated dispatch 7-14 working days
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£116.40Norma Ouverture - Vincenzo Bellini
The composer of some famous operas such as 'La Sonnambula' and 'The Puritans', Vincenzo Bellini (1801-1835) was largely self-taught. Although he wrote eleven operas, only 'Norma' remained popular, not in the least because of its splendid lyrical arias such as Casta Diva (Chaste Goddess) and Mira, O Norma (Hear me, Norma) familiar to all music lovers. The opera 'Norma' is written to a libretto by Felice Romani, based on a French melodrama by Alexandre Soumet and Louis Belmontet dealing with a story of Druids during the Roman rule. The story is neither accurate historically nor convincing dramatically, but the score is full of brilliant melodies of a type calculated to exhibit a singer's virtuosity to the utmost. The Gods order the priestess and fortune-teller Norma to give the signal of revolt against the Romans in Gaul, but she postpones this because of her relationship with the Roman proconsul Pollione with whom she secretly had two children. In the meantime, Pollione has fallen in love with the young priestess Adalgisa and Norma wants to take revenge. Finally both Norma and Pollione die on the pyre. This tragical opera in two acts was first performed at the Scala of Milan on 26 December 1831.
Estimated dispatch 7-14 working days
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