Results
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£109.99Via Aurelia - Sven Van Calster
The Via Aurelia is a Roman road that runs from Rome to Pisa. The construction of this long route started in the third century BC and was used to reach the town of Cosa (now Ansedonia), which the Romans had founded. From here they could govern the Etruscan regions they had recently conquered. Numerous old castles and historical monuments are to be found along this road. One of them is the Porta S. Pancrazio or Porta Aurelia, in Rome. It was intended both as the starting point of the Via Aurelia and to protect the city and its inhabitants from sea-based attacks. The work entitled Via Aurelia describes the places of interest along this road and the many battles and wars thatwere fought there.
Estimated dispatch 7-14 working days
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£134.99
A Bamberg Fantasy - Ben Haemhouts
Bamberg has a population of approximately 70.000 people, a city not far from Bayreuth, famous for its Bayreuth Festspiele. The River Regnitz , the historic buildings, and the famous orchestra Bamberg Symphoniker are the source of inspiration for A Bamberg Fantasy. Following the opening, with its beautiful melodies played by different sections, the mood suddenly changes into an allegro ritmico in the minor key with rythmical elements and dynamic harmonics. In the finale, changes in time signature add a flowing character to this composition.
Estimated dispatch 7-14 working days
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£202.99
Porco Rosso - Joe Hisaishi
From the 1992 Japanese animated film about an Italian World War I flying ace who, for a wartime misdeed, was transformed into an anthropomorphic pig. The flamboyant post-war story of Porco Rosso (Crimson Pig) battling air pirates is full of intrigue and romance, and the film's diverse and lush soundtrack is one of the more rare Studio Ghibli scorings. Mr. Tomoki Ubata, (band director at Ina Gakuen Sr. High School) assisted with medley design as we both became intrigued with the music.The sixth song, Kyouki ~ hishou (insanity & soaring), appearing on Joe Hisaishi's album "My Lost City", is often performed for his concerts. Due to its complexity I am sure this is one of Hisaishi's favorites. I also added the French chanson "Le Temps des cerises" (Antoine Renard) that Madame Gena sings in the film. This is my favorite of all chansons; I was happy to include this bittersweet, beautiful melody.The following themes are contained in the arrangement:1. Le Temps des cerises2. Jidai no kaze (Wind of the Times)3. Mammaito4. Pikkoro no onnatachi (Women of Piccolo)5. Porco e Bella6. Kyouki ~ hishou (Insanity & Soaring)7. Tooki jidai o momomede (Seeking for Far Times)You can hear how the story folds without a screen.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£144.99The Merry Widow - Franz Lehár
Franz Lehar (1870-1948) - bandmaster; march, operetta and film composer, representative of the heartbeat of his capital city. More than a half century gone, with contemporaries like Ravel and Bartok, Lehar was nonetheless firmly rooted in the Romantic retrospect of Vienna. His music was populist and lyrical, such as this "love comedy" about a bank widow's adventures. From it, melodies like the beautiful ballad "Song for Vilia" and "Merry Widow Waltz" have found their own fame.
Estimated dispatch 7-14 working days
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£104.99Christmas Fantasy - Jan de Haan
Christmas Fantasy is a fantastic medley by Jan de Haan which features some of the best-known songs from the Christmas season. Includes: Es ist ein Ros' entsprungen - O Little Town of Bethlehem - Once in Royal David's City - Hark!The Herald Angel's Sing - God Rest Ye Merry Gentlemen and Good King Wenceslas. English and Dutch choral parts are also availble for this work.
Estimated dispatch 7-14 working days
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£89.99Canta Napule
Canta Napule is a medley of Funicul, Funicul , O sole mio, Come facette mammeta and O surdato 'nnamurato - unforgettable melodies that have made the Neapolitan song famous all over the world. The music reflects street musicians, organs, comedians and small cafes, a lively picture of old Naples. Your audience will love to go back in time to this spirited, typically Italian city!
Estimated dispatch 7-14 working days
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£89.99Trumpets of Jericho - Enrique Crespo
This programmatic piece tells the biblical story of the fall of Jericho. The music paints a vivid picture of the procession of armed men and seven priests marching around the city for seven days, before blowing their trumpets and to the cheers of the crowds watching as the walls came tumbling down. A dazzling opening work for any concert.
