Results
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£67.95S'Vivon - Andrew Yozviak
"S'vivon" is a popular Hanukah song. The word means "dreidel" (a spinning top) and this celebratory song reminds us of the traditions of the holiday. They rhythm involves easy eighth/quarter note/eighth note syncopation. It is an easy song to play. Clarinets do not cross the break. 1st Trumpet's highest note is C.
Estimated dispatch 7-14 working days
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£67.95Sound Trip - Steven L. Rosenhaus
This is an easy song for your beginning band and a great tool for teacher cut-time. Start out conducting in four, then without saying a word, conduct in two when the students have the song down. Once they play it, they will be able to feel the cut time rather than trying to explain it first. 1st trumpet's highest note is C. Clarinets do not cross the break.
Estimated dispatch 7-14 working days
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£67.95Flute Fantasia - Gerald Sebesky
Slow and easy, this is a nice feature for your flute section. A great song for your first concert. Clarinets do not cross the break and 1st trumpet's highest note is C.
Estimated dispatch 7-14 working days
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£67.95Chorale and Fugue, Opus 1 - Gerald Sebesky
This song contains only whole notes, half notes, and quarter notes, a great composition for the students first concert. No clarinets cross the break, and the first trumpet's highest note is C.
Estimated dispatch 7-14 working days
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£67.95On The Wings Of Butterflies - Amy Webb
Perfect for your first concert. Easy and beautiful. It is a great song for teaching balance and dynamics. Rhythmically there are only whole, half and quarter notes. Clarinets do not cross the break, and the first trumpet's highest note is C.
Estimated dispatch 7-14 working days
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£72.95Stand Tall In Changing Times - Roger Cichy
Based on the idea of the purpose of education and how it prepares students for life, this work starts with a stately fanfare style opening. The composition has contrasting melodies and rich harmonies. 1st trumpet's highest notes is a C. Only the 1st clarinet plays over the break.
Estimated dispatch 7-14 working days
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£72.95Advance To The Big Top - Amy Webb
The circus is in town and everyone is excited! Here it is, a composition that portrays just this. An exciting, fun melody with just the right rhythms in the mix. Range is not a problem in this song. 1st trumpet's highest note is C. Only the 1st clarinets cross the break.
Estimated dispatch 7-14 working days
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£84.50Power Of The Redstone - Amy Webb
"Power of the Redstone is dramatic, exciting, and, most of all, it is fun to play! While I have written the piece in g minor, I have thrown in some diminished 7 chords and added some v chords for extraordinary sounds and novelty that students (and teachers who are tired of hearing I-iv-v-I over and over) are sure to latch on to and enjoy. The ranges on all of the instruments are well within the grade level of the piece, with Trumpet 1 going as high as 4th line D (just a couple of times), flute going no higher than their "C" and Trombone hitting their high E-flat one time. Dynamics are a very crucial part of this piece." - Amy Webb
Estimated dispatch 7-14 working days
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£78.95Hangin' Ten - Roger Cichy
Hangin' Ten is one of two movements of a composition called "Barefeet." The works may be played separately or together in a concert. This movement opens with sounds that are a bit mystical, then moving to a Latin jazz/rock style. It is quite syncopated and a fun song for your audience. The ranges are mostly within a Grade 4, though the last note of the Trumpet is C. Rhythmically it is challenging and a bit reminiscent of "West Side Story."
Estimated dispatch 7-14 working days
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£218.30Norsk Kunstnerkarneval Op.14 - Johan S. Svendsen
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in "Kunstnerforeningen".An early title for the work was "Bryllup paa Dovre". The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Sterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835 "Te voglio bene assai".I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen -
Estimated dispatch 7-14 working days