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£90.30Marching Blues - Jef Penders
Master composer Jeff Penders, who was a musician of the American Army band shortly after the war, was commissioned to compose a march for the band. He wrote one that was also a blues. Or perhaps he wrote a blues you can march to? Whatever the case, Marching Blues is an attractive composition, of not too difficult standard. Penders shows how you can achieve great results with few resources.
Estimated dispatch 7-14 working days
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£116.40Musique Funebre Maconnique - Wolfgang Amadeus Mozart
Although one can strive for original music in the field of the wind orchestra, the arrangement still has its place. When one hears Mozart's moving masonic funeral music played by a symphonic or fanfare band, one can be forgiven for thinking that the composer had actually composed it with this instrumentation in mind. This is even more the case with lesserknown classical works when the listener may well be unfamiliar with the composition.
Estimated dispatch 7-14 working days
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£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
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£149.40
Starsleet - Aslak Dørum
Stjernesludd is a hit single from the popular Norwegian band DumDum Boys. The song-writer Aslak Drum is the bass-player in the band. It was recorded in 1997, and it has been a well know radio-hit ever since. The lyrics are set in a dark tone, andthey tell the story of a gloomy and "black and white" feeling in the cold weather before Christmas. "But when the winter comes, we can make angels in the snow..." In 2010, Norwegian singer Kurt Nilsen accompanied by The Norwegian RadioOrchestra recorded it for their CD "Have Yourself a Merry Little Christmas".If performed with Tenor Sax soloist, the first time bracket can be omitted.
Estimated dispatch 7-14 working days
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£435.40Continental Divide - Stig Nordhagen
The title is "Continental Divide" and it has nothing to do with tectonic plates, but is another word for "Watershed". It is the place where the the water flows in opposite directions. For example, when you drive up a mountain, the water flows downwards, the same does it when you drive down the other side. On top there is usually a water, and it is in this water, or musical idea if you like, that it is a continental divide. What I intend is that in this piece there are some musical motifs that change character and direction. They can be in the foreground and carry the play, or they may be in the background as a countermeasure. It can also be from horizontal lines to vertical. Orrhythmical patterns that dont find their match until far into the piece.
Estimated dispatch 7-14 working days
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£154.60Den store dagen - Benny Borg
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements the musicians came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on.Regarding instrumentation, Flugelhorn, Alto Saxophone and Euphonium have important roles, in addition to the rest of the first parts in the Band. The arrangement is written so you are not depending on "special" instruments. Important details are also often duplicated so you can use the arrangement for a smaller Wind Band.It is also possible to use a vocal soloist, but then you must soften the instruments that holds the melody.
Estimated dispatch 7-14 working days
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£202.99
The Wind Rises - Joe Hisaishi
This beautiful, lyrical melody is so colorful in the film, without having an imposing image. "The Wind Rises" (2013) does not dominate the visual, and perhaps is an ideal form of film music considering this is director Miyazaki's final production. Chamber ensembles with solos and strings are frequently used in the soundtrack, so the sound is mellow and soft. As you listen more and more, you still recognize the tradition of Ghibli music.When I arrange, I try not to visualize the image of a film. I may think of characters and story line but is it important to write music that alone is appealing and fascinating. Trying not to "overstate" the film is not needed here. If you can bring out the most appealing parts of the soundtrack, excess can be forgiven. Of course, I have not changed the musical elements of the original.I asked Mr. Tomoki Ubata (band director at Ina Gakuen Sr. High School) whom I have worked with numerous times to assist with layout. He came up with a heartwarming medley with two main parts; leading boy Jiro's gift for aeronautical design and his romance with the heroine, Natsuko.The following themes are contained in the arrangement:1. Nahoko (A Rainbow) Beginning2. Caproni (An Aeronautical Designer's Dream) C3. A Journey (An Encounter at Karuizawa) H4. The Falcon I5. Prototype 8 N6. A Journey (A Parting) & A Journey (A Dream of Flight) PIt is quite remarkable, looking back on 30 years of Studio Ghibli's achievements.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£53.50Evergreen Overture - Hayato Hirose
Composed in 2017 by recommendation from Brain Music (Bravo Music)."Evergreen" means "perennially fresh" or "never fading". It depicts what I believe we all felt when we first truly enjoyed playing our instruments.This "Dual Grade" piece allows players of different experience levels to perform the same ensemble. A Part is for more advanced players and B Part is for beginning-level players.There are also optional parts to make it accessible for any size of band. The least you can have is nine voices. (Cl,Cl,A.Sax,Trp,Hr,Trb,Euph,Tub,Perc).Perc. 1 and 2 can be combined and performed on the drum set.Recommended assigned parts for percussion are as follows:1 percussionist: Perc.1/2 (Drums)2 percussionists: Timp. and Perc.1/2 (Drums)3 percussionists: Timp., Perc.1/2 (Drums), and Perc.3Over 4 percussionists: one per part
Estimated dispatch 7-14 working days
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£64.99A Jubilant Christmas (Medley)
Your holiday program can culminate in a powerful ending with this impressive, but easy arrangement for band and choir. It can also be performed by band alone. It includes: Angels We Have Heard On High, We Three Kings, and Hark! The Herald Angels Sing.
Estimated dispatch 7-14 working days
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£134.99Rhapsody for Flugelhorn - André Waignein
As a trumpet player Andr Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players, and more demanding works for professionals.With his rhapsody Andr Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity, sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult, it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore, with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity andoffers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.
Estimated dispatch 7-14 working days
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