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£60.99Allegretto (from Symphony No. 7) - Ludwig van Beethoven
From Beethoven's Symphony No. 7, this movement is one of the master's most recognizable and performed themes. Recently featured in the Oscar-winning film The King's Speech, here is a skilled and effective adaptation for youngbands by Robert Longfield. A great way to showcase the classical period of musical history on any program. Dur: 2:45
Estimated dispatch 7-14 working days
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£72.99House of Horrors
A collection of the most bone-chilling, blood-curdling moments in classical music.
Estimated dispatch 7-14 working days
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£60.99Bolero (Young Concert band Edition) - Maurice Ravel
One of the best-known classical themes ever written, Ravel's familiar melody appears in many movies as well as on the concert stage. Johnnie Vinson's skillful adaptation allows even younger players to enjoy this famous work. Included are short solo (or soli) passages for clarinet, alto sax, flute and trumpet, as well as the signature rhythmic ostinato in the percussion. Dur: 3:20
Estimated dispatch 7-14 working days
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£59.95Caprice - William Himes
This lively, playful piece is written in ABA form. The composer has cleverly blended contemporary harmonies and strong melodic ideas with classical composition techniques to create Caprice. Correlates With Best In Class Bk.2 Page 12 / SOE Bk.3 Page 4
Estimated dispatch 7-14 working days
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£90.30Concertino Opus 26 - Carl Maria von Weber
Carl Maria von Weber (1786-1826) was a pupil of Michael Haydn. Before he was fifteen years old he had already composed an opera, a mass and piano music. He was subsequently director of the Prague Opera House and Music Master at the Dresden Court. The overtures to his operas DER FREISCHTZ and OBERON are still often performed by wind bands, though it is often lesser known that von Weber also wrote pieces for 'Harmoniemusik', such as a CONCERTINO IN C for oboe and small wind band.Von Weber wrote most of his clarinet works for the famous German clarinettist Heinrich Brmann (1784-1874). This was the case for his CLARINET CONCERTO No1 in F and his CLARINET CONCERTO No2 in Eb and for the CONCERTINO, all composed in 1811. Von Weber was very impressed by Brmann's virtuosity and the expressiveness of the clarinet. The CONCERTINO is one of the very great works of the classical clarinet repertoire. A slow introduction is followed by a cheerful theme repeated with several contrasting variations. This pre-eminently romantic clarinet piece was scored for symphonic band by the French composer and arranger Charles Lhomme (Hargicourt 1889).
Estimated dispatch 7-14 working days
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£89.40Choral and Rock Out - Ted Huggens
From 1970 the composer Henk van Lijnschooten, wrote music under the pseudonym Ted Huggens. This light music has been melodically and harmonically based on classical principles, but there is almost always a driving beat more associated with rock music. Along with New Baroque Suite, Choral and Rock Out the most well known title from this genre. Soon after its publication it became the most popular and most played piece by Wind Bands in Central Europe.
Estimated dispatch 7-14 working days
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£126.90Moment for Morricone - Ennio Morricone
This timeless film music brings a feeling of the Wild West. Director Sergio Leone gave a simple yet effective development of the story, which touched many people. 'Once Upon a Time in the West', has long been considered one of the best westerns of all time. The composer of the film's music was the Italian, Ennio Morrocone. He composed for many other films (eg The Good, the Bad and the Ugly) as well as other classical orchestral music. This arrangement is a medley of three different themes from 'Once Upon a Time in the West' and two themes from 'The Good, the Bad and the Ugly'.
Estimated dispatch 7-14 working days
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£214.80Dance Suite - Joseph Horovitz
This work follows a tradition established at the end of the seventeenth century: the creation of a musical structure by using a succession of dance movements, composed in such a way that a satisfying cumulative effect is produced. This method can be traced, starting from the works of Corelli, through the so-called Mannheim school to Mozart, and on to Brahms and beyond. Indeed, most classical symphonies owe their origin to this tradition.Each of the three movements of Dance Suite contains themes and motifs which are based on clearly identifiable dance patterns, more or less traditional and tonal in harmonic language.The first movement is a mixture af march- and gavotte elements, but these occur as variants of a single main theme. The tempo is brisk and the strongly accentuated four-beat measures creates a feeling of motoric drive. This is often counteracted by unexpected syncopation and surprising modulations. Horovitz dispenses with a second subject in favour of a very elaborate development, which makes the final quotation of the theme into a sort of recapitulation.In contrast, the second movement is a gentle, gracefully undulating dance, using two steady beats in every measure. Here there are two themes, the first more rhythmic, the second more lyrical. The second theme always uses the first as accompaniment, rather as a singer might use a guitar. Both themes undergo several modulations before returning to the home key. A Spanish flavour pervades the rhythmic and melodic elements of this movement.The finale is a fast rondo (in 6/8) whose main theme is best described as a tarantella. This alternates several times with a more solid, rustic theme (in 2/4). However, the main theme is recalled in varying guises, including a parody Latin-American version. The orchestration becomes mor elaborate and exciting as the movement proceeds, and the whole work ends with a coda recalling the main rond-theme with an enthusiastic flourish.Joseph Horovitz wrote about Dance Suite: "Most of the melodies and rhythms in the Dance Suite have been in my thoughts for many years, ever since my eraly career as conductor of ballet, and later as composer of some sixteen ballet scores. Some of these ideas were sketched on manuscript paper, others remained in my head and even in my dreams. The composition of this work gave me the chance to search among these half-subconscious sources and to offer my discoveries to the wind-orchestra repertoire."
Estimated dispatch 7-14 working days
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£90.30Concerto for Trumpet - part 1 - Alfred Reed
The five movements of this concerto, each, by design, in a different musical style, and requiring the soloist to perform on the three main soprano bass instruments: Trumpet, Cornet and Fluegelhorn, were written to demonstrate the modern trumpeter's ability to negotiate and produce a convincing interpretation in five different musical styles. The first movement, 'Sonata' is cast in a typical neo classical mode, calling the soloist to perform on the Trumpet; the second, 'Slow Blues' calls for Fluegelhorn; the third, 'Jazz Waltz', calls for Cornet; the fourth; 'Song', a modern setting of an old Taiwanese folksong, calls for Trumpet again; and the fifth, 'Samba', concludes the work with a brilliant outburst of Latin American rhythms and colors.
Estimated dispatch 7-14 working days
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£61.00Elisabeth the Musical - Michael Kunze
The life of the Austrian empress Elisabeth (1837-1898) which started as a fairy tale but ended as a tragedy, inspired the librettist Michael Kunze and the composer Silvester Levay to write a musical based on the life of the popular 'Sissi'. The musical was premiered in Vienna on 3 September 1992 and was very successful for many years. The story is told by Luigi Lucheni, Elisabeth's murderer. So death, represented by a mysterious and seductive young man, is omnipresent throughout the musical. Several songs have become hits and, of course, you can hear them in this fine selection by Peter Kleine Schaars who gathered various music and dance styles such as the rock shuffle, the jazz waltz and the classical Viennese waltz.
Estimated dispatch 7-14 working days
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