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£73.50Celebration and Song - Robert Sheldon
With a rhythmic drive and tuneful melody, this concert overture engages the listener from the first measure. Colorful scoring and tasteful percussion bring the opening section to life. The plaintive lyrical section follows, featuring a short alto saxophone solo echoed in the brass. A return to the original theme brings the piece to a close with a rousing high-energy conclusion. A great transition to high school literature that your students and audience are sure to love!
Estimated dispatch 7-14 working days
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£55.50American River Medley
The major rivers which flow through the United States of America have centuries-long been prime vehicles for exploration, trade, inspiration, life, and general enjoyment for millions of people. Folk songs from the mid-nineteenth century chronicle their stories of love and courage, with three of the most beloved of these tunes incorporated into the fabric of this arrangement by Douglas E. Wagner. Opening with a gently flowing treatment of "Shenandoah," also known as "Across the Wide Missouri," the work transitions to a spirited rendition of "The Glendy Burk." A more sedate feeling for "Red River Valley" follows, with "Shenandoah" returning again in the upper winds in direct and effective counterpoint. A rousing coda, based on previously heard musical material, brings to a close this celebration of our most treasured American resources.
Estimated dispatch 7-14 working days
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£98.50Rail Riffs - Brian Balmages
Close your program with this non-stop, energetic barnburner that combines elements of dance, jazz, and Latin grooves! As its title suggests,Rail Riffsfeels like one massive party on rails that is certain to bring down the house. Brian Balmages pours on the coal, making this one ride you will not want to end!
Estimated dispatch 7-14 working days
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£98.90Sahara - Patrick Glenn Harper
Sahara is an exciting programmatic work for concert band that paints a musical picture of a fantastical desert crossing over three contrasting sections. The first of these depicts a large caravan moving across the giant dunes, the second a visit to a palace in a mystical oasis city, and the third a sandstorm that the caravan must outrun to reach its final destination, bringing the piece to an epic close.
Estimated dispatch 7-14 working days
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£168.50Country Band March - Charles E. Ives
From the out of tune introduction to the pandemonium which reigns at the close, the Country Band March is a marvelous parody of the realities of performance by a country band. While the main march theme is probably Ives' own, the march features an impressive list of quotations that includes Arkansas Traveler," Battle Cry of Freedom," British Grenadiers," The Girl I Left Behind Me," London Bridge," Marching Through Georgia," Massa's in de Cold, Cold Ground," My Old Kentucky Home," Violets," Yankee Doodle," May Day Waltz and Semper Fidelis. There is rarely anything straight-forward about the use of this material: the tunes are subjected to Ives's famous techniques ofpoly-everything. Of particular interest is Ives's use of ragtime elements to enliven this already spirited march.)
Estimated dispatch 7-14 working days
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£104.99Queen of the Dolomites - Jacob de Haan
The introductory theme of this composition echoes the majestic size of the mountains that are visible from the picture-postcard Cortina d'Ampezzo--the socalled "Queen of the Dolomites". Then we hear a lyrical theme, in which we feel the peacefulness of the surrounding countryside. We can even hear the hustle and bustle of the popular ski resort, before the two opening themes return in reverse order to bring this musical sight-seeing excursion to a close.
Estimated dispatch 7-14 working days
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£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£199.95
The Year of the Dragon (Prestige Concert Band - Score and Parts) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£89.99Eternal Friendship (Concert Band - Score and Parts) - Yagisawa, Satoshi
This work is a close-up of the encounters and relationships of trust between people, following the idea that friendship lasts forever. After the passing of Satoshi Yagisawa's close friend and work partner, Tsutomu Murata, a designer of Neo Create in August 2020, the composer began work on this piece. Murata performed music for audiences primarily as a leader and conductor of Kurume City Brass, a group which is active in Fukuoka Prefecture in Japan. Eternal Frienship depicts a five-minute chorale which explores how music can convey that a close friend is indispensable to you, more broadly, everyone to someone, much like how Murata conveyed the appeal of music to his audiences. Under the direction of the composer himself, the work had its world premiere and was recorded with the Kobe College Wind Orchestra. Duration: 5.30
Estimated dispatch 7-14 working days
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£85.00Nimrod (from Enigma Variations) (Concert Band - Score and Parts) - Elgar, Edward - Hannevik, John Philip
Edward Elgar composed his Variations on an Original Theme, Op.36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances. Nimrod (the mighty hunter before the Lord) has become the most played of the variations, and the movement is dedicated to Elgar's close friend Augustus Jaeger (Jager being German for hunter). Duration: 4.15
Estimated dispatch 7-14 working days
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