Results
-
£84.99Cantastoria
A cantastoria or Bnkelsnger German for busker was a travelling musician who made music in streets and squares, together with his colleagues. Die Bnkelsngerlieder (buskers songs) originally stem from the seventeenth century. Robert van Beringen, who is known for his attractive arrangements of classical melodies, created a colourful transcription for wind band based on this characteristic music.
Estimated dispatch 7-14 working days
-
£64.50Pass In Review - Douglas E. Wagner
Always regal and stately, this collection of British military marches includes; "The British Grenadiers," "Royal Air Force March Past," "A Life on the Ocean Wave," "The Vanished Army (They Never Die)" and finishes with "Colonel Bogey." You can't help but to join the distinguished parade with these cherished marches. (3:00)
Estimated dispatch 7-14 working days
-
£79.99Bond...James Bond
Over the past five decades music from the James Bond film franchise has become a part of our musical culture. This powerful setting of familiar film themes will appeal to all audiences. Includes: James Bond Theme, Goldfinger,Nobody Does It Better, Skyfall and Live and Let Die.
Estimated dispatch 7-14 working days
-
£202.99
The Spiked Wheel - Tom De Haes
The legends surrounding Saint Catherine of Alexandria, also known as the Great Martyr Saint Catherine, were the source of inspiration for this work. It depicts events surrounding her life in five musical episodes. The first episode presents the Emperor's procession and theme. All is well until a heathen sacrificial ritual is heard in the second movement. After the sacrifice, Catherine and her lyrical, reflective theme make an appearance. A dispute breaks out between Catherine and the Emperor, which can be heard in the heated exchange between their respective themes. Catherine is sentenced to die by the breaking wheel. The voices of angels can be heard in the finale, asCatherine ascends to heaven.
Estimated dispatch 7-14 working days
-
£81.90
Kuda, kuda v udalilis - Pyotr Ilyich Tchaikovsky
The aria 'Kuda, kuda v udalilis' is sung by Lensky, fianc of Olga and friend of Onegin in the second act of Tschaikowsky's opera Eugene Onegin: Lensky challenged Onegin to a duel in response to Onegin's advances on Olga. Now, on the morning of the duel, Lensky looks back on his happy youth as he waits for Onegin to arrive. He realizes that he will probably die in the duel and that he does not particularly care if he does. The only great loss in his death would be that he would never see Olga again.
Estimated dispatch 7-14 working days
-
£183.99
Finale - Giuseppe Giordani
It has been said, and wisely so, that if you wish to find TRULY dramatic music, look to opera. This is an essentially complete transcription of Act IV of Umberto Giordano's tragic opera ANDREA CHENIER. One night before French poet Andrea Chenier's impending execution, his lover Madeleine comes to the prison at St. Lazare and, wishing to die rather than live without him, through bribery manages to exchange places with a young woman who is, like Chenier, scheduled to mount the scaffold the following day. James Curnow fully utilizes his considerable orchestration skill with this immensely powerful transcription. Well performed, the ending is absolutely awe-inspiring. If yourgroup has the skill to play at this level you definitely MUST explore this significant transcription.
Estimated dispatch 7-14 working days
-
£109.99Boreas - Jan Bosveld
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon theirarrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevarierd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept.
Estimated dispatch 7-14 working days
-
£115.60Hymne til gleden - Ludwig van Beethoven
Schiller's text of 1785 was partially used by Beethoven in1824 when he did finish the 4th movement of his 9th Symphony. The melody has later been used in very many contexts. As the anthem of the European Union, a lot of movies (A clockwork Orange, Die Hard, etc.), music to video games, as the anthem of Rhodesia, as rebel song in Chile and by FIFA. Therefore, it can be used in most settings This Young Band arrangement focuses on the main melody. In the original, the B part is repeated in each variation, but to get three variations (out of four), this repetition has been cut. The first variation should be played as soft as possible, but still with a nice sound. Crescendo to forte(f) and going back to pp should be as a surprise.
Estimated dispatch 7-14 working days
-
£60.99
Der Zaubermarsch - Rob Ares
On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.
Estimated dispatch 7-14 working days
-
£104.99
Sayonara
This traditional melody is known worldwide as a song of farewell. Jan Van der Roost treated it as an anthem in this splendid arrangement. The melody is brought to us in whole or in part by various instruments and is surrounded by logical yet original - sometimes surprising - chords that dare to fluctuate. After a broad tutti, the ensemble begins to die out. The piece ends with an impressive diminuendo of the final chord, almost as if the orchestra itself were saying goodbye.
Estimated dispatch 7-14 working days
View Music