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  • £72.99

    Barnum and Bailey's Fractured Favorite - Karl L. King

    When Karl King was conducting circus bands, he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next). In the same spirit, Thomas Leslie has creatively repurposed this familiar march to suit an imaginary clown act; complete with novelty percussion sounds and a few surprises sprinkled in. A bit outrageous, but definitely fun! Dur: c. 2:20

    Estimated dispatch 7-14 working days
  • £123.95

    Bagatelles for Band - Vincent Persichetti

    Since its premiere on May 21, 1961 by the Dartmouth College Band (composer conducting), Bagetelles for Band has become a fixture on state contest and festival repertoire lists. We are pleased to produce a new printing, now including the condensed score as well as a standard 9" x 12" full score. Additionally, a large (11" x 14") conductor score is now available.

    Estimated dispatch 7-14 working days
  • £67.95

    Sound Trip - Steven L. Rosenhaus

    This is an easy song for your beginning band and a great tool for teacher cut-time. Start out conducting in four, then without saying a word, conduct in two when the students have the song down. Once they play it, they will be able to feel the cut time rather than trying to explain it first. 1st trumpet's highest note is C. Clarinets do not cross the break.

    Estimated dispatch 7-14 working days
  • £76.99

    Lugano - Franco Cesarini

    Lugano is an exciting concert march that Franco Cesarini composed for the Civica Filarmonica di Lugano, which Cesarini has been conducting since 1998. The idyllic location of the Ticinese city and the happy disposition of its citizens provided Cesarini with more than enough inspiration, and this is reflected in Lugano's uplifting themes.

    Estimated dispatch 7-14 working days

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  • £23.99

    Pasodobles Para Banda - Pascual Marquina Narro

    Four pasodobles for band by the popular Spanish composer, the titles of which are 'Solera Fina', 'Viva La Jota', 'Alegrias' and 'Joselito Bienvenida'. Includes piano conducting score and full set of parts.

    Estimated dispatch 7-14 working days
  • £134.30

    Wellingtons Sieg - Ludwig van Beethoven

    After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. The piece, 'Wellingtons Sieg' ('Wellington's Victory') was dedicated to the Prince Regent, later King George IV and first performed in Vienna on 8 December 1813 at a concert to benefit Austrian and Bavarian soldiers wounded at the 'Battle of Hanau', with Beethoven conducting. It was an immediate crowd-pleaser and met with much enthusiasm from early concertgoers and the piece proved to be a substantial money-maker for Beethoven. 'Wellingtons Sieg' is something of a musical novelty. Besides the orchestra, on stage there are two 'sides', British and French, both playing the same instruments: Trumpets, Snare Drums, 'Canon' and Ratchet. The work has two parts: the 'Battle' ('Schlacht') and the 'Victory Symphony' (Sieges Sinfonie). The first part is programme music describing two approaching opposing armies and contains extended passages depicting scenes of battle. It uses 'Rule Britannia' for the British side and 'Marlbrough s'en va-t-en guerre' for the French side. The 'Victory Symphony' exhibits some typical Beethoven composing techniques. It can be considered as a sonata form that, stripped of the development section, comes equipped with an extended coda. Dutch arranger Andreas van Zoelen transcribed 'Wellingtons Sieg' for Symphonic Band.

    Estimated dispatch 7-14 working days
  • £76.99

    Chant and Jubilo - W. Francis McBeth

    New flex band arrangement by Clarence Barber, playable on any SSATB combination of woodwind, brass, or string players with optional percussion. This title has been recognized as one of the most outstanding of the composer's works and is justly regarded as one of the classics of the band repertoire. In anticipation of the composer's 35th Anniversary with Southern Music, the editors reexamined this masterwork in 1996 in order to prepare a new edition embodying the composer's experience in conducting this work for many years.

    Estimated dispatch 7-14 working days
  • £121.00

    Ignatian Fanfare - John R. Bourgeois

    Written for the centennial of Loyola University, New Orleans and premiered by the Loyola University Band on April 12, 2012 with the composer conducting. This fanfare is based on a motive from the Jesuit motto "Ad Majorem Dei Gloriam" ("to the greater glory of God") and is based on the notes A, D, G. The fanfare opens with timpani, a tintinnabulum of bells and brass, and wolf calls in the horns. A martial hymn tune appears which evokes the soldierly order of Ignatius Loyolas early years. The work closes with a rhythmic ostinato based on the words "Fight, fight, fight, ye men of the South!" The composer is a graduate of Loyola and received an honorary Doctor of Music degree in 2005.

    Estimated dispatch 7-14 working days
  • £82.50

    Resumption March - John Philip Sousa

    1879 was a very eventful year for John Philip Sousa. He was a successful conductor, conducting Gilbert and Sullivans musical comedy, H.M.S. Pinafore, the year before he became the leader of the United States Marine Band, and it was the year he got married. It was also the year he composed Resumption March. The title was a reference to the resumption of the United States to use gold and silver coins following the post-Civil War inflation and depression. The march was published the same year in Philadelphia by the J. W. Pepper music publishing firm.

    Estimated dispatch 7-14 working days
  • £104.99

    Divertimento - Roger Boutry

    Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Wind Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestracomposition required is: 2 Flutes, 2 Oboes, 2 Bassoons, 2 small Clarinets, Clarinet I, Clarinet II, 1 Bass Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, 1 Baritone Saxophone, 4 Horns, 4 Bb or C Trumpets, 4 Trombone or 3Trombone and an Euphonium, 1 Bb or C Bass, 1 Double Bass, 1 Harp, Timpani, Drum and a Celesta. It is divided into three parts: I. "Allegro ma non troppo", is strongly rhythmic and syncopated.Itincludes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. "Andante", also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slowerblues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending, in a bright and fast finale. This volume features the score and parts for all theinstruments. Born in France in 1932, Roger Boutry received numerous prizes, including those for Piano, Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful,alternating between Harmony professor, composer and conductor. He also received numerous prizes for his incredible compositions.

    Estimated dispatch 7-14 working days