Estimated dispatch 7-14 working days
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£248.99
Odysseia - Maxime Aulio
Washed up on the Phaeacian shore after a shipwreck, Odysseus is introduced to King Alcinous. As he sits in the palace, he tells the Phaeacians of his wanderings since leaving Troy. Odysseus and his men fi rst landed on the island of the Cicones wherethey sacked the city of Ismarus. From there, great storms swept them to the land of the hospitable Lotus Eaters. Then they sailed to the land of the Cyclopes. Odysseus and twelve of his men entered the cave of Polyphemus. After the single-eyed giantmade handfuls of his men into meals, Odysseus fi nally defeated him. He got him drunk and once he had fallen asleep, he and his men stabbed a glowing spike into the Cyclop's single eye, completely blinding him. They escaped by clinging to the belliesof some sheep. Once aboard, Odysseus taunted the Cyclop by revealing him his true identity. Enraged, Polyphemus hurled rocks at the ship, trying to sink it. After leaving the Cyclopes' island, they arrived at the home of Aeolus, ruler of the winds.Aeolus off ered Odysseus a bag trapping all the strong winds within except one - the one which would take him straight back to Ithaca. As the ship came within sight of Ithaca, the crewmen, curious about the bag, decided to open it. The winds escapedand stirred up a storm. Odysseus and his crew came to the land of the cannibalistic Laestrygonians, who sank all but one of the ships. The survivors went next to Aeaea, the island of the witch-goddess Circe. Odysseus sent out a scouting party butCirce turned them into pigs. With the help of an antidote the god Hermes had given him, Odysseus managed to overpower the goddess and forced her to change his men back to human form. When it was time for Odysseus to leave, Circe told him to sail tothe realm of the dead to speak with the spirit of the seer Tiresias. One day's sailing took them to the land of the Cimmerians. There, he performed sacrifi ces to attract the souls of the dead. Tiresias told him what would happen to him next. He thengot to talk with his mother, Anticleia, and met the spirits of Agamemnon, Achilles, Patroclus, Antilochus, Ajax and others. He then saw the souls of the damned Tityos, Tantalus, and Sisyphus. Odysseus soon found himself mobbed by souls. He becamefrightened, ran back to his ship, and sailed away. While back at Aeaea, Circe told him about the dangers he would have to face on his way back home. She advised him to avoid hearing the song of the Sirens; but if he really felt he had to hear, thenhe should be tied to the mast of the ship, which he did. Odysseus then successfully steered his crew past Charybdis (a violent whirlpool) and Scylla (a multiple-headed monster), but Scylla managed to devour six of his men. Finally, Odysseus and hissurviving crew approached the island where the Sun god kept sacred cattle. Odysseus wanted to sail past, but the crewmen persuaded him to let them rest there. Odysseus passed Circe's counsel on to his men. Once he had fallen asleep, his men impiouslykilled and ate some of the cattle. When the Sun god found out, he asked Zeus to punish them. Shortly after they set sail from the island, Zeus destroyed the ship and all the men died except for Odysseus. After ten days, Odysseus was washed up on theisland of the nymph Calypso.
Estimated dispatch 7-14 working days
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£118.99The Battle of Varlar - Rob Goorhuis
The work calls to mind an important event from the history of the city Coesfeld in Germany: the battle of Varlar, which took place in the year 1454. The composition presents us with a bird's eye view of the events: First of all, the consecration of the chapel on the Klinkenberg mountain is set to music in a hymn, after which the trumpets and trombones announce the imminent battle. In the subsequent fray not only the sounds of sabres and rapiers can clearly be heard but also the wailing of the wounded. When the Duke of Brunswick is wounded and captured by the troops of Walraf, Konrad von Diepen and his men march on Coesfeld in victory. Set against a festive melody, the hymnresounds in full glory.
Estimated dispatch 7-14 working days
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£154.99Achnaton - Jan Bosveld
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered ina revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at hisside. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyedhimself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reignAchnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was thecentre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping toforget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'.
Estimated dispatch 7-14 working days
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