Results
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£23.50
Radetsky March - Johann Strauss Jr.
A Symphonic Band arrangement of the famous Radetsky March by Johann Strauss I. Available here are the score and parts.
Estimated dispatch 7-14 working days
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£118.99Geschichten aus dem Wienerwald - Johann Strauss Jr.
Geschichten aus dem Wienerwald (Tales from the Vienna Woods) is an iconic Viennese composition and is regularly performed by the Vienna Philharmonic at the New Year's Concert. As with the original, the arrangement includes a zither part, whichin this arrangement can be played either by double reeds or by saxophones.
Estimated dispatch 7-14 working days
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£129.99And Then the Ocean Glows - Johann Strauss
And Then the Ocean Glows was commissioned by Niihama Grade School and its director, Mr. Shinichi Tagawa and completed in April of 2002. Mr. Tagawa and I titled the piece together, drawing from sectional themes of "Shining Morning Ocean", "Wind Stormy Ocean" and "Large Mother Ocean." Before I began composing the piece, I visited Niihama's rehearsal and met the band's inspired young students. The work's theme and melodies are enjoyable and compelling for musicians; I would be delighted for bands to experience this fresh composition.Niihama Grade School Band performed this work for the All Japan Band Contest in 2002 and advanced to divisional level to receive a gold prize. The band also appeared in the TBS Children's Music Contest and received a first prize. (Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£118.99An der Schonen Blauen Donau (The Blue Danube) (Concert Band - Score and Parts) - Strauss, Johann - Van der Beek, Wil
An der schonen blauen Donau (The Blue Danube Waltz) has had more success as a concert waltz than in the original choral version: since its victorious performance at the World Exhibition in Paris (1867) it has achieved fame world-wide. In Austria An der schonen blauen Donau has even become an unofficial anthem. At the traditional New Year's concert given by the Vienna Philharmonic, this waltz, along with Radetzky March by Johann Strauss the Elder, is always played as an encore.Duration: 14:30
Estimated dispatch 7-14 working days
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£68.00Radetzky - Strauss, Johann - Reed, Alfred
An outstanding arrangement of the famous Strauss march which retains all of the charm of the original. Arranged by Alfred Reed, this march provides an opportunity for directors to program a European style march in a version that takes advantage of all of a concert band's capabilities!
Estimated dispatch 7-14 working days
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£65.00
Thunder and Lightning - Strauss, Johann - Reed, Alfred
This Johann Strauss classic with the Alfred Reed touch makes a perfect encore piece that is completely audience friendly and tons of fun for the players. The energy created by this wonder piece is second to none, and will have everyone in the audience smiling. A perfect selection for adult community bands or great change of pace for any concert performance. FULL OF ENERGY!
Estimated dispatch 7-14 working days
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£118.99Geschichten aus dem Wienerwald (Tales from the Vienna Woods) (Concert Band - Score and Parts) - Strauss, Johann - Takahashi, Tohru
Geschichten aus dem Wienerwald (Tales from the Vienna Woods) is an iconic Viennese composition and is regularly performed by the Vienna Philharmonic at the New Year's Concert. As with the original, the arrangement includes a zither part, which in this arrangement can be played either by double reeds or by saxophones.Duration: 12.30
Estimated dispatch 7-14 working days
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£107.70
Triqui-Traqui - Paul Desenne
Commissioned by Gustavo Dudamel for his 2017 New Year's concert with the Vienna Philharmonic, my Caribbean reinterpretation of Strauss' famous Tritsch-Tratsch Polka was deemed tooosefor the occasion, yet the maestro recorded it that year, not in Vienna but in Caracas, with the fabulous performers of his orchestra, the Orquesta Sinfnica Simn Bolvar, and published it on the web as his musical New Year's greetings card. The gesture was meaningful, and bold. I'm convinced that Johann Strauss, a man immersed in the fashions of his city and his time, would have loved the idea; a musical collage which carries in its banter a very strong aesthetic statement. The lightest and most frivolous things seem to always carry the deepest messages, let us not forget. ... ... Today, this version of my transformed Tritsch- Tratsch Polka forSymphonic Band created by Steve Boehm, will certainly tickle the Viennese in each and every one of us, and we will be very happy!"
Estimated dispatch 7-14 working days
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£87.99A Few Dots of Polka - Hans Christian Lumbye
Although known as the 'Waltz King' Johann Strauss II also wrote a large number of polkas. This clever mosaic by Ed Keeley, includes interwoven themes from The Czech Polka, Pizzicato Polka, Tritsch Tratsch Polka, Thunder & Lightning by Johann Strauss II, Lumbye's Champagne Galop and to finish, in fine classical foot-stomping style, the finale contains references to William Tell, Ode to Joy and 1812.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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